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标题
作者
Modern art history as a human science in a situation of cultural turn
Khrenov N.
Can “Native” Cinema Be Marketable
Zhabskiy M.
The Aspects of Body in American Film Noir (1941-1955)
Orozbaev K.
Modern art history as a human science in a situation of cultural turn
Khrenov N.
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»
Bezenkova M.
The Transformation of the Jesse James’ Myth in Contemporary American Cinema
Zakharov D.
Modern art history as a human science in a situation of cultural turn
Khrenov N.
Film as Text. Some Aspects of Text Analysis
Kluyeva L.
Dramatic Peculiarities of Ecological film
Trusevich Y.
Artistic Thinking as a Characteristic Property of Creative Intellect
Andreyev A.
Color and Sound in Balzac's Novels
Anosova N., Anosovа N.
From Theory to Methodology of Cinema
Schtein S.
Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood
Pishita Y.
From Theory to Methodology of Cinema
Schtein S.
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?
KHrenov N., KHrenov A.
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev
Pishita Y.
Style “Noir” in Classical and Contemporary Art History
Orozbaev K.
Modern Art History As a Human Science in a Situation of Cultural Turn
KHrenov N.
Essential Peculiarities of Time Representation in the post-perestroika cinema
Bezenkova M.
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema
Arysheva A.
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