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Title
Authors
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”
Goryachok K.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
Involuntary Behavior of Gogol’s Heroes
Mildon V.I.
Is Aesthetics a Metatheory in Relation to Art Criticism?
Nikitina I.
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines
Nikitina I.P.
Human Being in Media Arts: Character and TV Series
Kazyuchits M.F.
S.M. Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
The factors of competitive ability of national film industries
Zhabskiy M.I.
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
Art between Scylla and Charybdis Panel Discussion: «Paradoxes of Modern Artistic Culture»
Synesthetic Problems in French Symbolism’ Aesthetics and their Current Relevance
Mankovskaya N.B.
The factors of competitive ability of national film industries
Zhabskiy M.I.
Landscape as a Leitmotif of a Film
Shakhovskaya N.A.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
The Role of Memory in the Perception of the Screen Image
Nikitina I.P.
The 60s. Half a Century Later. Nostalgia
Prozhiko G.S.
Contemporary approach to the understanding of the notion of “beautiful” as an aesthetic category
Nikitina I.P.
Evolution of the TV documentary genres and the principles of its classification
Shergova X.A.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
The role and basic aspects of ‘‘the montage of attractions’’ in Russian cinema
Gulyaeva Y.V.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
Maurice Maeterlinck’s Philosophy of Art
Mankovskaya N.B.
On the importance of strategy changes of the discourse by the example of two Alexey Herman's films
Kljueva L.B.
Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
1 - 25 of 25 Items

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