期 |
栏目 |
标题 |
文件 |
卷 10, 编号 3 (2018) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Sound as a Sign and Artistic Symbol in Film |
(Rus)
|
卷 10, 编号 2 (2018) |
WORLD CINEMA | ANALYSIS |
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause |
(Rus)
|
卷 10, 编号 1 (2018) |
WORLD CINEMA | ANALYSIS |
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music |
(Rus)
|
卷 9, 编号 3 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Voice in the Metadiegetic Space of the Motion Picture |
(Rus)
|
卷 9, 编号 2 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Music in the Metadigetic Space of the Motion Picture |
(Rus)
|
卷 9, 编号 1 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture |
(Rus)
|
卷 1, 编号 1 (2009) |
WORKSHOP | LESSONS OF EXCELLENCE |
About dubbing foreign ilms |
(Rus)
|
卷 11, 编号 2 (2019) |
PERFORMANCE | ART OF PRESENTATION |
The sound world of the alienated film character |
(Rus)
|
卷 11, 编号 1 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
电视屏幕上的游乐设施: 交通线游戏的规则 |
(Eng)
(Rus)
|
卷 11, 编号 3 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint |
(Rus)
|
卷 11, 编号 4 (2019) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound |
(Rus)
|