检索

期
标题
作者
卷 13, 编号 1 (2021)
Drama Features оf Documentary: Movie, TV Film, Streaming Platform
Trusevich E.
PDF
(Rus)
卷 12, 编号 3 (2020)
Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture
Krivulya N.
PDF
(Rus)
卷 12, 编号 3 (2020)
Modern Forms of Capturing Reality in the Format of Video Hosting
Shtandke A.
PDF
(Rus)
卷 11, 编号 3 (2019)
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.
PDF
(Rus)
卷 13, 编号 2(48) (2021)
The Perception of a Contemporary in Non-fiction Films
Shtandke A.
PDF
(Rus)
卷 12, 编号 4 (2020)
The Expressive Function of Color in Modern Non-Fiction Films
Shtandke A.
PDF
(Rus)
卷 5, 编号 4 (2013)
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants
Fyodorova A.
PDF
(Rus)
卷 2, 编号 3 (2010)
Dramatic Peculiarities of Ecological film
Trusevich Y.
PDF
(Rus)
卷 5, 编号 1 (2013)
State backing of non-fiction film
Malkova L.
PDF
(Rus)
卷 12, 编号 1 (2020)
Modern Social Problems in the Works of Novice Documentary Filmmakers
Shtandke A.
PDF
(Rus)
卷 7, 编号 4 (2015)
Reconstruction as the Character Depiction Method in Documentary
Troukhina A.
PDF
(Rus)
卷 7, 编号 3 (2015)
Conversation Direction in Russian Contemporary Documentaries
Trukhina A.
PDF
(Rus)
卷 2, 编号 2 (2010)
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945
Utilov V., Utilov V.
PDF
(Rus)
卷 8, 编号 4 (2016)
Newsreel: Is Its Revival Possible?
Malkova L.
PDF
(Rus)
卷 2, 编号 4 (2010)
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R., Naveskin R.
PDF
(Rus)
卷 9, 编号 2 (2017)
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.
PDF
(Rus)
卷 3, 编号 1 (2011)
Nature of Television as a Source ofDocumentary Genres Features
Shergova K.
PDF
(Rus)
卷 9, 编号 4 (2017)
Criteria of Composition of Documentaries about Nature
Berkova N.
PDF
(Rus)
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