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Title
Authors
Drama Features оf Documentary: Movie, TV Film, Streaming Platform
Trusevich E.
The Expressive Function of Color in Modern Non-Fiction Films
Shtandke A.
Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture
Krivulya N.
Modern Forms of Capturing Reality in the Format of Video Hosting
Shtandke A.
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.V.
The Perception of a Contemporary in Non-fiction Films
Shtandke A.
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants
Fyodorova A.A.
Dramatic Peculiarities of Ecological film
Trusevich Y.S.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R.A., Naveskin R.A.
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.Y.
Nature of Television as a Source ofDocumentary Genres Features
Shergova K.A.
Criteria of Composition of Documentaries about Nature
Berkova N.N.
State backing of non-fiction film
Malkova L.Y.
Modern Social Problems in the Works of Novice Documentary Filmmakers
Shtandke A.A.
Reconstruction as the Character Depiction Method in Documentary
Troukhina A.V.
Conversation Direction in Russian Contemporary Documentaries
Trukhina A.V.
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945
Utilov V.A., Utilov V.
Newsreel: Is Its Revival Possible?
Malkova L.Y.
1 - 18 of 18 Items

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