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期
标题
作者
卷 10, 编号 3 (2018)
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.
PDF
(Rus)
卷 13, 编号 3(49) (2021)
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries
Koneva M.
PDF
(Rus)
卷 10, 编号 1 (2018)
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.
PDF
(Rus)
卷 12, 编号 2 (2020)
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
PDF
(Rus)
卷 7, 编号 1 (2015)
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.
PDF
(Rus)
卷 9, 编号 2 (2017)
Music in the Metadigetic Space of the Motion Picture
Rusinova E.
PDF
(Rus)
卷 11, 编号 3 (2019)
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.
PDF
(Rus)
卷 10, 编号 1 (2018)
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E., Habchuk E.
PDF
(Rus)
卷 8, 编号 1 (2016)
Lost in Translation: Songs in Foreign Films
Parfentyeva Y.
PDF
(Rus)
卷 9, 编号 1 (2017)
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.
PDF
(Rus)
卷 11, 编号 3 (2019)
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.
PDF
(Rus)
卷 11, 编号 2 (2019)
The sound world of the alienated film character
Rusinova E.
PDF
(Rus)
卷 5, 编号 4 (2013)
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants
Fyodorova A.
PDF
(Rus)
卷 6, 编号 3 (2014)
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.
PDF
(Rus)
卷 9, 编号 1 (2017)
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.
PDF
(Rus)
卷 3, 编号 4 (2011)
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.
PDF
(Rus)
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