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标题
作者
The Evolution of the Concept of the Victory in Russian Documentary Cinema
Prozhiko G.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.
B.M.Nemensky’s “Berlin Sketches” and the Traditions of Russian Fine Art
Kleymenova O.
The factors of competitive ability of national film industries
Zhabskiy M.
Synthesis of National and Transnational in A. Konchalovsky's American Movies
Kurdiaev G.
Cable and Satellite: “Non-Fiction” Content
Belenkiy Y.
Toward the Sociological Rationalization of State Film Policy
Zhabskiy M.
The factors of competitive ability of national film industries
Zhabskiy M.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films
Malyshev V.
The Images of China on Russian Screen. A Glance from the Audience
Andreyev A., Andreyev I.
Methodological aspects of studying the history of Soviet cinema in the 1930s
Usuvaliev S.
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy
Khrenov N.
The image of prince Myshkin in Russian cinema
Ryabokon’ A.
Cinema Policy of Simple Solutions
Zhabsky M.
Traditions and Innovations in Film Education
Novikov A., Novikov A.
State Guardianship of Cinema: The Issue of Goal-Setting
Zhabsky M.
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