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Title
Authors
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”
Goryachok K.
Initiation by Fear as a Model of Soviet Film Tales of the 1960s
Zernova P.
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”
Vinogradov V.
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.V.
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years
Parfentyeva E.N.
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation
Zhdanova V.A.
Love in the Soviet Qnema as the Stereotype of Gender Relations
Fanina M.A.
Destiny of Indian Cinema in Russia
Nefedova D.N.
Patterns of Behavior in the Great Patriotic War’s Soviet Cinema
Rostotskaya M.A.
Methodological aspects of studying the history of Soviet cinema in the 1930s
Usuvaliev S.I.
Censorship Machine in the Soviet Cinema of the 1920s
Nasrtdinova A.R.
Contemporary Russian cinema and its world contexts
Reisen O.K.
Contemporary Russian Cinema and Its World Contexts
Reisen O.K.
1 - 14 of 14 Items

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