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Issue
Title
Authors
Vol 10, No 1 (2018)
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
PDF
(Rus)
Vol 6, No 4 (2014)
Video Art: “A White Cube” or “A Black Box”?
Staruseva-Persheeva A.D.
PDF
(Rus)
Vol 7, No 2 (2015)
Stylistic Features Of Russian Arthouse
Poznin V.F.
PDF
(Rus)
Vol 12, No 2 (2020)
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
PDF
(Rus)
Vol 6, No 3 (2014)
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
PDF
(Rus)
Vol 6, No 3 (2014)
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
PDF
(Rus)
Vol 11, No 1 (2019)
Mass scenes as a way of manipulating the consciousness of the viewer
Arysheva A.S.
PDF
(Rus)
Vol 9, No 3 (2017)
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
PDF
(Rus)
Vol 11, No 3 (2019)
The story of one crime: in life, in literature and in cinema
Zvegintseva I.A.
PDF
(Rus)
Vol 7, No 3 (2015)
Video Art: Significant Absence of Editing as an Artistic Tool
Staruseva-Persheyeva A.D.
PDF
(Rus)
Vol 10, No 3 (2018)
The Way of Genre in Cinema Documentary
Prozhiko G.S.
PDF
(Rus) PDF
(简体中)
Vol 4, No 2-3 (2012)
The Role of Memory in the Perception of the Screen Image
Poznin V.F.
PDF
(Rus)
Vol 8, No 3 (2016)
On The Matter of Market in Cinema
Zhabskiy M.I.
PDF
(Rus)
Vol 1, No 1 (2009)
Postmodernism as Myths Generating Practice
Mankovskaya N.B.
PDF
(Rus)
Vol 7, No 3 (2015)
Functional Duality of Cinema
Ushkarev A.A.
PDF
(Rus)
Vol 8, No 2 (2016)
Structural Analysis of Film Characters
Boyko M.E.
PDF
(Rus)
1 - 16 of 16 Items

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