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Title
Authors
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century
Smagina S.A.
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Smagina S.A.
Modern Art History As a Human Science in a Situation of Cultural Turn
KHrenov N.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Situations and Characters of American Pre-War Cinema
Fomina V.A.
World War II in the Cinema of Green Continent
Zvegintseva I.A.
Historical time and the image of the house in A. Sokurov’s work
Klimenko N.V.
Mythology and Conventions of American Pre-War Cinema
Fomina V.A.
Style “Noir” in Classical and Contemporary Art History
Orozbaev K.N.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Liberty as a Cultural Value
Mezhuyev V.M.
Education Genres Animated Poster in the Second Half of the 20th Century
Krivulya N.G.
Methodological aspects of studying the history of Soviet cinema in the 1930s
Usuvaliev S.I.
Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»
Bezenkova M.V.
The Aspects of Body in American Film Noir (1941-1955)
Orozbaev K.N.
Modern art history as a human science in a situation of cultural turn
Khrenov N.A.
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films
Malyshev V.S.
Gender Analysis of the Film “The Poet and the Fallen Soul”
Smagina S.A.
The Unknown Cinema of the War and Victory
Grashchenkova I.N., Grashchenkova I.N.
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»
Bezenkova M.V.
The Iranian Cinema of the 20th Century (1900-1980)
Mirakhorli A.
Reconstruction As a Show In Contemporary Historical TV-research
Ekimova A.V.
Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"
Ilchenko S.N.
Strategies of Audiovisual Translation
Bakulev G.P.
1 - 24 of 24 Items

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