期 |
标题 |
文件 |
卷 13, 编号 3(49) (2021) |
Modern Films In The Assessment Of Future Filmmakers |
(Rus)
|
Editorial office a.
|
卷 6, 编号 4 (2014) |
Video Art: “A White Cube” or “A Black Box”? |
(Rus)
|
Staruseva-Persheeva A.
|
卷 6, 编号 3 (2014) |
Planning Element as a Narrative Method in Moulding of Audiovisual Imagery in Documentaries |
(Rus)
|
Koneva M.
|
卷 6, 编号 3 (2014) |
Collage Methods in Russian Animation Under Market Conditions |
(Rus)
|
Trapeznikova Y.
|
卷 5, 编号 2 (2013) |
Magic Realism of André Delvaux |
(Rus)
|
Zakrevskaya A.
|
卷 4, 编号 1 (2012) |
The Reflection of Ethno-Cultural Stereotypes in Film Art |
(Rus)
|
Monakhova M.
|
卷 3, 编号 4 (2011) |
To the problem of correlation between a screen adaptation and its literary source |
(Rus)
|
Simonova S.
|
卷 3, 编号 4 (2011) |
“My Friend Ivan Lapshin” as a Screen Adaptation |
(Rus)
|
Sibirtseva Y.
|
卷 2, 编号 4 (2010) |
A Film as an "Unfinished Script": theProblem of Composition |
(Rus)
|
Korshunov V., Korshunov V.
|
卷 2, 编号 3 (2010) |
Dramatic Peculiarities of Ecological film |
(Rus)
|
Trusevich Y.
|
卷 2, 编号 1 (2010) |
Digital Technologies in Cinema |
(Rus)
|
Artemov V., Artemov V.
|
卷 1, 编号 1 (2009) |
The creative work of Sergey Paradzhanov as an event of Postmodernism |
(Rus)
|
Lukashova A.
|
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