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标题
作者
Sound as a Sign and Artistic Symbol in Film
Rusinova E.
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries
Koneva M.
The Image and Sound of War in the Films “The Ascent” and “Come and See”
Prozorovskaya I.
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music
Rusinova E., Habchuk E.
The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions
Oseeva Y.
电视屏幕上的游乐设施: 交通线游戏的规则
Rusinova E.
Music in the Metadigetic Space of the Motion Picture
Rusinova E.
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E., Khabchuk E.
About dubbing foreign ilms
ROUSSINOVA E.
Voice in the Metadiegetic Space of the Motion Picture
Rusinova E.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.
The sound world of the alienated film character
Rusinova E.
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants
Fyodorova A.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.
Impact of Technology on Screen Aesthetics
Poznin V.
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.
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