Vol 21, No 4 (2019)

The article describes the pedagogical experiment, which consists in the application of the evaluation tools developed by the authors of the Fund for mathematical analysis for bachelors of the direction 38.03.01 «Economics» and carrying out control and evaluation activities, such as control and independent work, credit and examination in the discipline, the system of accumulation of points for intermediate certification. Comparison of experimental and control groups of students, conducted on the basis of passing the test and exam showed the effectiveness of the proposed COM in the dynamics. For a more accurate analysis of the data of the results of the intermediate testing of the control and experimental groups subjected to statistical processing: for the random value of D - fraction of correctly solved tests by an individual student - built variational series, calculated the basic numerical characteristics, proved the normal distribution law using Pearson's consent criterion, calculated confidence intervals for the evaluation of the unknown mathematical expectation. The experiment allows us to state the improvement of the quality of mathematical training of bachelors of the University using the proposed evaluation tools.

Subject of the article: N.P. Ogarev - M.Yu. Lermontov: musical-poetic dialogue. The object of the article: the intellectual life of Russia of the XIXth century through the prism of musical interests of the advanced people of that time. Purpose of the project: to update for the scientific and educational world the information of N.P. Ogarev’s composer’s experiments (a famous thinker, poet and publicist), focusing on the breadth and depth of his interests: how the life of the soul was highlighted through the sphere of music; how the immersion in art, enjoyment of music, freedom of artistic and aesthetic expressions, as well as composing creativity contributed to a special type of thinking and philosophizing. Methodology of work: the inclusion of Ogarev’s composing experiments (seven romances on Lermontov’s poems) in the general picture of the formation of musical consciousness in the middle of the 19th century in Russia made it possible to see in this phenomenon music as wealth, beneficence, as a free stream, as one of the important hypostases in the spiritual life of a person. This context of studying the musical interests of Ogarev is possible with comparative-historical and culturological approaches, as well as art analysis methods. Results of the work : the consideration of Ogarev’s musical compositions based on Lermontov’s poems makes it possible to construct a concept for the context of a unique phenomenon in Russian culture - amateurism in music. Scope of the results: Ogarev’s composing experiments as an amateur in music become the basis for the formation of a new scientific paradigm, stimulate research interest, and open up the possibilities of a comparative methodology in the study of the life and work of an individual. The comprehension of Ogarev’s appeal to Lermontov’s poetry for writing romances makes it possible to clarify/detail the general laws of the development of Russian musical thought for art historians and culturologists. Conclusion: the scientific novelty of the study lies in a comprehensive analysis of the materials of Ogarev’s composing creativity in the context of Russian culture. This allows improving the database reflecting Ogarev’s life and work, including these materials in the scientific circulation as unique, changing the perception of the state of history and man of the middle of the XIXth century and folding Ogarev’s work into the Russian musical culture, including his name in the ranks of musical figures. Thus, the conclusions presented in the article are reasoned and logical.

The article presents the results of the anthropological development of the Kazakh people based on the five studied systems of morphophysiological traits (in somatology, odontology, dermatoglyphics, serology and craniology) and a summary analysis of all anthropological data at the intra and intergroup levels. The clustering carried out by the authors on generalized distances for each of the five systems of the Kazakh population made it possible to assess the degree of genetic homogeneity of the studied local groups according to the territorial principle and according to the sub-ethnic structure of the Kazakhs, known in their recent historical past. Further, the authors conducted an intergroup analysis of their total anthropological indicators in comparison with similar data on various ethno-racial formations of Eurasia. As a result, the independent anthropological status of the Kazakhs was determined, among them, a natural result of a long ethno-anthropological development on the territory of Kazakhstan. At the same time, the results of the analyzes carried out for all studied systems of characters are presented in the form of illustrative illustrations - dendrograms and maps of the compared groups according to their genetic distance from each other. In addition, based on the analysis of the ratio of racial components in the composition of the inhabitants of Kazakhstan of different historical periods, up to the modern Kazakhs; The article highlights their ethnohistorical origins.

Patriarch Tikhon was appointed to the rank of Patriarch of Moscow and All Russia in 1917, on the eve of the October Revolution. After November 25, Russia began to rapidly implement the ideas of Karl Marx about the dictatorship of the proletariat and the liberation of society from the influence of religions and big capital. Simultaneously with the organization of the alternative ROC of the Renewed church administration, active anti-religious activities of party propagandists developed. Against the backdrop of these events, Saint Tikhon displayed an extraordinary firmness, strength of mind and clarity of thought. He played a very important role in Soviet Russia, which is still not fully appreciated.

Subject of the article: communication systems of man and humanity in culture and civilization. Object of the article: symbolic systems of nonverbal communication, man and humanity in culture and civilization. The purpose of the work: structuring the basic concepts in the sign-symbolic systems of culture, which perform the functions of rituals, generalization of the results. Methodology of work: review, analysis, and synthesis. The social and biological in the symbol-producing consciousness of man. The results of the work: justification for verbal and non-verbal communication systems of man and mankind in culture. Human language as the "grandiose code of culture" of all mankind. The field of application of the results: scientific, cultural and intercultural communication of man and humanity. Conclusion. The symbolic language of culture rituals in the unity of myth, sign and symbol, as the original symbol, refers to the designation of a stable circle of representations in human life, and also performs integrating and differentiating functions. The cultural-historical and material contexts of mankind are inherited by the individual, as created by ancestors in the past, and realized in the life of the present. At the same time, it is transmitted to descendants in the future through various symbols of culture, creating a "semiosphere". Material objects of cultural activity and arrangement of man in the biosphere Express his external appeals (signs and symbols) and meanings (semantics), which are conventional in human society. Well-known signs and symbols of state attributes of power, coats of arms of countries and cities, guilloche ornament on securities, money and documents, all these are cultural and historical "texts" of symbolic messages through the style of their time, the faces of art in General, as well as the decorative and applied sphere of culture that surrounds a person in life. The very need to develop stable long-term means of communication was the basis and prerequisite for the emergence of the sign in the cultural activity of man, followed by its symbolization against the background of deepening his natural skills and "manual labor". The oldest graphic image, as a projection of the syncretic complex since non-literate cultures, is identical to the counting-calendar characters of subsequent ages, for example the alternation of multiplicity odd and even numbers (female and male symbols), formally corresponds to the simplest types of mathematical structures that, in fact, due to the emergence of scientific knowledge about the world. The symbolic "microcosm" of man is represented and preserved by the purely anthropological, information and technological potential of the" macrocosm " of mankind. The sign-symbolic language encodes the conventional arrangement of man in the cultural space from the primitive times. "Psychological compulsion" of cultural activity of Homo sapiens in a sign, a symbol of cultural and historical context, reports on a role of the person in the universe. The mythological nature of the unconscious is a single continuum of conventionally conditioned, anthropologically significant information in the consciousness of each person, deciphering the purpose of life and living matter on earth. The consciousness of modern man reflects the phylogeny of the entire cultural and biological species Homo sapiens, and are realized in the picture of the world of a particular individual in his ontogenesis. The spheres of origin and preservation of the mythological picture of the human world remain: culture, art, folklore, ritual forms of cultural and historical myth-making, generating through human consciousness, anthropological existential essence of the unity of myth, sign and symbol in the sign-symbolic language of culture rituals as signs and symbols of modern civilization .

The article presents a continuation of the preliminary results of the study of anthropological materials from the Ottora oasis (Otrar district, Turkestan region), which were produced in the settlement of Besinshitoba. Besin-shitobe is of great interest to researchers as one of the monuments of the Otrar-Karatau archaeological culture of the epoch of the Kangüy state. a monument from the region of the rivers of the Lower and Middle Syr Darya of the period of existence of the Kanguy state (III century BC - IV century AD) in the territory of South Kazakhstan. Archaeological research on the site of Otrar and its surroundings revealed a number of medieval necropolises of the city of Otrar at different times. The necropolis of the Karakhanid period are found outside the walls of the rabad, on the north-west and south sides of the city. The north-western necropolis began immediately outside the rabad's fortifications, and occupied an ob-wide area. It is difficult to establish the exact parameters of the necropolis at the present time, since he suffered a man-made destruction. The cemetery is fully leveled with the construction of houses and the construction of household plots, an asphalt road is laid through it, a modern channel cuts through. According to local residents, many remains were excavated during the digging of the canal, as well as during the construction of the water tower in the village of Talapta. Residents when working in the garden constantly stumble upon human remains.