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Astrakhan artist Sh. A.-Kh. Taktashev’s parallel realism (to the 75th anniversary of his birth)
Taktashev M.S.
“Courtly refinement”: Special Features of Some Female Portraits of the Fontainebleau School
Russkikh D.P.
Icon in the sociocultural and spiritual space of a Russian region
Chibikova I.Y.
The development of G.N. Zhuravlyov’s unique style during his work on the icon The image of the holy great martyr George The Victorious
Chibikova I.Y.
A. P. Antropov – the first russian portrait painter of Catherine II: on the dialogicity of traditions
Skorobogacheva E.A., Kremneva A.V.
Continuity and Mentoring in Development of abstract painting in Siberia
Popova N.S.
The theological dominant in I. Ivazovsky’s work
Skorobogacheva E.A.
Iconography and plot features of the Syzran Old Believer icon
Chibikova I.Y., Naumova O.S.
Semantic Horizons of the Poetics of the Visible in a Literary Text
Golubkov S.A.
Artistic Representations of the World of Childhood in Russia’s Nineteenth-Century Fine Art
Zaytseva I.A., Kuznetsova M.E., Samsonova I.V.
Special features of the wall paintings in the churches of Uglich during the second half of the 18th and the first half of the 19th centuries
Ivanova V.N.
1 - 11 of 11 Items

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