| Issue |
Title |
File |
| Vol 3, No 2 (2022) |
Les concerts historiques as manifestation of the “co-creative” phenomenon of enlightenment (as exemplified by Charles-Valentin Alkan’s Petits concerts) |
(Rus)
|
|
Kuprina E.Y.
|
| Vol 3, No 3 (2022) |
A Conversation about the Meanings and Mission of Culture at the Time of Social Turbulence |
(Rus)
|
|
Ionesov V.I., Khrenov N.A.
|
| Vol 2, No 2 (2021) |
A list of the contents of the journal «The industrious Bee» (1759) |
(Rus)
|
|
Rastyagayev A.V., Slozhenikina Y.V.
|
| Vol 2, No 4 (2021) |
A. P. Antropov – the first russian portrait painter of Catherine II: on the dialogicity of traditions |
(Rus)
|
|
Skorobogacheva E.A., Kremneva A.V.
|
| Vol 3, No 4 (2022) |
A polylogue of musical collaboration (as exemplified by Ch.-V. Alkan’s second set оf transcriptions Souvenirs de concerts du conservatoire) |
(Rus)
|
|
Kuprina E.Y.
|
| Vol 2, No 4 (2021) |
Aksakov autumn – 2021 in Samara |
(Rus)
|
|
Baknina T.V., Bogdanova I.A.
|
| Vol 3, No 4 (2022) |
Almanacs of the late XVIIIth – first half of the XIXth centuries in the funds of the state museum-estate of V.G. Belinskiy |
(Rus)
|
|
Artyushina S.V., Rudneva L.M.
|
| Vol 1, No 1 (2020) |
Anthropological interpretation of non-classical art |
(Rus)
|
|
Krivtsun O.A.
|
| Vol 2, No 3 (2021) |
Appendix No. 2 to the article by E.S. Bogdanova «Special Effects in Soviet Cinema: The Method of “Combined Perspective”» |
(Rus)
|
|
Belmasov M.A., Kozlov P.V., Ptushko A.L.
|
| Vol 3, No 2 (2022) |
Art realm of today’s museum and art mediation |
(Rus)
|
|
Nazarov A.S.
|
| Vol 3, No 3 (2022) |
Artistic Representations of the World of Childhood in Russia’s Nineteenth-Century Fine Art |
(Rus)
|
|
Zaytseva I.A., Kuznetsova M.E., Samsonova I.V.
|
| Vol 3, No 3 (2022) |
Book Culture of the Germans of the Crimean ASSR in the Aspect of the National Policy of the Region During the 1920s–30s |
(Rus)
|
|
Pirozhkova T.V.
|
| Vol 3, No 1 (2022) |
Book publishing in the Saratov province of 1918–28 as an object of scholarly research |
(Rus)
|
|
Kasovich A.S.
|
| Vol 3, No 3 (2022) |
Conversations of the “Gallant” Era. Harmonic Features of Italian Vocal Duets and Dialogues in the Music of the First Half of the 17th Century |
(Rus)
|
|
Popova M.M.
|
| Vol 2, No 2 (2021) |
Cross-cultural compositions for landscape contact zones of civilization connections |
(Eng)
|
|
Loiko A.I.
|
| Vol 3, No 2 (2022) |
Cultural policy of stimulating young people’s reading commitment: priorities of the digital era |
(Rus)
|
|
Askarova V.Y.
|
| Vol 3, No 1 (2022) |
Death, immortality and cosmos: William S. Burroughs about the fears of today |
(Rus)
|
|
Ryapolov S.V.
|
| Vol 3, No 4 (2022) |
Definition of urban culture mission in a modern city (as exemplified by the city district of Tolyatti of Samara region) |
(Rus)
|
|
Skripacheva I.A.
|
| Vol 2, No 3 (2021) |
Difficulties of semantization of preventive medicine terminology |
(Rus)
|
|
Andreev V.P., Plakhotskaia Z.V.
|
| Vol 3, No 1 (2022) |
Edification of Catherine II for the noble youth sent to foreign lands for training |
(Rus)
|
|
Aukštikalnytė A.D.
|
| Vol 1, No 2 (2020) |
EXPRESSIVENESS IN THE PERFORMATIVE ART OF CHOREOGRAPHY AS AN INTEGRAL PART OF NATIONAL DANCE CULTURE |
(Rus)
|
|
Makarova V.G.
|
| Vol 2, No 1 (2021) |
FUNCTIONS OF THE UNIVERSITY LIBRARY IN THE CONTEXT OF THE DIGITIZATION OF EDUCATION |
(Rus)
|
|
Gavrilova Y.N.
|
| Vol 2, No 1 (2021) |
GLOBAL CRISIS AND THE CREATIVE INDUSTRIES IN AN ERA OF CHANGE |
(Rus)
|
|
Uvarov А.V.
|
| Vol 3, No 1 (2022) |
Honored artist of the RSFSR Idea Alekseevna Erokhina |
(Rus)
|
|
Antonova L.V.
|
| Vol 1, No 2 (2020) |
HUMANITARIAN SPACE OF SAMARA/KUIBYSHEV: TIME AND PLACE OF D. SHOSTAKOVICH |
(Rus)
|
|
Burlina E.Y., Bоkuradze D.S.
|
| Vol 3, No 4 (2022) |
Icon in the sociocultural and spiritual space of a Russian region |
(Rus)
|
|
Chibikova I.Y.
|
| Vol 2, No 2 (2021) |
Idealism as «criminal content» (concerning A.F. Losev’s «restoration» of the world of eternal ideas) |
(Rus)
|
|
Kuznetsov V.A.
|
| Vol 3, No 4 (2022) |
Inclusive theatre and its role in the sociocultural space (on the problem of specifics and artistic language) |
(Rus)
|
|
Petrov V.V., Zavarnitsyna N.M.
|
| Vol 2, No 4 (2021) |
Joan Miro’s art in the context of abstract surrealism |
(Rus)
|
|
Stolyarova E.G.
|
| Vol 3, No 4 (2022) |
Jubilee edition of A.S. Griboyedov’s comedy Wit works woe. 1862–2022 |
(Rus)
|
|
Filippova A.A.
|
| Vol 3, No 4 (2022) |
Late autumn in Ilyinskoye: the diary of grand duke Sergei Alexandrovich, 15 October – 16 November 1897 |
(Rus)
|
|
Sofjina M.V., Sofjin D.M.
|
| Vol 3, No 1 (2022) |
Lenin’s image in music as the artifact of the Soviet culture and history |
(Rus)
|
|
Batisheva V.N.
|
| Vol 1, No 1 (2020) |
M. Epshteyn - «chelovek slovotvoryashchiy» 16 voprosov Mikhailu Epshteynu o kul'ture, o vremeni i o sebe |
(Rus)
|
|
Ionesov V.I.
|
| Vol 1, No 2 (2020) |
MARGINAL VICTIMS AS A CULTURAL PHENOMENON |
(Rus)
|
|
Serikov А.Е.
|
| Vol 2, No 3 (2021) |
Musical metaphor in the artistic world of Dina Rubina |
(Rus)
|
|
Kozinets S.B.
|
| Vol 1, No 1 (2020) |
Obraz - kontsept - filosofiya - iskusstvo(Retsenziya na izdanie: Loginova M.V. Sovremennaya filosofiya iskusstva: kontseptosfera: ucheb. posobie. Saransk: Izd-vo Mordov. un-ta, 2020. 220 s.) |
(Rus)
|
|
Slozhenikina Y.V.
|
| Vol 3, No 1 (2022) |
On museum ontology: history, memory, zeitregime |
(Rus)
|
|
Gerasimov O.V.
|
| Vol 1, No 1 (2020) |
On the origins of socioterminology: socio-cultural contexts of a term’s functioning |
(Rus)
|
|
Alekseeva L.M., Mishlanova S.L.
|
| Vol 2, No 2 (2021) |
Personal documents of Tver merchants as cultural heritage |
(Rus)
|
|
Sereda N.V.
|
| Vol 1, No 1 (2020) |
Problems of development of the art of illustrating children’s books (late 18th-early 20th century) |
(Rus)
|
|
Skorobogacheva E.A., Soldatova A.V.
|
| Vol 3, No 4 (2022) |
Records in manuscript and printed books as a source of information on the spread of book culture in the middle Volga region of the XVIIth century |
(Rus)
|
|
Makarov A.I.
|
| Vol 3, No 2 (2022) |
Russian sacred style in the miniatures of the illuminated chronicles of Ivan the Terrible |
(Rus)
|
|
Vishnya I.B.
|
| Vol 3, No 2 (2022) |
Russian-German crossroads: one sketch about I.P. Ladyzhnikov’s publishing house |
(Rus)
|
|
Anisimov A.O.
|
| Vol 1, No 2 (2020) |
Samara-Samarkand: Expanding Humanitarian Borders. To the 600th Anniversary of Samapkand State University |
(Rus)
|
|
Naumova O.S.
|
| Vol 1, No 2 (2020) |
Samarkand state university - heir to great intellectual traditions |
(Rus)
|
|
Ionesov V.I.
|
| Vol 2, No 1 (2021) |
SAMARSKIY ITOG II MEZhREGIONAL'NOGO FORUMA «ROD AKSAKOVYKh - GORDOST' OTEChESTVA» (10-12 NOYaBRYa 2020 g.) |
(Rus)
|
|
Motin S.V.
|
| Vol 3, No 3 (2022) |
Sergey Aksakov, the First Professional Composer from Samara |
(Rus)
|
|
Semenov V.T.
|
| Vol 3, No 1 (2022) |
Shostakovich’s unfinished opera The Gamblers: an artist’s unfinished concept and approaches to the reconstruction of the whole |
(Rus)
|
|
Krishtalyuk O.A.
|
| Vol 2, No 2 (2021) |
Special effects in soviet cinema: the method of «combined perspective» |
(Rus)
|
|
Bogdanova E.S.
|
| Vol 3, No 1 (2022) |
Special effects of the soviet cinema: a method of finishing drawing |
(Rus)
|
|
Bogdanova E.S.
|
| Vol 3, No 2 (2022) |
Special features of the wall paintings in the churches of Uglich during the second half of the 18th and the first half of the 19th centuries |
(Rus)
|
|
Ivanova V.N.
|
| Vol 3, No 3 (2022) |
Specificities of the Urban Identity of Industrial City Residents in the Southern Urals (Based on the Materials of a Mass Survey) |
(Rus)
|
|
Shub M.L.
|
| Vol 3, No 3 (2022) |
Terpsikhora Strany Sovetov (“Terpsichore of the Soviet Country”): From Mezhdunarodnaya Kniga (“The International Book”) to the Iskusstvo (“Art”) Publishing House |
(Rus)
|
|
Boldyreva O.P., Chizh I.S.
|
| Vol 1, No 2 (2020) |
THE AUDIO CYCLE «DMITRI SHOSTAKOVICH SPEAKS» AS PART OF THE VIRTUAL PROJECT «THE VOICES OF THE GREATS: A COLLECTION OF VINYL RECORDS FROM THE COLLECTIONS OF THE SAMARA REGIONAL UNIVERSAL SCIENTIFIC LIBRARY» |
(Rus)
|
|
Zagorulko I.A.
|
| Vol 2, No 3 (2021) |
The battle between a pig and a donkey: оn the reattribution of THE fable against Sumarokov from the literary war of the 1760s |
(Rus)
|
|
Osokin M.Y.
|
| Vol 2, No 4 (2021) |
The concept of “pride” («гордость») in east slavic and polish linguocultures |
(Rus)
|
|
Stefanski E.E.
|
| Vol 3, No 2 (2022) |
The condition of the Baltic Fleet libraries during the first years of the soviet power (based on the materials of the Russian State Naval Archives) |
(Rus)
|
|
Novikova L.I.
|
| Vol 3, No 4 (2022) |
The Croatian scholar in his Siberian exile in the second half of the XVIIth century. On Juraj Križanjić’s book collection in Tobolsk |
(Rus)
|
|
Shestopalov I.I.
|
| Vol 3, No 1 (2022) |
The development of G.N. Zhuravlyov’s unique style during his work on the icon The image of the holy great martyr George The Victorious |
(Rus)
|
|
Chibikova I.Y.
|
| Vol 1, No 2 (2020) |
THE DOCUMENTOSPHERE IN SOCIOCULTURAL SPACE |
(Rus)
|
|
Sokolov A.V.
|
| Vol 2, No 2 (2021) |
The evolution of poems as machines |
(Rus)
|
|
Faustov S.M.
|
| Vol 2, No 4 (2021) |
The experience of modern cinema interpretation of classics: A.P. Chekhov’s «Three sisters» in Sergei Solovyov’s and Yuri Grymov’s film adaptations |
(Rus)
|
|
Zhurcheva T.V.
|
| Vol 3, No 3 (2022) |
The Functional Role of Colloquial Syntax Elements in Tatyana Tolstaya’s Novel Kys’ |
(Rus)
|
|
Baknina T.V.
|
| Vol 2, No 1 (2021) |
THE GENEALOGY OF THE CITY IN LIGHT OF THE IDEA OF THE «MIDDLE» |
(Rus)
|
|
Nemtsev L.V.
|
| Vol 1, No 1 (2020) |
The hidden languages of russian satire and humour |
(Rus)
|
|
Golubkov S.A.
|
| Vol 1, No 2 (2020) |
The historical roots of the higher educational system, or what is the age of Uzbekistan universities? |
(Rus)
|
|
Khalmuradov R.I.
|
| Vol 2, No 2 (2021) |
The influence of reformation on education, science and culture in early modern England |
(Rus)
|
|
Yerokhin V.N.
|
| Vol 2, No 1 (2021) |
THE INTERMEDIALITY OF HARRY GORDON’S POETRY |
(Rus)
|
|
Seifert Е.I.
|
| Vol 3, No 2 (2022) |
The issues of meta-narrative structure in tom Stoppard’s play and film Rosencrantz and Guildenstern are dead |
(Rus)
|
|
Abramovskikh E.V., Pasashkova S.M., Smolenskaya M.A.
|
| Vol 2, No 3 (2021) |
The mediating role of karachai-balkar food in the rite of passage to the world of the dead in the late 19th - early 20th century |
(Rus)
|
|
Khadzhieva M.K.
|
| Vol 1, No 1 (2020) |
The methodology of the disciplines that constitute the system of documentation and communication |
(Rus)
|
|
Vokhrysheva M.G.
|
| Vol 3, No 1 (2022) |
The phenomenon of spontaneous commemoration: its essence, types, and functions |
(Rus)
|
|
Yarychev N.U.
|
| Vol 1, No 1 (2020) |
The problem of genre in mozart (on “Cosi fan tutte”) |
(Rus)
|
|
Kuklinskaya M.Y.
|
| Vol 2, No 3 (2021) |
The role of self-generating databases (CNSHB) in providing information to users |
(Rus)
|
|
Pirumova L.N.
|
| Vol 2, No 4 (2021) |
The search for a new development strategy of a regional institute of culture in conditions of glocalization |
(Rus)
|
|
Naumova O.S., Alasheeva S.A.
|
| Vol 1, No 1 (2020) |
The socio-philosophical foundations for a typology of civilizations |
(Rus)
|
|
Tyugashev E.A.
|
| Vol 2, No 3 (2021) |
The solo violin sonatas of Ivan Handoshkin in the context of chamber and instrumental music оf eighteenth-century Russia |
(Rus)
|
|
Dyatlov D.A.
|
| Vol 2, No 3 (2021) |
The theatricalisation of life in the era of Peter the Great in B.A. Sadovsky’s novel “Karl Weber” |
(Rus)
|
|
Kislova N.N., Zhurcheva O.V.
|
| Vol 1, No 1 (2020) |
The theological dominant in I. Ivazovsky’s work |
(Rus)
|
|
Skorobogacheva E.A.
|
| Vol 2, No 1 (2021) |
THE USE OF MODERN VISUAL AIDS FOR DEVELOPING CULTURAL COMPETENCY AMONG STUDENTS OF SECONDARY VOCATIONAL SCHOOLS |
(Rus)
|
|
Bychkova N.V.
|
| Vol 2, No 1 (2021) |
THE WORK OF ART IN A SOCIETY OF RISK |
(Rus)
|
|
Alikhanova V.L., Garshin N.A.
|
| Vol 1, No 2 (2020) |
THE «HOLY TIES OF COMRADESHIP» IN THE DESTINY AND POETICS OF DMITRII SHOSTAKOVICH |
(Rus)
|
|
Milovidova N.S.
|
| Vol 1, No 2 (2020) |
THE «MARCH OF TIME» REFLECTED IN NEOLOGICAL «YEARBOOKS» OF THE TWENTIETH CENTURY1 |
(Rus)
|
|
Kozlovskaya N.V.
|
| Vol 2, No 4 (2021) |
Theatrical reading: from a theatrical format to the separate dramatic genre of a “text for performance” |
(Rus)
|
|
Sizova M.I.
|
| Vol 2, No 1 (2021) |
Three epigrams by A.P. Sumarokov in the May issue of the journal “The Industrious Bee” (1759): the historical and cultural context |
(Rus)
|
|
Rastyagayev A.V., Slozhenikina Y.V.
|
| Vol 1, No 2 (2020) |
TIME AND SPACE IN THE MUSIC OF D. SHOSTAKOVICH |
(Rus)
|
|
Yarmukhametova R.S.
|
| Vol 1, No 1 (2020) |
Titles in the english language press as a factor of manipulative linguocultural influencein information wars |
(Rus)
|
|
Vokhrysheva E.V.
|
| Vol 3, No 2 (2022) |
Today’s library psychology in the context of N.A. Rubakin’s legacy |
(Rus)
|
|
Borodina V.A.
|
| Vol 2, No 1 (2021) |
TRENDS IN THE APPLICATION OF DIGITAL TECHNOLOGIES IN THE SPACE OF A MODERN MUSEUM |
(Rus)
|
|
Budagyan R.R.
|
| Vol 1, No 2 (2020) |
Turko-mongol motifs and symbols in M. Veller’s «Altai» prose |
(Rus)
|
|
Maryin D.V.
|
| Vol 1, No 2 (2020) |
UKRAINIAN ENTREPRISES AND MUSIC THEATER OF THE FAR EAST IN 1900-1905 |
(Rus)
|
|
Krylovskaya I.I.
|
| Vol 2, No 3 (2021) |
Understanding the fate of literary anecdotes in contemporary philology |
(Rus)
|
|
Golubkov S.A.
|
| Vol 1, No 2 (2020) |
Understanding the symbolic language of the Mordva ethno-cultural heritage: Nikolai Riabov’sethno-futuristic art |
(Rus)
|
|
Lapteva I.W.
|
| Vol 2, No 4 (2021) |
Updating of cultural heritage in the context of contemporary cultural policy |
(Rus)
|
|
Loginova M.V.
|
| Vol 3, No 2 (2022) |
Utilitarianism within today’s discourse of culture and philosophy |
(Rus)
|
|
Yemelyanova N.N.
|
| Vol 1, No 1 (2020) |
Verbal art in the contextof art synthesis (on the material of intermedial texts with singular authority) |
(Rus)
|
|
Gavrikov V.A.
|
| Vol 2, No 2 (2021) |
V.K. Trediakovskii’s «In praise of summer»: on mushrooms, flies, and some mechanisms of cultural memory |
(Rus)
|
|
Osokin M.Y.
|
| Vol 2, No 1 (2021) |
V.M. SHUKSHIN’S VIEW OF L.N. TOLSTOY’S «THOUGHTS ABOUT WRITING» |
(Rus)
|
|
Maryin D.V.
|
| Vol 2, No 1 (2021) |
WINE TRADE AND THE ASSIMILATION OF NEW CULTURAL PRACTICES IN RUSSIA OF THE LATE XVIII - EARLY XIX CENTURIES |
(Rus)
|
|
Chetyrina N.A.
|
| Vol 3, No 3 (2022) |
Women’s Role in the Foundation and Development of Private Libraries During the Second Half of the 19th and the Beginning of the 20th Centuries (Based on the Materials from the Upper Volga Area) |
(Rus)
|
|
Solovyov A.A.
|
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