Issue |
Title |
File |
Vol 5, No 4 (2024) |
“Civilization of Leisure”: Cultural Challenges and Compensatory Potential of the “Response” |
 (Rus)
|
Zubanova L.B., Gromova O.M.
|
Vol 2, No 3 (2021) |
“In the service of peace and progress”: тhе Moscow international book fair of 1975 |
 (Rus)
|
Pashkovskaia G.S.
|
Vol 2, No 4 (2021) |
”Musical theater” by Mark Levyant |
 (Rus)
|
Dyatlov D.A.
|
Vol 2, No 4 (2021) |
”The city as the stage for my feelings”: the specific emotional identity of the inhabitants of a closed city |
 (Rus)
|
Shub M.L.
|
Vol 1, No 2 (2020) |
«THE MUCH RESPECTED BOOKSHELF»: WHAT BOOKS DID THE PROTOTYPES OF THE HEROES OF A. TOLSTOI’S STORY «NIKITA’S CHILDHOOD» READ? |
 (Rus)
|
Perepelkin M.A.
|
Vol 4, No 1 (2023) |
A Focus in Which the Interests and Requests of the Peasantry Intersect: Village Reading Rooms of the Crimean ASSR in the 1920s |
 (Rus)
|
Pirozhkova T.V.
|
Vol 3, No 2 (2022) |
Les concerts historiques as manifestation of the “co-creative” phenomenon of enlightenment (as exemplified by Charles-Valentin Alkan’s Petits concerts) |
 (Rus)
|
Kuprina E.Y.
|
Vol 4, No 1 (2023) |
Living Mask and Character-Figure as Phenomena of Plastic Visualization and the Fundamental Principles of Plastic Language of Thinking (as Exemplified by the Ethnic Group of Mordvins) |
 (Rus)
|
Dogorova N.A., Voronina N.I.
|
Vol 4, No 1 (2023) |
Romeo and Juliet by S. Prokofiev and l. Lavrovsky as a Sample of Choreodrama on the Stage of the G.Ts. Tsydynzhapov Buryat State Academic Opera and Ballet Theater |
 (Rus)
|
Bagadaeva A.G.
|
Vol 3, No 3 (2022) |
A Conversation about the Meanings and Mission of Culture at the Time of Social Turbulence |
 (Rus)
|
Ionesov V.I., Khrenov N.A.
|
Vol 2, No 2 (2021) |
A list of the contents of the journal «The industrious Bee» (1759) |
 (Rus)
|
Rastyagayev A.V., Slozhenikina Y.V.
|
Vol 5, No 4 (2024) |
A National Library as a Type: Territorial Peculiarities of Emergence, Historical Formst |
 (Rus)
|
Matveev M.Y.
|
Vol 2, No 4 (2021) |
A. P. Antropov – the first russian portrait painter of Catherine II: on the dialogicity of traditions |
 (Rus)
|
Skorobogacheva E.A., Kremneva A.V.
|
Vol 3, No 4 (2022) |
A polylogue of musical collaboration (as exemplified by Ch.-V. Alkan’s second set оf transcriptions Souvenirs de concerts du conservatoire) |
 (Rus)
|
Kuprina E.Y.
|
Vol 5, No 2 (2024) |
A Siberian page in the history of the Saint Petersburg Military Topographic School Library |
 (Rus)
|
Panchenko A.M.
|
Vol 5, No 1 (2024) |
Activities of Russian Libraries in the Field of Retrospective Scientific and Auxiliary Bibliography: Issues of Theory and Modern Practice |
 (Rus)
|
Levin G.L.
|
Vol 5, No 1 (2024) |
Actualization of the Problem of Students’ Technological Skills Development in the Process of Artistic Ceramics Mastering: Thesaurus Approach |
 (Rus)
|
Voronkov A.N.
|
Vol 4, No 1 (2023) |
Aesthetics of Samarkand in Ilgiz Fazulzyanov’s Jewelry Art: Heritage as an Area of Creativity |
 (Rus)
|
Ionesov V.I., Fazulzyanov I.F.
|
Vol 2, No 4 (2021) |
Aksakov autumn – 2021 in Samara |
 (Rus)
|
Baknina T.V., Bogdanova I.A.
|
Vol 3, No 4 (2022) |
Almanacs of the late XVIIIth – first half of the XIXth centuries in the funds of the state museum-estate of V.G. Belinskiy |
 (Rus)
|
Artyushina S.V., Rudneva L.M.
|
Vol 4, No 2 (2023) |
Anatoly Praudin’s directing strategies in the interpretation of the classics |
 (Rus)
|
Zhurcheva T.V.
|
Vol 5, No 2 (2024) |
Andrey Osipovich Nikulin – an artist-inventor (To the 100th anniversary of Mosfilm) |
 (Rus)
|
Soldatova O.N., Pozdnyakov Y.V.
|
Vol 1, No 1 (2020) |
Anthropological interpretation of non-classical art |
 (Rus)
|
Krivtsun O.A.
|
Vol 2, No 3 (2021) |
Appendix No. 2 to the article by E.S. Bogdanova «Special Effects in Soviet Cinema: The Method of “Combined Perspective”» |
 (Rus)
|
Ptushko A.L., Kozlov P.V., Belmasov M.A.
|
Vol 4, No 2 (2023) |
Archive of composer Savely Orlov: on the problem of actualization |
 (Rus)
|
Dyatlov D.A.
|
Vol 3, No 2 (2022) |
Art realm of today’s museum and art mediation |
 (Rus)
|
Nazarov A.S.
|
Vol 5, No 2 (2024) |
Art science in the epoch of the cultural paradigms change: reflections on a new monograph by Nikolai Andreevich Khrenov |
 (Rus)
|
Ionesov V.I.
|
Vol 3, No 3 (2022) |
Artistic Representations of the World of Childhood in Russia’s Nineteenth-Century Fine Art |
 (Rus)
|
Zaytseva I.A., Kuznetsova M.E., Samsonova I.V.
|
Vol 5, No 4 (2024) |
At the Origins of the Russian Reception of Edwin Arnold: E.P. Blavatsky and V.V. Lesevich |
 (Rus)
|
Zhatkin D.N., Serdechnaya V.V.
|
Vol 5, No 3 (2024) |
Between A.P. Chekhov and M. Gorky: Evgeny Chirikov’s play Ivan Mironych Staged by the Moscow Art Theater (1905) |
 (Rus)
|
Zhurcheva O.V.
|
Vol 5, No 3 (2024) |
Bibliographic and Archaeographic Source Studies Sessions of the Round Table of the Russian Library Association in Sviyazhsk and Kazan |
 (Rus)
|
Razdorsky A.I.
|
Vol 3, No 3 (2022) |
Book Culture of the Germans of the Crimean ASSR in the Aspect of the National Policy of the Region During the 1920s–30s |
 (Rus)
|
Pirozhkova T.V.
|
Vol 3, No 1 (2022) |
Book publishing in the Saratov province of 1918–28 as an object of scholarly research |
 (Rus)
|
Kasovich A.S.
|
Vol 4, No 3 (2023) |
Book recommendation services in the bibliographic activities of libraries |
 (Rus)
|
Lavrik O.L., Yuklyaevskaya A.V.
|
Vol 5, No 2 (2024) |
Caricatures of the anti-Napoleonic campaign of 1812-1814: what exactly was published in the Syn Otechestva magazine? |
 (Rus)
|
Shcherbakova A.E.
|
Vol 4, No 4 (2023) |
Catholicism in Andy Warhol’s Pop Art Style |
 (Rus)
|
Iakovleva E.L.
|
Vol 4, No 2 (2023) |
Co-creative polylogue: art criticism aspect |
 (Rus)
|
Kuprina E.Y.
|
Vol 6, No 1 (2025) |
Collective Practices in Creating Musical Compositions: from Baroque to the Modern Times |
 (Rus)
|
Palamarzha A.Y.
|
Vol 4, No 3 (2023) |
Communication about a book and reading: dynamics of forms in historical and cultural context |
 (Rus)
|
Askarova V.Y.
|
Vol 5, No 4 (2024) |
Conceptual Fashion: An Experience of Structural-Semiotic Analysis |
 (Rus)
|
Sirotina I.L., Molchanova L.A.
|
Vol 6, No 1 (2025) |
Continuity and Mentoring in Development of abstract painting in Siberia |
 (Rus)
|
Popova N.S.
|
Vol 3, No 3 (2022) |
Conversations of the “Gallant” Era. Harmonic Features of Italian Vocal Duets and Dialogues in the Music of the First Half of the 17th Century |
 (Rus)
|
Popova M.M.
|
Vol 5, No 1 (2024) |
Convolutes of E.P. Iordansky’s Personal Archive as a Samizdat Phenomenon |
 (Rus)
|
Yarantsev V.N.
|
Vol 4, No 3 (2023) |
Creative reception of Leo Tolstoy’s works in contemporary dramaturgy |
 (Rus)
|
Zhurcheva O.V.
|
Vol 2, No 2 (2021) |
Cross-cultural compositions for landscape contact zones of civilization connections |
 (Eng)
|
Loiko A.I.
|
Vol 3, No 2 (2022) |
Cultural policy of stimulating young people’s reading commitment: priorities of the digital era |
 (Rus)
|
Askarova V.Y.
|
Vol 4, No 2 (2023) |
Culturological vector in documentation-communicative sciences research: potential and perspectives |
 (Rus)
|
Vokhrysheva M.G.
|
Vol 3, No 1 (2022) |
Death, immortality and cosmos: William S. Burroughs about the fears of today |
 (Rus)
|
Ryapolov S.V.
|
Vol 3, No 4 (2022) |
Definition of urban culture mission in a modern city (as exemplified by the city district of Tolyatti of Samara region) |
 (Rus)
|
Skripacheva I.A.
|
Vol 4, No 1 (2023) |
Dialogue with the Reader in the Novel One Billion Years to the End of the World by the Strugatsky Brothers |
 (Rus)
|
Lisovitskaya V.N.
|
Vol 2, No 3 (2021) |
Difficulties of semantization of preventive medicine terminology |
 (Rus)
|
Andreev V.P., Plakhotskaia Z.V.
|
Vol 5, No 3 (2024) |
Digital Transformations of Book Culture as a Subject of Scientific Research |
 (Rus)
|
Lopatina N.V., Voropayev A.N.
|
Vol 6, No 1 (2025) |
Dramatic monologue as a material for group speech training |
 (Rus)
|
Blyudov D.V.
|
Vol 6, No 1 (2025) |
Drawing as a Universal of Culture |
 (Rus)
|
Sevostyanov D.A.
|
Vol 4, No 4 (2023) |
D.V. Ulyaninsky – a Failed Collector of Literature on the Revolutionary Movement in Russia |
 (Rus)
|
Samarin A.Y.
|
Vol 3, No 1 (2022) |
Edification of Catherine II for the noble youth sent to foreign lands for training |
 (Rus)
|
Aukštikalnytė A.D.
|
Vol 4, No 3 (2023) |
Epic in russian drama of the xixth century (exemplified by A.N. Ostrovsky’s plays) |
 (Rus)
|
Tyutelova L.G.
|
Vol 5, No 4 (2024) |
Eschatology and Сulture: Golgotha Christian Newspaper The Novaya Zemlya (1910-1912) through the Prism of the Idea of Religious Justification of Culture |
 (Rus)
|
Gacheva A.G.
|
Vol 5, No 3 (2024) |
Estate and Dacha in Russian Literature of the XIXᵗʰ-XXIˢᵗ Centuries: the Current State of Studying |
 (Rus)
|
Bogdanova O.A.
|
Vol 1, No 2 (2020) |
EXPRESSIVENESS IN THE PERFORMATIVE ART OF CHOREOGRAPHY AS AN INTEGRAL PART OF NATIONAL DANCE CULTURE |
 (Rus)
|
Makarova V.G.
|
Vol 4, No 3 (2023) |
Extrahuman instances in Culture |
 (Rus)
|
Malyshev V.B.
|
Vol 6, No 1 (2025) |
F.F. Syromolotov’s Poetic Work in the Context of Newspaper Culture of the Early XXth Century |
 (Rus)
|
Kozlov I.V.
|
Vol 5, No 1 (2024) |
Fiction Writers and Fiction Readers as Participants of the Literary Process: to the Creation of a Social Psychological Portrait |
 (Rus)
|
Solina A.V.
|
Vol 5, No 4 (2024) |
From Intertextuality to Remediation: Movements of Meanings and Forms in Modern Art Culture |
 (Rus)
|
Shub M.L.
|
Vol 2, No 1 (2021) |
FUNCTIONS OF THE UNIVERSITY LIBRARY IN THE CONTEXT OF THE DIGITIZATION OF EDUCATION |
 (Rus)
|
Gavrilova Y.N.
|
Vol 5, No 2 (2024) |
G.A. Vyatkin in the Volzhskoe Slovo newspaper: “Samara period” of the Siberian publicist |
 (Rus)
|
Gerasimchuk I.V.
|
Vol 2, No 1 (2021) |
GLOBAL CRISIS AND THE CREATIVE INDUSTRIES IN AN ERA OF CHANGE |
 (Rus)
|
Uvarov А.V.
|
Vol 3, No 1 (2022) |
Honored artist of the RSFSR Idea Alekseevna Erokhina |
 (Rus)
|
Antonova L.V.
|
Vol 4, No 4 (2023) |
How the Russian Idea Can Get out of the Captivity of Intellectual Irrationalism |
 (Rus)
|
Bakshutova E.V., Rulina T.K.
|
Vol 1, No 2 (2020) |
HUMANITARIAN SPACE OF SAMARA/KUIBYSHEV: TIME AND PLACE OF D. SHOSTAKOVICH |
 (Rus)
|
Burlina E.Y., Bоkuradze D.S.
|
Vol 3, No 4 (2022) |
Icon in the sociocultural and spiritual space of a Russian region |
 (Rus)
|
Chibikova I.Y.
|
Vol 4, No 4 (2023) |
Iconography and plot features of the Syzran Old Believer icon |
 (Rus)
|
Chibikova I.Y., Naumova O.S.
|
Vol 2, No 2 (2021) |
Idealism as «criminal content» (concerning A.F. Losev’s «restoration» of the world of eternal ideas) |
 (Rus)
|
Kuznetsov V.A.
|
Vol 3, No 4 (2022) |
Inclusive theatre and its role in the sociocultural space (on the problem of specifics and artistic language) |
 (Rus)
 (Eng)
|
Petrov V.V., Zavarnitsyna N.M.
|
Vol 6, No 1 (2025) |
Interpretation of the Concept of “Cultural studies” in the National Linguistic Traditions of Russia and Abroad |
 (Rus)
|
Kuznetsova M.A., Arefiev M.A.
|
Vol 2, No 4 (2021) |
Joan Miro’s art in the context of abstract surrealism |
 (Rus)
|
Stolyarova E.G.
|
Vol 3, No 4 (2022) |
Jubilee edition of A.S. Griboyedov’s comedy Wit works woe. 1862–2022 |
 (Rus)
|
Filippova A.A.
|
Vol 4, No 4 (2023) |
Justifying Sub Specie Culture of Justifying History in Russian Religious and Philosophical Thought |
 (Rus)
 (Eng)
|
Gacheva А.G.
|
Vol 3, No 4 (2022) |
Late autumn in Ilyinskoye: the diary of grand duke Sergei Alexandrovich, 15 October – 16 November 1897 |
 (Rus)
|
Sofjina M.V., Sofjin D.M.
|
Vol 3, No 1 (2022) |
Lenin’s image in music as the artifact of the Soviet culture and history |
 (Rus)
|
Batisheva V.N.
|
Vol 1, No 1 (2020) |
M. Epshteyn - «chelovek slovotvoryashchiy» 16 voprosov Mikhailu Epshteynu o kul'ture, o vremeni i o sebe |
 (Rus)
|
Ionesov V.I.
|
Vol 1, No 2 (2020) |
MARGINAL VICTIMS AS A CULTURAL PHENOMENON |
 (Rus)
|
Serikov А.Е.
|
Vol 5, No 2 (2024) |
Modern trends in Chinese drama of the twentieth century exemplified by Liao Yimei’s play Rhinoceros in Love |
 (Rus)
|
Sizova M.I.
|
Vol 4, No 4 (2023) |
Multimedia Edition on the History of Engraving: Justification of the Project |
 (Rus)
|
Andreeva O.V., Ivanova P.V.
|
Vol 2, No 3 (2021) |
Musical metaphor in the artistic world of Dina Rubina |
 (Rus)
|
Kozinets S.B.
|
Vol 4, No 2 (2023) |
New theatrics in the mediatization era |
 (Rus)
|
Boldyreva T.V.
|
Vol 5, No 1 (2024) |
Novgorod Art Porcelain of the 1950s |
 (Rus)
|
Voropaeva T.A.
|
Vol 1, No 1 (2020) |
Obraz - kontsept - filosofiya - iskusstvo(Retsenziya na izdanie: Loginova M.V. Sovremennaya filosofiya iskusstva: kontseptosfera: ucheb. posobie. Saransk: Izd-vo Mordov. un-ta, 2020. 220 s.) |
 (Rus)
|
Slozhenikina Y.V.
|
Vol 4, No 4 (2023) |
Officers’ Libraries at the Provincial Reserve Infantry Battalions of the Russian Empire in the Second Half of the XIXth Century: Plans and Reality |
 (Rus)
|
Panchenko A.M.
|
Vol 3, No 1 (2022) |
On museum ontology: history, memory, zeitregime |
 (Rus)
|
Gerasimov O.V.
|
Vol 6, No 1 (2025) |
On the Experience of Work with Controversial Content in Libraries in the USA and Russia |
 (Rus)
|
Demkina D.S.
|
Vol 1, No 1 (2020) |
On the origins of socioterminology: socio-cultural contexts of a term’s functioning |
 (Rus)
|
Alekseeva L.M., Mishlanova S.L.
|
Vol 5, No 4 (2024) |
On the Other Side of the Autobiography: M. Kuncewicz’s Novel The Stranger |
 (Rus)
|
Perepelkin M.A.
|
Vol 2, No 2 (2021) |
Personal documents of Tver merchants as cultural heritage |
 (Rus)
|
Sereda N.V.
|
Vol 5, No 4 (2024) |
Phenomenological Approach as a Basis for Training of Performing Musicians |
 (Rus)
|
Reznichenko M.G., Loginov V.A.
|
Vol 4, No 2 (2023) |
Photoidentity: the specificity of photo sessions as a self-presentation tool |
 (Rus)
|
Zubanova L.B., Shub M.L.
|
Vol 5, No 2 (2024) |
Popularization of scientific knowledge by means of the theater exemplified by scientific and theatrical laboratories |
 (Rus)
|
Shklyarskaya A.E.
|
Vol 4, No 3 (2023) |
Problematic issues of the study and preparation of an Academic edition of S.I. Taneev’s cantata John of Damascus |
 (Rus)
|
Lukina G.U., Teterina N.I., Aleksandrova V.A.
|
Vol 5, No 4 (2024) |
Problems of Bibliology Studies through a Prism of Digital Transformations in the Socio-Communicative Nature of a Book |
 (Rus)
|
Diner E.V.
|
Vol 1, No 1 (2020) |
Problems of development of the art of illustrating children’s books (late 18th-early 20th century) |
 (Rus)
|
Skorobogacheva E.A., Soldatova A.V.
|
Vol 4, No 1 (2023) |
Professional Orientation of Library and Information Specialists of The Republic of Tatarstan (Research on the Basis of the Central Library of Kazan) |
 (Rus)
|
Maslova Y.V., Mansurova A.R.
|
Vol 4, No 1 (2023) |
Publisher Z.I. Grzhebin in Letters to Scientist, Socialist, Writer V.S. Voitinsky |
 (Rus)
|
Anisimov А.О.
|
Vol 5, No 3 (2024) |
Publishing Activities of the Russian Community in Narva and Ivangorod (1920-1940) |
 (Rus)
|
Bazanov P.N.
|
Vol 5, No 2 (2024) |
Reading culture in a digital transition |
 (Rus)
|
Maslova Y.V.
|
Vol 3, No 4 (2022) |
Records in manuscript and printed books as a source of information on the spread of book culture in the middle Volga region of the XVIIth century |
 (Rus)
|
Makarov A.I.
|
Vol 5, No 3 (2024) |
Renaissance and Decadence as Formation Ages of the Modern Understanding of Creativity |
 (Rus)
|
Pavlova O.A.
|
Vol 4, No 3 (2023) |
Ritual imitation as a way of symbolic requalification of culture (on example of proto-bactrian civilization artefacts) |
 (Rus)
|
Ionesov V.I.
|
Vol 3, No 2 (2022) |
Russian sacred style in the miniatures of the illuminated chronicles of Ivan the Terrible |
 (Rus)
 (Eng)
|
Vishnya I.B.
|
Vol 3, No 2 (2022) |
Russian-German crossroads: one sketch about I.P. Ladyzhnikov’s publishing house |
 (Rus)
|
Anisimov A.O.
|
Vol 1, No 2 (2020) |
Samara-Samarkand: Expanding Humanitarian Borders. To the 600th Anniversary of Samapkand State University |
 (Rus)
|
Naumova O.S.
|
Vol 1, No 2 (2020) |
Samarkand state university - heir to great intellectual traditions |
 (Rus)
|
Ionesov V.I.
|
Vol 2, No 1 (2021) |
SAMARSKIY ITOG II MEZhREGIONAL'NOGO FORUMA «ROD AKSAKOVYKh - GORDOST' OTEChESTVA» (10-12 NOYaBRYa 2020 g.) |
 (Rus)
|
Motin S.V.
|
Vol 5, No 3 (2024) |
Schematization in Artistic Picture: Hierarchy and Inversion |
 (Rus)
|
Sevostyanov D.A.
|
Vol 4, No 1 (2023) |
Scientific Periodization of Composer A.K. Glazunov’s Сreative Work |
 (Rus)
|
Li S.
|
Vol 4, No 1 (2023) |
Semantic Horizons of the Poetics of the Visible in a Literary Text |
 (Rus)
|
Golubkov S.A.
|
Vol 3, No 3 (2022) |
Sergey Aksakov, the First Professional Composer from Samara |
 (Rus)
|
Semenov V.T.
|
Vol 4, No 4 (2023) |
Sergey Yesenin and Paul Verlaine: Historical and Literary Parallels and Contexts |
 (Rus)
|
Voronova O.E.
|
Vol 5, No 4 (2024) |
Sheet Music Journals of Russia the Last Quarter of the XVIIIth – the First Half of the XIXth Century: Peculiarities of Structure and Content |
 (Rus)
|
Radzetskaya O.V.
|
Vol 3, No 1 (2022) |
Shostakovich’s unfinished opera The Gamblers: an artist’s unfinished concept and approaches to the reconstruction of the whole |
 (Rus)
|
Krishtalyuk O.A.
|
Vol 4, No 3 (2023) |
Sonata for viola and piano ор. 51 f-moll (1954) by V.Ya. Shebalin in russian music of the 50s of the XXth century: contexts of creativity |
 (Rus)
|
Radzetskaya O.V.
|
Vol 2, No 2 (2021) |
Special effects in soviet cinema: the method of «combined perspective» |
 (Rus)
|
Bogdanova E.S.
|
Vol 3, No 1 (2022) |
Special effects of the soviet cinema: a method of finishing drawing |
 (Rus)
|
Bogdanova E.S.
|
Vol 3, No 2 (2022) |
Special features of the wall paintings in the churches of Uglich during the second half of the 18th and the first half of the 19th centuries |
 (Rus)
|
Ivanova V.N.
|
Vol 3, No 3 (2022) |
Specificities of the Urban Identity of Industrial City Residents in the Southern Urals (Based on the Materials of a Mass Survey) |
 (Rus)
|
Shub M.L.
|
Vol 5, No 1 (2024) |
Structural and Content Features of Soviet ABC-Books |
 (Rus)
|
Kupriyanova T.G.
|
Vol 4, No 4 (2023) |
Synergistic Aesthetics |
 (Rus)
|
Medushevsky V.V.
|
Vol 4, No 2 (2023) |
Syzran periodical press (1917-1922) as a source on the history of book publishing and librarianship |
 (Rus)
|
Kurmaev M.V.
|
Vol 5, No 2 (2024) |
Technological foundations of a student creative project creation |
 (Rus)
|
Vinogradova L.A.
|
Vol 3, No 3 (2022) |
Terpsikhora Strany Sovetov (“Terpsichore of the Soviet Country”): From Mezhdunarodnaya Kniga (“The International Book”) to the Iskusstvo (“Art”) Publishing House |
 (Rus)
|
Boldyreva O.P., Chizh I.S.
|
Vol 5, No 1 (2024) |
The “Siberian Souvenir” Ensemble – to the 40th Anniversary of Its Foundation |
 (Rus)
|
Stolbovsky V.G., Sharenda O.G., Banzaraktsaeva E.V.
|
Vol 1, No 2 (2020) |
THE «HOLY TIES OF COMRADESHIP» IN THE DESTINY AND POETICS OF DMITRII SHOSTAKOVICH |
 (Rus)
|
Milovidova N.S.
|
Vol 1, No 2 (2020) |
THE «MARCH OF TIME» REFLECTED IN NEOLOGICAL «YEARBOOKS» OF THE TWENTIETH CENTURY1 |
 (Rus)
|
Kozlovskaya N.V.
|
Vol 6, No 1 (2025) |
The Pater Noster Cycle of the Bible of Piscator and the Russian Iconography of the Lord’s Prayer in the XVII Century |
 (Rus)
|
Zapadalova P.V.
|
Vol 5, No 3 (2024) |
The Apocalypse of Despiritualization as a Problem of Values: Based on Andrei Tarkovsky’s Creative Work |
 (Rus)
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Malyshev V.B.
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Vol 4, No 2 (2023) |
The ascending diagonal of Julian Markarov (in memory of a unique graphic artist) |
 (Rus)
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Sirotina I.L., Chichvarina O.G.
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Vol 1, No 2 (2020) |
THE AUDIO CYCLE «DMITRI SHOSTAKOVICH SPEAKS» AS PART OF THE VIRTUAL PROJECT «THE VOICES OF THE GREATS: A COLLECTION OF VINYL RECORDS FROM THE COLLECTIONS OF THE SAMARA REGIONAL UNIVERSAL SCIENTIFIC LIBRARY» |
 (Rus)
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Zagorulko I.A.
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Vol 2, No 3 (2021) |
The battle between a pig and a donkey: оn the reattribution of THE fable against Sumarokov from the literary war of the 1760s |
 (Rus)
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Osokin M.Y.
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Vol 5, No 2 (2024) |
The change in body-spatial sensation of man in the context of digital culture |
 (Rus)
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Mayakova O.V.
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Vol 2, No 4 (2021) |
The concept of “pride” («гордость») in east slavic and polish linguocultures |
 (Rus)
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Stefanski E.E.
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Vol 3, No 2 (2022) |
The condition of the Baltic Fleet libraries during the first years of the soviet power (based on the materials of the Russian State Naval Archives) |
 (Rus)
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Novikova L.I.
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Vol 3, No 4 (2022) |
The Croatian scholar in his Siberian exile in the second half of the XVIIth century. On Juraj Križanjić’s book collection in Tobolsk |
 (Rus)
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Shestopalov I.I.
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Vol 3, No 1 (2022) |
The development of G.N. Zhuravlyov’s unique style during his work on the icon The image of the holy great martyr George The Victorious |
 (Rus)
 (Eng)
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Chibikova I.Y.
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Vol 4, No 1 (2023) |
The Development of the Russian Film Industry in the Era of Digital Media Exemplified by A. Fedorchenko’s Film Big Snakes of Ulli-Kale |
 (Rus)
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Liao Y.
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Vol 5, No 1 (2024) |
The Difference of the External and Internal Point of View in the Text with an Unreliable Narrator (Based on the Material of I. Andreev’s Short Story Thought) |
 (Rus)
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Smolenskaya M.A.
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Vol 1, No 2 (2020) |
THE DOCUMENTOSPHERE IN SOCIOCULTURAL SPACE |
 (Rus)
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Sokolov A.V.
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Vol 5, No 1 (2024) |
The Empire style in the Fashion of France at the Turn of the XVIIIth-XIXth Centuries |
 (Rus)
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Vovk A.N., Naumova O.S.
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Vol 2, No 2 (2021) |
The evolution of poems as machines |
 (Rus)
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Faustov S.M.
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Vol 5, No 3 (2024) |
The Existential Theatricality of F.I. Chaliapin’s Thinking as the Basis of his Stage Skills |
 (Rus)
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Iakovleva E.L.
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Vol 2, No 4 (2021) |
The experience of modern cinema interpretation of classics: A.P. Chekhov’s «Three sisters» in Sergei Solovyov’s and Yuri Grymov’s film adaptations |
 (Rus)
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Zhurcheva T.V.
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Vol 3, No 3 (2022) |
The Functional Role of Colloquial Syntax Elements in Tatyana Tolstaya’s Novel Kys’ |
 (Rus)
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Baknina T.V.
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Vol 2, No 1 (2021) |
THE GENEALOGY OF THE CITY IN LIGHT OF THE IDEA OF THE «MIDDLE» |
 (Rus)
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Nemtsev L.V.
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Vol 1, No 1 (2020) |
The hidden languages of russian satire and humour |
 (Rus)
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Golubkov S.A.
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Vol 1, No 2 (2020) |
The historical roots of the higher educational system, or what is the age of Uzbekistan universities? |
 (Rus)
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Khalmuradov R.I.
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Vol 4, No 3 (2023) |
The holiness motif of the emperor in S.S. Bekhteev’s poem Nicholas II |
 (Rus)
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Afanasyeva E.M., Antipina E.M.
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Vol 2, No 2 (2021) |
The influence of reformation on education, science and culture in early modern England |
 (Rus)
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Yerokhin V.N.
|
Vol 2, No 1 (2021) |
THE INTERMEDIALITY OF HARRY GORDON’S POETRY |
 (Rus)
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Seifert Е.I.
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Vol 3, No 2 (2022) |
The issues of meta-narrative structure in tom Stoppard’s play and film Rosencrantz and Guildenstern are dead |
 (Rus)
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Abramovskikh E.V., Pasashkova S.M., Smolenskaya M.A.
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Vol 2, No 3 (2021) |
The mediating role of karachai-balkar food in the rite of passage to the world of the dead in the late 19th - early 20th century |
 (Rus)
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Khadzhieva M.K.
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Vol 5, No 1 (2024) |
The Memory of a Thing – The Revived Story of a Lost Artifact |
 (Rus)
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Avanesova N.A.
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Vol 1, No 1 (2020) |
The methodology of the disciplines that constitute the system of documentation and communication |
 (Rus)
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Vokhrysheva M.G.
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Vol 3, No 1 (2022) |
The phenomenon of spontaneous commemoration: its essence, types, and functions |
 (Rus)
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Yarychev N.U.
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Vol 1, No 1 (2020) |
The problem of genre in mozart (on “Cosi fan tutte”) |
 (Rus)
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Kuklinskaya M.Y.
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Vol 4, No 1 (2023) |
The Problems of Preservation of the “St. Anastasia Chapel with Murals” (1990 – 1911) in the Modern Landscape of Pskov: Historical and Town Planning Aspect |
 (Rus)
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Kononova P.S.
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Vol 4, No 2 (2023) |
The role of gender discourse in the сonstruction of the egitimized subject of the youth graffiti subculture |
 (Rus)
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Kuzovenkova Y.A.
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Vol 2, No 3 (2021) |
The role of self-generating databases (CNSHB) in providing information to users |
 (Rus)
|
Pirumova L.N.
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Vol 6, No 1 (2025) |
The Scientific Library named after N.I. Lobachevsky in the System of Academic Adaptation of Foreign Students of the Kazan (Volga) Federal University |
 (Rus)
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Mamakova T.V., Maslova Y.V.
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Vol 2, No 4 (2021) |
The search for a new development strategy of a regional institute of culture in conditions of glocalization |
 (Rus)
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Naumova O.S., Alasheeva S.A.
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Vol 4, No 3 (2023) |
The seasons in the lyrics of russian rock: winter and summer |
 (Rus)
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Letina N.N.
|
Vol 1, No 1 (2020) |
The socio-philosophical foundations for a typology of civilizations |
 (Rus)
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Tyugashev E.A.
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Vol 2, No 3 (2021) |
The solo violin sonatas of Ivan Handoshkin in the context of chamber and instrumental music оf eighteenth-century Russia |
 (Rus)
 (Eng)
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Dyatlov D.A.
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Vol 4, No 2 (2023) |
The sound code of culture: the phenomenon of silence |
 (Rus)
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Loginova M.V., Prokaeva O.N.
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Vol 5, No 1 (2024) |
The specifics of the Narrative in the L.N. Tolstoy’s Later Works (Based on the Story Two Different Stories Of a Beehive with a Bast Cover) |
 (Rus)
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Abramovskikh E.V.
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Vol 5, No 1 (2024) |
The Subject Architectonics of Sveta Litvak’s Visual Poetry |
 (Rus)
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Brusilovskaya Y.V.
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Vol 5, No 2 (2024) |
The syntagmatic and paradigmatic aspects of a musical text in the religious practice of Orthodox Islam |
 (Rus)
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Shaiakhmetova A.K.
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Vol 2, No 3 (2021) |
The theatricalisation of life in the era of Peter the Great in B.A. Sadovsky’s novel “Karl Weber” |
 (Rus)
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Kislova N.N., Zhurcheva O.V.
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Vol 1, No 1 (2020) |
The theological dominant in I. Ivazovsky’s work |
 (Rus)
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Skorobogacheva E.A.
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Vol 2, No 1 (2021) |
THE USE OF MODERN VISUAL AIDS FOR DEVELOPING CULTURAL COMPETENCY AMONG STUDENTS OF SECONDARY VOCATIONAL SCHOOLS |
 (Rus)
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Bychkova N.V.
|
Vol 2, No 1 (2021) |
THE WORK OF ART IN A SOCIETY OF RISK |
 (Rus)
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Alikhanova V.L., Garshin N.A.
|
Vol 2, No 4 (2021) |
Theatrical reading: from a theatrical format to the separate dramatic genre of a “text for performance” |
 (Rus)
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Sizova M.I.
|
Vol 2, No 1 (2021) |
Three epigrams by A.P. Sumarokov in the May issue of the journal “The Industrious Bee” (1759): the historical and cultural context |
 (Rus)
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Rastyagayev A.V., Slozhenikina Y.V.
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Vol 1, No 2 (2020) |
TIME AND SPACE IN THE MUSIC OF D. SHOSTAKOVICH |
 (Rus)
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Yarmukhametova R.S.
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Vol 4, No 4 (2023) |
Time in the Optics of Desubstantivation |
 (Rus)
|
Petinova M.A.
|
Vol 1, No 1 (2020) |
Titles in the english language press as a factor of manipulative linguocultural influencein information wars |
 (Rus)
|
Vokhrysheva E.V.
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Vol 3, No 2 (2022) |
Today’s library psychology in the context of N.A. Rubakin’s legacy |
 (Rus)
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Borodina V.A.
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Vol 6, No 1 (2025) |
Transformation of Graphic Fashion Techniques in the Context of the History of Costume Design |
 (Rus)
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Arutcheva D.D.
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Vol 2, No 1 (2021) |
TRENDS IN THE APPLICATION OF DIGITAL TECHNOLOGIES IN THE SPACE OF A MODERN MUSEUM |
 (Rus)
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Budagyan R.R.
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Vol 5, No 4 (2024) |
Tufa Fazylova – the Prima Donna of Tajik Opera |
 (Rus)
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Drozhzhina M.N.
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Vol 1, No 2 (2020) |
Turko-mongol motifs and symbols in M. Veller’s «Altai» prose |
 (Rus)
|
Maryin D.V.
|
Vol 1, No 2 (2020) |
UKRAINIAN ENTREPRISES AND MUSIC THEATER OF THE FAR EAST IN 1900-1905 |
 (Rus)
|
Krylovskaya I.I.
|
Vol 2, No 3 (2021) |
Understanding the fate of literary anecdotes in contemporary philology |
 (Rus)
|
Golubkov S.A.
|
Vol 1, No 2 (2020) |
Understanding the symbolic language of the Mordva ethno-cultural heritage: Nikolai Riabov’sethno-futuristic art |
 (Rus)
|
Lapteva I.W.
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Vol 2, No 4 (2021) |
Updating of cultural heritage in the context of contemporary cultural policy |
 (Rus)
|
Loginova M.V.
|
Vol 3, No 2 (2022) |
Utilitarianism within today’s discourse of culture and philosophy |
 (Rus)
|
Yemelyanova N.N.
|
Vol 5, No 3 (2024) |
V.E. Bank’s Case (“Bankovshhina”) |
 (Rus)
|
Mikheeva G.V.
|
Vol 1, No 1 (2020) |
Verbal art in the contextof art synthesis (on the material of intermedial texts with singular authority) |
 (Rus)
|
Gavrikov V.A.
|
Vol 4, No 1 (2023) |
Virtual Cemeteries as a Phenomenon of Digital Memory Studies |
 (Rus)
|
Yarychev N.U.
|
Vol 2, No 2 (2021) |
V.K. Trediakovskii’s «In praise of summer»: on mushrooms, flies, and some mechanisms of cultural memory |
 (Rus)
|
Osokin M.Y.
|
Vol 2, No 1 (2021) |
V.M. SHUKSHIN’S VIEW OF L.N. TOLSTOY’S «THOUGHTS ABOUT WRITING» |
 (Rus)
|
Maryin D.V.
|
Vol 2, No 1 (2021) |
WINE TRADE AND THE ASSIMILATION OF NEW CULTURAL PRACTICES IN RUSSIA OF THE LATE XVIII - EARLY XIX CENTURIES |
 (Rus)
|
Chetyrina N.A.
|
Vol 3, No 3 (2022) |
Women’s Role in the Foundation and Development of Private Libraries During the Second Half of the 19th and the Beginning of the 20th Centuries (Based on the Materials from the Upper Volga Area) |
 (Rus)
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Solovyov A.A.
|
Vol 3, No 2 (2022) |
Приложение к статье Е.С. Богдановой «Спецэффекты советского кино: метод дорисовки» (окончание). |
 (Rus)
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Богданова Е.С.
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Vol 5, No 2 (2024) |
Сultural security threats in the context of the network culture popularization |
 (Rus)
|
Isachenko N.N.
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