| Issue |
Title |
File |
| Vol 4, No 1 (2023) |
A Focus in Which the Interests and Requests of the Peasantry Intersect: Village Reading Rooms of the Crimean ASSR in the 1920s |
(Rus)
|
|
Pirozhkova T.V.
|
| Vol 3, No 2 (2022) |
Les concerts historiques as manifestation of the “co-creative” phenomenon of enlightenment (as exemplified by Charles-Valentin Alkan’s Petits concerts) |
(Rus)
|
|
Kuprina E.Y.
|
| Vol 4, No 1 (2023) |
Living Mask and Character-Figure as Phenomena of Plastic Visualization and the Fundamental Principles of Plastic Language of Thinking (as Exemplified by the Ethnic Group of Mordvins) |
(Rus)
|
|
Dogorova N.A., Voronina N.I.
|
| Vol 4, No 1 (2023) |
Romeo and Juliet by S. Prokofiev and l. Lavrovsky as a Sample of Choreodrama on the Stage of the G.Ts. Tsydynzhapov Buryat State Academic Opera and Ballet Theater |
(Rus)
|
|
Bagadaeva A.G.
|
| Vol 3, No 3 (2022) |
A Conversation about the Meanings and Mission of Culture at the Time of Social Turbulence |
(Rus)
|
|
Ionesov V.I., Khrenov N.A.
|
| Vol 2, No 2 (2021) |
A list of the contents of the journal «The industrious Bee» (1759) |
(Rus)
|
|
Rastyagayev A.V., Slozhenikina Y.V.
|
| Vol 2, No 4 (2021) |
A. P. Antropov – the first russian portrait painter of Catherine II: on the dialogicity of traditions |
(Rus)
|
|
Skorobogacheva E.A., Kremneva A.V.
|
| Vol 3, No 4 (2022) |
A polylogue of musical collaboration (as exemplified by Ch.-V. Alkan’s second set оf transcriptions Souvenirs de concerts du conservatoire) |
(Rus)
|
|
Kuprina E.Y.
|
| Vol 5, No 2 (2024) |
A Siberian page in the history of the Saint Petersburg Military Topographic School Library |
(Rus)
|
|
Panchenko A.M.
|
| Vol 5, No 1 (2024) |
Activities of Russian Libraries in the Field of Retrospective Scientific and Auxiliary Bibliography: Issues of Theory and Modern Practice |
(Rus)
|
|
Levin G.L.
|
| Vol 5, No 1 (2024) |
Actualization of the Problem of Students’ Technological Skills Development in the Process of Artistic Ceramics Mastering: Thesaurus Approach |
(Rus)
|
|
Voronkov A.N.
|
| Vol 4, No 1 (2023) |
Aesthetics of Samarkand in Ilgiz Fazulzyanov’s Jewelry Art: Heritage as an Area of Creativity |
(Rus)
|
|
Ionesov V.I., Fazulzyanov I.F.
|
| Vol 2, No 4 (2021) |
Aksakov autumn – 2021 in Samara |
(Rus)
|
|
Baknina T.V., Bogdanova I.A.
|
| Vol 3, No 4 (2022) |
Almanacs of the late XVIIIth – first half of the XIXth centuries in the funds of the state museum-estate of V.G. Belinskiy |
(Rus)
|
|
Artyushina S.V., Rudneva L.M.
|
| Vol 4, No 2 (2023) |
Anatoly Praudin’s directing strategies in the interpretation of the classics |
(Rus)
|
|
Zhurcheva T.V.
|
| Vol 5, No 2 (2024) |
Andrey Osipovich Nikulin – an artist-inventor (To the 100th anniversary of Mosfilm) |
(Rus)
|
|
Soldatova O.N., Pozdnyakov Y.V.
|
| Vol 1, No 1 (2020) |
Anthropological interpretation of non-classical art |
(Rus)
|
|
Krivtsun O.A.
|
| Vol 2, No 3 (2021) |
Appendix No. 2 to the article by E.S. Bogdanova «Special Effects in Soviet Cinema: The Method of “Combined Perspective”» |
(Rus)
|
|
Ptushko A.L., Kozlov P.V., Belmasov M.A.
|
| Vol 4, No 2 (2023) |
Archive of composer Savely Orlov: on the problem of actualization |
(Rus)
|
|
Dyatlov D.A.
|
| Vol 3, No 2 (2022) |
Art realm of today’s museum and art mediation |
(Rus)
|
|
Nazarov A.S.
|
| Vol 5, No 2 (2024) |
Art science in the epoch of the cultural paradigms change: reflections on a new monograph by Nikolai Andreevich Khrenov |
(Rus)
|
|
Ionesov V.I.
|
| Vol 3, No 3 (2022) |
Artistic Representations of the World of Childhood in Russia’s Nineteenth-Century Fine Art |
(Rus)
|
|
Zaytseva I.A., Kuznetsova M.E., Samsonova I.V.
|
| Vol 3, No 3 (2022) |
Book Culture of the Germans of the Crimean ASSR in the Aspect of the National Policy of the Region During the 1920s–30s |
(Rus)
|
|
Pirozhkova T.V.
|
| Vol 3, No 1 (2022) |
Book publishing in the Saratov province of 1918–28 as an object of scholarly research |
(Rus)
|
|
Kasovich A.S.
|
| Vol 4, No 3 (2023) |
Book recommendation services in the bibliographic activities of libraries |
(Rus)
|
|
Lavrik O.L., Yuklyaevskaya A.V.
|
| Vol 5, No 2 (2024) |
Caricatures of the anti-Napoleonic campaign of 1812-1814: what exactly was published in the Syn Otechestva magazine? |
(Rus)
|
|
Shcherbakova A.E.
|
| Vol 4, No 4 (2023) |
Catholicism in Andy Warhol’s Pop Art Style |
(Rus)
|
|
Iakovleva E.L.
|
| Vol 4, No 2 (2023) |
Co-creative polylogue: art criticism aspect |
(Rus)
|
|
Kuprina E.Y.
|
| Vol 4, No 3 (2023) |
Communication about a book and reading: dynamics of forms in historical and cultural context |
(Rus)
|
|
Askarova V.Y.
|
| Vol 3, No 3 (2022) |
Conversations of the “Gallant” Era. Harmonic Features of Italian Vocal Duets and Dialogues in the Music of the First Half of the 17th Century |
(Rus)
|
|
Popova M.M.
|
| Vol 5, No 1 (2024) |
Convolutes of E.P. Iordansky’s Personal Archive as a Samizdat Phenomenon |
(Rus)
|
|
Yarantsev V.N.
|
| Vol 4, No 3 (2023) |
Creative reception of Leo Tolstoy’s works in contemporary dramaturgy |
(Rus)
|
|
Zhurcheva O.V.
|
| Vol 2, No 2 (2021) |
Cross-cultural compositions for landscape contact zones of civilization connections |
(Eng)
|
|
Loiko A.I.
|
| Vol 3, No 2 (2022) |
Cultural policy of stimulating young people’s reading commitment: priorities of the digital era |
(Rus)
|
|
Askarova V.Y.
|
| Vol 4, No 2 (2023) |
Culturological vector in documentation-communicative sciences research: potential and perspectives |
(Rus)
|
|
Vokhrysheva M.G.
|
| Vol 3, No 1 (2022) |
Death, immortality and cosmos: William S. Burroughs about the fears of today |
(Rus)
|
|
Ryapolov S.V.
|
| Vol 3, No 4 (2022) |
Definition of urban culture mission in a modern city (as exemplified by the city district of Tolyatti of Samara region) |
(Rus)
|
|
Skripacheva I.A.
|
| Vol 4, No 1 (2023) |
Dialogue with the Reader in the Novel One Billion Years to the End of the World by the Strugatsky Brothers |
(Rus)
|
|
Lisovitskaya V.N.
|
| Vol 2, No 3 (2021) |
Difficulties of semantization of preventive medicine terminology |
(Rus)
|
|
Andreev V.P., Plakhotskaia Z.V.
|
| Vol 4, No 4 (2023) |
D.V. Ulyaninsky – a Failed Collector of Literature on the Revolutionary Movement in Russia |
(Rus)
|
|
Samarin A.Y.
|
| Vol 3, No 1 (2022) |
Edification of Catherine II for the noble youth sent to foreign lands for training |
(Rus)
|
|
Aukštikalnytė A.D.
|
| Vol 4, No 3 (2023) |
Epic in russian drama of the xixth century (exemplified by A.N. Ostrovsky’s plays) |
(Rus)
|
|
Tyutelova L.G.
|
| Vol 1, No 2 (2020) |
EXPRESSIVENESS IN THE PERFORMATIVE ART OF CHOREOGRAPHY AS AN INTEGRAL PART OF NATIONAL DANCE CULTURE |
(Rus)
|
|
Makarova V.G.
|
| Vol 4, No 3 (2023) |
Extrahuman instances in Culture |
(Rus)
|
|
Malyshev V.B.
|
| Vol 5, No 1 (2024) |
Fiction Writers and Fiction Readers as Participants of the Literary Process: to the Creation of a Social Psychological Portrait |
(Rus)
|
|
Solina A.V.
|
| Vol 2, No 1 (2021) |
FUNCTIONS OF THE UNIVERSITY LIBRARY IN THE CONTEXT OF THE DIGITIZATION OF EDUCATION |
(Rus)
|
|
Gavrilova Y.N.
|
| Vol 5, No 2 (2024) |
G.A. Vyatkin in the Volzhskoe Slovo newspaper: “Samara period” of the Siberian publicist |
(Rus)
|
|
Gerasimchuk I.V.
|
| Vol 2, No 1 (2021) |
GLOBAL CRISIS AND THE CREATIVE INDUSTRIES IN AN ERA OF CHANGE |
(Rus)
|
|
Uvarov А.V.
|
| Vol 3, No 1 (2022) |
Honored artist of the RSFSR Idea Alekseevna Erokhina |
(Rus)
|
|
Antonova L.V.
|
| Vol 4, No 4 (2023) |
How the Russian Idea Can Get out of the Captivity of Intellectual Irrationalism |
(Rus)
|
|
Bakshutova E.V., Rulina T.K.
|
| Vol 1, No 2 (2020) |
HUMANITARIAN SPACE OF SAMARA/KUIBYSHEV: TIME AND PLACE OF D. SHOSTAKOVICH |
(Rus)
|
|
Burlina E.Y., Bоkuradze D.S.
|
| Vol 3, No 4 (2022) |
Icon in the sociocultural and spiritual space of a Russian region |
(Rus)
|
|
Chibikova I.Y.
|
| Vol 4, No 4 (2023) |
Iconography and plot features of the Syzran Old Believer icon |
(Rus)
|
|
Chibikova I.Y., Naumova O.S.
|
| Vol 2, No 2 (2021) |
Idealism as «criminal content» (concerning A.F. Losev’s «restoration» of the world of eternal ideas) |
(Rus)
|
|
Kuznetsov V.A.
|
| Vol 3, No 4 (2022) |
Inclusive theatre and its role in the sociocultural space (on the problem of specifics and artistic language) |
(Rus)
(Eng)
|
|
Petrov V.V., Zavarnitsyna N.M.
|
| Vol 2, No 4 (2021) |
Joan Miro’s art in the context of abstract surrealism |
(Rus)
|
|
Stolyarova E.G.
|
| Vol 3, No 4 (2022) |
Jubilee edition of A.S. Griboyedov’s comedy Wit works woe. 1862–2022 |
(Rus)
|
|
Filippova A.A.
|
| Vol 4, No 4 (2023) |
Justifying Sub Specie Culture of Justifying History in Russian Religious and Philosophical Thought |
(Rus)
(Eng)
|
|
Gacheva А.G.
|
| Vol 3, No 4 (2022) |
Late autumn in Ilyinskoye: the diary of grand duke Sergei Alexandrovich, 15 October – 16 November 1897 |
(Rus)
|
|
Sofjina M.V., Sofjin D.M.
|
| Vol 3, No 1 (2022) |
Lenin’s image in music as the artifact of the Soviet culture and history |
(Rus)
|
|
Batisheva V.N.
|
| Vol 1, No 1 (2020) |
M. Epshteyn - «chelovek slovotvoryashchiy» 16 voprosov Mikhailu Epshteynu o kul'ture, o vremeni i o sebe |
(Rus)
|
|
Ionesov V.I.
|
| Vol 1, No 2 (2020) |
MARGINAL VICTIMS AS A CULTURAL PHENOMENON |
(Rus)
|
|
Serikov А.Е.
|
| Vol 5, No 2 (2024) |
Modern trends in Chinese drama of the twentieth century exemplified by Liao Yimei’s play Rhinoceros in Love |
(Rus)
|
|
Sizova M.I.
|
| Vol 4, No 4 (2023) |
Multimedia Edition on the History of Engraving: Justification of the Project |
(Rus)
|
|
Andreeva O.V., Ivanova P.V.
|
| Vol 2, No 3 (2021) |
Musical metaphor in the artistic world of Dina Rubina |
(Rus)
|
|
Kozinets S.B.
|
| Vol 4, No 2 (2023) |
New theatrics in the mediatization era |
(Rus)
|
|
Boldyreva T.V.
|
| Vol 5, No 1 (2024) |
Novgorod Art Porcelain of the 1950s |
(Rus)
|
|
Voropaeva T.A.
|
| Vol 1, No 1 (2020) |
Obraz - kontsept - filosofiya - iskusstvo(Retsenziya na izdanie: Loginova M.V. Sovremennaya filosofiya iskusstva: kontseptosfera: ucheb. posobie. Saransk: Izd-vo Mordov. un-ta, 2020. 220 s.) |
(Rus)
|
|
Slozhenikina Y.V.
|
| Vol 4, No 4 (2023) |
Officers’ Libraries at the Provincial Reserve Infantry Battalions of the Russian Empire in the Second Half of the XIXth Century: Plans and Reality |
(Rus)
|
|
Panchenko A.M.
|
| Vol 3, No 1 (2022) |
On museum ontology: history, memory, zeitregime |
(Rus)
|
|
Gerasimov O.V.
|
| Vol 1, No 1 (2020) |
On the origins of socioterminology: socio-cultural contexts of a term’s functioning |
(Rus)
|
|
Alekseeva L.M., Mishlanova S.L.
|
| Vol 2, No 2 (2021) |
Personal documents of Tver merchants as cultural heritage |
(Rus)
|
|
Sereda N.V.
|
| Vol 4, No 2 (2023) |
Photoidentity: the specificity of photo sessions as a self-presentation tool |
(Rus)
|
|
Zubanova L.B., Shub M.L.
|
| Vol 5, No 2 (2024) |
Popularization of scientific knowledge by means of the theater exemplified by scientific and theatrical laboratories |
(Rus)
|
|
Shklyarskaya A.E.
|
| Vol 4, No 3 (2023) |
Problematic issues of the study and preparation of an Academic edition of S.I. Taneev’s cantata John of Damascus |
(Rus)
|
|
Lukina G.U., Teterina N.I., Aleksandrova V.A.
|
| Vol 1, No 1 (2020) |
Problems of development of the art of illustrating children’s books (late 18th-early 20th century) |
(Rus)
|
|
Skorobogacheva E.A., Soldatova A.V.
|
| Vol 4, No 1 (2023) |
Professional Orientation of Library and Information Specialists of The Republic of Tatarstan (Research on the Basis of the Central Library of Kazan) |
(Rus)
|
|
Maslova Y.V., Mansurova A.R.
|
| Vol 4, No 1 (2023) |
Publisher Z.I. Grzhebin in Letters to Scientist, Socialist, Writer V.S. Voitinsky |
(Rus)
|
|
Anisimov А.О.
|
| Vol 5, No 2 (2024) |
Reading culture in a digital transition |
(Rus)
|
|
Maslova Y.V.
|
| Vol 3, No 4 (2022) |
Records in manuscript and printed books as a source of information on the spread of book culture in the middle Volga region of the XVIIth century |
(Rus)
|
|
Makarov A.I.
|
| Vol 4, No 3 (2023) |
Ritual imitation as a way of symbolic requalification of culture (on example of proto-bactrian civilization artefacts) |
(Rus)
|
|
Ionesov V.I.
|
| Vol 3, No 2 (2022) |
Russian sacred style in the miniatures of the illuminated chronicles of Ivan the Terrible |
(Rus)
(Eng)
|
|
Vishnya I.B.
|
| Vol 3, No 2 (2022) |
Russian-German crossroads: one sketch about I.P. Ladyzhnikov’s publishing house |
(Rus)
|
|
Anisimov A.O.
|
| Vol 1, No 2 (2020) |
Samara-Samarkand: Expanding Humanitarian Borders. To the 600th Anniversary of Samapkand State University |
(Rus)
|
|
Naumova O.S.
|
| Vol 1, No 2 (2020) |
Samarkand state university - heir to great intellectual traditions |
(Rus)
|
|
Ionesov V.I.
|
| Vol 2, No 1 (2021) |
SAMARSKIY ITOG II MEZhREGIONAL'NOGO FORUMA «ROD AKSAKOVYKh - GORDOST' OTEChESTVA» (10-12 NOYaBRYa 2020 g.) |
(Rus)
|
|
Motin S.V.
|
| Vol 4, No 1 (2023) |
Scientific Periodization of Composer A.K. Glazunov’s Сreative Work |
(Rus)
|
|
Li S.
|
| Vol 4, No 1 (2023) |
Semantic Horizons of the Poetics of the Visible in a Literary Text |
(Rus)
|
|
Golubkov S.A.
|
| Vol 3, No 3 (2022) |
Sergey Aksakov, the First Professional Composer from Samara |
(Rus)
|
|
Semenov V.T.
|
| Vol 4, No 4 (2023) |
Sergey Yesenin and Paul Verlaine: Historical and Literary Parallels and Contexts |
(Rus)
|
|
Voronova O.E.
|
| Vol 3, No 1 (2022) |
Shostakovich’s unfinished opera The Gamblers: an artist’s unfinished concept and approaches to the reconstruction of the whole |
(Rus)
|
|
Krishtalyuk O.A.
|
| Vol 4, No 3 (2023) |
Sonata for viola and piano ор. 51 f-moll (1954) by V.Ya. Shebalin in russian music of the 50s of the XXth century: contexts of creativity |
(Rus)
|
|
Radzetskaya O.V.
|
| Vol 2, No 2 (2021) |
Special effects in soviet cinema: the method of «combined perspective» |
(Rus)
|
|
Bogdanova E.S.
|
| Vol 3, No 1 (2022) |
Special effects of the soviet cinema: a method of finishing drawing |
(Rus)
|
|
Bogdanova E.S.
|
| Vol 3, No 2 (2022) |
Special features of the wall paintings in the churches of Uglich during the second half of the 18th and the first half of the 19th centuries |
(Rus)
|
|
Ivanova V.N.
|
| Vol 3, No 3 (2022) |
Specificities of the Urban Identity of Industrial City Residents in the Southern Urals (Based on the Materials of a Mass Survey) |
(Rus)
|
|
Shub M.L.
|
| Vol 5, No 1 (2024) |
Structural and Content Features of Soviet ABC-Books |
(Rus)
|
|
Kupriyanova T.G.
|
| Vol 4, No 4 (2023) |
Synergistic Aesthetics |
(Rus)
|
|
Medushevsky V.V.
|
| Vol 4, No 2 (2023) |
Syzran periodical press (1917-1922) as a source on the history of book publishing and librarianship |
(Rus)
|
|
Kurmaev M.V.
|
| Vol 5, No 2 (2024) |
Technological foundations of a student creative project creation |
(Rus)
|
|
Vinogradova L.A.
|
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