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Title
Authors
Hellenistic Reform. Epicureanism and Image Deviations
Burov A.M.
The Perception of a Contemporary in Non-fiction Films
Shtandke A.
The Expressive Function of Color in Modern Non-Fiction Films
Shtandke A.
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.G.
Television Impact on Children's Development: Experience of Positive Modeling
Makhovskaya O.I., Marchenko F.O.
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S.L., Urazova S.L.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
The Influence of Newest Audiovisual Technologies on the Audience
Kosenkova N.G.
European Film Avant-Garde: Poetics of Objectiveness
Lyubovich M.V.
Creative Process as an Aesthetic Entity
Sveshnikov A.V.
The Actor’s Perception of the Partner’s Speech
Avtushenko I.A.
Violence in Films: Three Preconditions for the Mimetic Effect
Tarasov K.A.
European Film Avant-Garde: phenomenological interpretation of reality
Lyubovich M.V.
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema
Arysheva A.S.
Screen image. Aftereffect
Poznin V.F.
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.Y.
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.S.
Hearing and Speech Voice Expressiveness of the Actor
Avtushenko I.A.
1 - 19 of 19 Items

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