卷 9, 编号 3 (2017)
- 年: 2017
- 文章: 15
- URL: https://journals.eco-vector.com/2074-0832/issue/view/873
- DOI: https://doi.org/10.17816/VGIK93
CHRONICLE IN DETAIL | CURRENT EVENTS
Summer Time is a Time Creativity
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS
Ethnographic Cinema: the Image of the Other
摘要
The article explores the domain of cinematographic art which akin to science tends to reveal the meaning and peculiarities of human existence by means of displaying its ethnographic variety. The movement in question has no special designation yet and is referred to as “ethnographic cinema”, “ethnocinema” or “audiovisual anthropology”. The evolution of the ideological motivations of this movement is considered through the lens of the “West/East” dichotomy as imprinting of the Others image. Special attention is given to the notion of “cul tural anthropology” and its implementation in the films made by such masters of the documentary as G. Jacopetti and C. Marker.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s
摘要
Using archive material and comparative tools, the article examines the representation of the mythological and fairytale view of the world in fantasy films as exemplified by pictures about Sadkos sea wanderings in Soviet films and those of Sinbad in the American ones. The characters, the narrative, the eastern and antique theme contamination, the technologic, aesthetic and ideological aspects of the films are analyzed.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
FILM LANGUAGE AND TIME | IMAGE GENESIS
To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films
摘要
The article examines the numinous as an important factor of the sacral sphere. It treats the basic points concerning the numinous presented in Rudolf Otto’s work “The Sacrum. The Irrational in the Idea of the Divine and its Relation to the Rational”. Special attention is paid to the interpretation of the term “numinous” and the study of significant features of the numinous such as tremendum, majestas, mysterium, fascinans, sanctum. The author seeks to show the importance of the numinous as a phe nomenon in A. Tarkovsky’s art and to examine the specifics of its realisation in various films.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
Voice in the Metadiegetic Space of the Motion Picture
摘要
This extension of the author’s publication cycle “Audiovisual Means of Creating Metadiegetic Space in Cinema” (“Vestnik VGIK” #1(31), 2017; #2 (32), 2017) is a historical, artistical and technological survey of special sound-design techniques that make it possible to use the expressive potential of a human voice in a subjective (metadiegetic) space of the motion picture and through the voice to separate the metadiegetis from the sound realism of the diegesis of an audio-visual production.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
PERFORMANCE | ART OF PRESENTATION
Screen Imagery as Reflected through Mythologems
摘要
The article touches upon the issues concerning the mythological structures in a fiction film. It gives grounds for the thesis that by using its intrinsic means of addressing the audience cinema is able to create new image-bearing systems having a direct influence on a society.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
Keynote Narration and Theory of Distance: Analysis of the Seasons
摘要
The article explores the leitmotif narration in cinema, i.e. the one based on transitions from one leitmotif to another as exemplified by Artavazd Peleshian’s short non-fiction film “Seasons of the Year”. The peculiarity of Peleshian’s artistic method is that he does not proceed by relations between adjoining images but between the disjoint ones which results in their repetition. The dramaturgy of “Seasons of the Year” is based on transitions from one leit-motif to another. The main ones here, as well as in other Peleshian’s films, are the themes of cosmos and chaos.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY
Contextual Argumentation in the Humanities
摘要
The article proves that out of all possible means of argumentation the humanities and film studies in particular mostly use the so-called non-universal or contextual ways of it. The authors insist upon the rationality of contextual argumentation. tte article treats of particular contextual arguments typical of humanitarian knowledge: those concerning tradition, common sense, authority, taste, fashion etc.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
Mediatext Language Practices as a Factor in Representation of Reality
摘要
The article deals with the theoretical aspects of mediaculture as a sign system with reference to its historic development. The media language as a complex of sign systems (texts) evolved from “object script” to written language, from text copying (bookprinting) to electronic mediaculture, its visual, audial and audiovisual (screen) kinds. Contemporary me-diaculture that represents reality by means of a screen is related to the frame aesthetics. It is the screen culture that integrates and synthesizes all the previous sign systems due to the fact that new media is a result of technical progress.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
WORLD CINEMA | ANALYSIS
万氏兄弟的中国动画创作
摘要
中国动画学派是世界动画流派中不可忽视的一支,它有着自己的特性、诗学和民族色彩。中国动画学派是世界动画形成和演变过程中的一个重要环节,因而广受国内外艺术理论研究者关注。万氏兄弟引导了中国动画学派的创始过程,他们奠定了中国动画的形象和技术基础,并创立了中国动画的工作室系统。本文通过分析万氏兄弟作品主题和制片技术的演变,还原这一伟大学派的诞生过程。
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
The Aspects of Body in American Film Noir (1941-1955)
摘要
The article is devoted to the issue of a body and “body-ness” in the American film noir classics. It examines the stylistic role of “body-ness” implying substantivity and corporality of film images and explores the types of male and female human bodies in their specific semantic, structural and visual functions. The analysis is argued by references to different noirs.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
India and England in the Mirror of Screen
摘要
The article analyzes the films by British and Indian filmmakers centered on problematic relationship between the Western and the Eastern cultures. The filmmakers of both countries are perfectly aware of the fact that the shortest way to the spectator’s heart is appealing to emotions that touch people of any nationality which is reflected in the analyzed screen works.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
TELEVISION | DIGITAL ENVIRONMENT
Russia's Contribution to Digital TV Broadcasting
摘要
In the second decade of the 21st century, the interconnection and even interdependence between the qualitative characteristics of modern screen produce and screen arts in general and those of rapidly developing innovative technologies becomes increasingly obvious. tte affinity of different academic problems pertaining to the analysis of film industry, in humanities and science in particular, raises a lot of questions. One of them deals with revealing the factors necessary for the international recognition of a fundamental project and its subsequent implementation. This issue is illustrated in the article by the history of terrestrial television which has evolved from analogue broadcasting to digital, multi-program, interactive TV.
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
READING-ROOM | BOOK SHELF
BOOKSHELF
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)
RECOMMENDATIONS AUTHORS
PRAVILA DLYa AVTOROV
![pages](/img/style/pages.png)
![views](/img/style/views.png)
![](/img/style/loadingSmall.gif)