检索

期
标题
作者
卷 3, 编号 1 (2011)
Hellenistic Reform. Epicureanism and Image Deviations
Burov A.
PDF
(Rus)
卷 13, 编号 2(48) (2021)
The Perception of a Contemporary in Non-fiction Films
Shtandke A.
PDF
(Rus)
卷 12, 编号 4 (2020)
The Expressive Function of Color in Modern Non-Fiction Films
Shtandke A.
PDF
(Rus)
卷 2, 编号 4 (2010)
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S., Urazova S.
PDF
(Rus)
卷 6, 编号 3 (2014)
Theatre and Document: Opposition or Integration?
Prozhiko G.
PDF
(Rus)
卷 3, 编号 1 (2011)
The Influence of Newest Audiovisual Technologies on the Audience
Kosenkova N.
PDF
(Rus)
卷 6, 编号 4 (2014)
Video Art: “A White Cube” or “A Black Box”?
Staruseva-Persheeva A.
PDF
(Rus)
卷 7, 编号 1 (2015)
European Film Avant-Garde: Poetics of Objectiveness
Lyubovich M.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
Television: Process and Phenomenon
Shumakov S.
PDF
(Rus)
卷 7, 编号 3 (2015)
Creative Process as an Aesthetic Entity
Sveshnikov A.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
The Actor’s Perception of the Partner’s Speech
Avtushenko I.
PDF
(Rus)
卷 8, 编号 2 (2016)
Violence in Films: Three Preconditions for the Mimetic Effect
Tarasov K.
PDF
(Rus)
卷 5, 编号 1 (2013)
European Film Avant-Garde: phenomenological interpretation of reality
Lyubovich M.
PDF
(Rus)
卷 9, 编号 2 (2017)
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.
PDF
(Rus)
卷 5, 编号 2 (2013)
Screen image. Aftereffect
Poznin V.
PDF
(Rus)
卷 9, 编号 4 (2017)
Hearing and Speech Voice Expressiveness of the Actor
Avtushenko I.
PDF
(Rus)
卷 1, 编号 1 (2009)
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.
PDF
(Rus)
卷 6, 编号 2 (2014)
Television Impact on Children's Development: Experience of Positive Modeling
Makhovskaya O., Marchenko F.
PDF
(Rus)
卷 9, 编号 4 (2017)
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.
PDF
(Rus)
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