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Issue
Title
Authors
Vol 3, No 1 (2011)
Hellenistic Reform. Epicureanism and Image Deviations
Burov A.M.
PDF
(Rus)
Vol 7, No 1 (2015)
European Film Avant-Garde: Poetics of Objectiveness
Lyubovich M.V.
PDF
(Rus)
Vol 4, No 2-3 (2012)
Television: Process and Phenomenon
Shumakov S.L.
PDF
(Rus)
Vol 7, No 3 (2015)
Creative Process as an Aesthetic Entity
Sveshnikov A.V.
PDF
(Rus)
Vol 4, No 2-3 (2012)
The Actor’s Perception of the Partner’s Speech
Avtushenko I.A.
PDF
(Rus)
Vol 8, No 2 (2016)
Violence in Films: Three Preconditions for the Mimetic Effect
Tarasov K.A.
PDF
(Rus)
Vol 13, No 2(48) (2021)
The Perception of a Contemporary in Non-fiction Films
Shtandke A.
PDF
(Rus)
Vol 5, No 1 (2013)
European Film Avant-Garde: phenomenological interpretation of reality
Lyubovich M.V.
PDF
(Rus)
Vol 9, No 2 (2017)
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.Y.
PDF
(Rus)
Vol 12, No 4 (2020)
The Expressive Function of Color in Modern Non-Fiction Films
Shtandke A.
PDF
(Rus)
Vol 5, No 2 (2013)
Screen image. Aftereffect
Poznin V.F.
PDF
(Rus)
Vol 9, No 4 (2017)
Hearing and Speech Voice Expressiveness of the Actor
Avtushenko I.A.
PDF
(Rus)
Vol 1, No 1 (2009)
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.G.
PDF
(Rus)
Vol 6, No 2 (2014)
Television Impact on Children's Development: Experience of Positive Modeling
Makhovskaya O.I., Marchenko F.O.
PDF
(Rus)
Vol 9, No 4 (2017)
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
PDF
(Rus)
Vol 2, No 4 (2010)
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S.L., Urazova S.L.
PDF
(Rus)
Vol 6, No 3 (2014)
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
PDF
(Rus)
Vol 3, No 1 (2011)
The Influence of Newest Audiovisual Technologies on the Audience
Kosenkova N.G.
PDF
(Rus)
Vol 6, No 4 (2014)
Video Art: “A White Cube” or “A Black Box”?
Staruseva-Persheeva A.D.
PDF
(Rus)
1 - 19 of 19 Items

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