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期
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作者
卷 25, 编号 1 (2023)
The essence of A.I. Herzen's musical concept on the pages of the «Past and doom» («Byloye i dumy»)
Voronina N.
PDF
(Rus)
卷 24, 编号 6 (2022)
Alexander Glazunov and His Role in The History of Recognition of The Saxophone in The Academic Environment
Li S.
PDF
(Rus)
卷 26, 编号 1 (2024)
The historical significance of the song “Djurjevdan”: on the problem of selection of musical material for studies
Vucenovic A.
PDF
(Rus)
卷 25, 编号 4 (2023)
Sound – music – culture: space-time reflection
Voronina N.
PDF
(Rus)
卷 25, 编号 3 (2023)
Viola in the Russian musical art of the second half of the twentieth century: works by composers of the Moscow advance-guard
Radzetskaya M.
PDF
(Rus)
卷 25, 编号 2 (2023)
A.V. Amfiteatrov as an Interpreter of the Art of Sculpture (Intermedial Aspect)
Klyueva I.
PDF
(Rus)
卷 22, 编号 2 (2020)
THE MUSICAL CULTURE OF SOVIET RUSSIA OF THE 20S OF THE XX CENTURY: AFM AND RAPM IN THE STRUGGLE FOR «NEW ART»
Marova E.
PDF
(Rus)
卷 22, 编号 2 (2020)
PHENOMENON OF THE EUROPEAN FESTIVAL OF ACADEMIC MUSIC. THE HISTORY OF THE FESTIVE CULTURE
Minailenko M.
PDF
(Rus)
卷 21, 编号 6 (2019)
FORMATION OF DIRECTOR'S OPERA IN THE WORLD MUSICAL ART
Sporyshev V.
PDF
(Rus)
卷 21, 编号 4 (2019)
TRIAD "IMAGE-METHOD-STYLE" IN THE INTERPRETATION OF PIANO MUSIC: TOWARDS THE CONSTRUCTION OF A UNIVERSAL THEORY OF PERFORMANCE
Dyatlov D.
PDF
(Rus)
卷 21, 编号 4 (2019)
N.P. OGAREV - M.YU. LERMONTOV: MUSICAL-POETIC DIALOGUE
Voronina N., Novikova N., Sirotina I.
PDF
(Rus)
卷 21, 编号 1 (2019)
M.M. BAKHTIN’S "LIVING" IN MUSIC
Voronina N.
PDF
(Rus)
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