Issue |
Section |
Title |
File |
Vol 9, No 3 (2017) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films |
 (Rus)
|
Vol 9, No 1 (2017) |
SCREEN CULTURE | CULTURAL STUDIES. PHILOSOPHY |
The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror |
 (Rus)
|
Vol 7, No 4 (2015) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
Countercommunicative Mechanisms in the Artistic Practice of Cinema |
 (Rus)
|
Vol 5, No 2 (2013) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Film as Text. Some Aspects of Text Analysis |
 (Rus)
|
Vol 4, No 4 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory |
 (Rus)
|
Vol 4, No 1 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Mirror and its Semiotic Modifications in Culture |
 (Rus)
|
Vol 4, No 2-3 (2012) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory |
 (Rus)
|
Vol 3, No 4 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
The Significance of Myth in the Work of Andrey Zvyagintsev |
 (Rus)
|
Vol 3, No 3 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev |
 (Rus)
|
Vol 3, No 2 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
To the Semiotics of the Mirror and Reflectivity |
 (Rus)
|
Vol 3, No 1 (2011) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema |
 (Rus)
|
Vol 2, No 4 (2010) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema |
 (Rus)
|
Vol 2, No 3 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
On the importance of strategy changes of the discourse by the example of two Alexey Herman's films |
 (Rus)
|
Vol 2, No 2 (2010) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
"I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy |
 (Rus)
|
Vol 11, No 4 (2019) |
FILM LANGUAGE AND TIME | IMAGE GENESIS |
On the Problem of the Discourse Analysis of Literary Texts |
 (Rus)
|
Vol 12, No 3 (2020) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
S.Eisenstein. Aggression of Discourse: Theoretical Justification |
 (Rus)
|
Vol 13, No 2(48) (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema |
 (Rus)
|
Vol 13, No 3(49) (2021) |
THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS |
On the Essence and Relevance of the Work on Semantic Oppositions in Creative Writing |
 (Rus)
|