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Title
Authors
Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia
Sidorenko V.I.
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production
Sarymsakov S.K., Sarymsakov S.K.
American cinema of the Great Depression. The «Social Restlessness Phase»
Zakharov D.V.
Financing Cinema Production as a High-Risk Activity
Molchanova N.P.
Remakes. The Artistic and Aesthetic Principles
Primakova N.V., Primakova N.V.
Branding as a Factor of Competitiveness of the “Lenfilm” Studio
Pankratova M.I.
Screen in the new time
Krivosheev M.I., Krivocheev M.I.
Iran in Contemporary Russian Cinema (Film’s Visual Formula)
Akhmad Mir Akhorli -.
The Search for Visual
Yeliseyeva Y.A.
On The Matter of Market in Cinema
Zhabskiy M.I.
The Iranian Cinema of the 20th Century (1900-1980)
Mirakhorli A.
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years
Sputnitskaya N.Y.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Transmedia Storytelling: A Feature of the Digital Media World
Bakulev G.P.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
Choice of profession: the bases of producer's workmanship
Chigevskaya O.A.
Can “Native” Cinema Be Marketable
Zhabskiy M.I.
1 - 19 of 19 Items

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