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Title
Authors
Multivariance of Reality in the Digital Paradigm
Urazova S.L.
VR-technologies in Animation
Yarovaya N.Y.
Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture
Krivulya N.
TV Moves into Virtual Reality as a Projection of Development
Urazova S.L.
Some Aspects of Mythological Reality
Chizhevskaya O.A., Chizhevskaya O.A.
«Drowning by Numbers» by Peter Greenaway in light of surrealism
Perelshtein R.M.
Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art?
Yaremenko Y.G.
Does cinema remain the driving force of screen culture?
Kirillova N.B.
Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art?
Yaremenko E.G., Yaremenko Y.G.
Free Will and Existentialism of Death
Barabash N.A.
Films about filmmaking. Reality and game
Perel'shteyn R.M., Perelshtein R.M.
The evolution of visual instruments of VR cinema
Matkin A.V.
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme
Perelshtein R.M.
VR technologies in docudrama
Stezhko N.G.
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.L.
VR Cinema. Virtual Spectacle as a Dream
Novikov V.N.
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.L.
DiaMatrix. Eclectic Glance on the Historiosophy of the Soviet Cinema of the 1930-1940s
Apostolov A.I., Apostolov A.I.
On Creating a Virtual Character (analysis of«Mouchette.org» site)
Yugai I.I.
1 - 19 of 19 Items

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