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期
标题
作者
卷 13, 编号 3(49) (2021)
Fluctuations in the Media Market in an Era of Communication Abundance
Urazova S.
PDF
(Rus)
卷 10, 编号 1 (2018)
The Science of the History of Media: Approaches and Concepts
Bakulev G.
PDF
(Rus)
卷 10, 编号 4 (2018)
Visual Picture of the World in the Reflection of Modern Media
Utilova N.
PDF
(Rus)
卷 13, 编号 1 (2021)
Convergent Audience: Research Approaches
Bakulev G.
PDF
(Rus)
卷 7, 编号 4 (2015)
Media Evolution Emulation: Development Perspectives
Bakulev G.
PDF
(Rus)
卷 7, 编号 3 (2015)
Media Evolution Emulation
Bakulev G.
PDF
(Rus)
卷 10, 编号 1 (2018)
The Media Image as a Motivator for the Humanization of Society
Vazhenina O.
PDF
(Rus)
卷 13, 编号 1 (2021)
Screenlife vs. Classic Cinema
Shimokhin B.
PDF
(Rus)
卷 3, 编号 3 (2011)
Human Being in Media Arts: Character and TV Series
Kazyuchits M.
PDF
(Rus)
卷 12, 编号 4 (2020)
TV Speech: the Polycode Nature of Verbal Inclusions
Kemarskaya I.
PDF
(Rus)
卷 12, 编号 3 (2020)
Modern Forms of Capturing Reality in the Format of Video Hosting
Shtandke A.
PDF
(Rus)
卷 5, 编号 3 (2013)
Social and cultural effects of the fragmentation of the audience
Bakulev G.
PDF
(Rus)
卷 8, 编号 1 (2016)
Media Concentration as the Structuring Process of Screen Communications
Urazova S.
PDF
(Rus)
卷 9, 编号 1 (2017)
Evergreen Theories of Mass Communication: Uses and Gratifications Approach
Bakulev G.
PDF
(Rus)
卷 11, 编号 1 (2019)
Visual picture of the world in the reflection of modern media
Utilova N.
PDF
(Rus)
卷 8, 编号 4 (2016)
TV Moves into Virtual Reality as a Projection of Development
Urazova S.
PDF
(Rus)
卷 1, 编号 1 (2009)
System of audiovisual content distribution with application of digital technologies
Levanskaya E.
PDF
(Rus)
卷 3, 编号 3 (2011)
Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization
Ilchenko S.
PDF
(Rus)
卷 9, 编号 2 (2017)
Culture-Bound Items in the Formation of the Cinema Audiences
Voskolovich N., Zhiltsov E.
PDF
(Rus)
卷 2, 编号 3 (2010)
The Convergent and Integration Aspects of Mass Media Evolution in the Information Age
Urazova S.
PDF
(Rus)
卷 7, 编号 1 (2015)
«We» and «Others» - Their Actions and Our Reactions
Fedotova L.
PDF
(Rus)
卷 9, 编号 4 (2017)
Information Requirements of Society and Expressivity of Audiovisual Media
Malkova L.
PDF
(Rus)
卷 2, 编号 2 (2010)
Screen reality in the context media milieu modernization
Urazova S., Urazova S.
PDF
(Rus)
卷 3, 编号 4 (2011)
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.
PDF
(Rus)
卷 7, 编号 1 (2015)
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art
Stroeva O.
PDF
(Rus)
卷 9, 编号 3 (2017)
Mediatext Language Practices as a Factor in Representation of Reality
Kirillova N.
PDF
(Rus)
卷 2, 编号 4 (2010)
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S., Urazova S.
PDF
(Rus)
卷 5, 编号 2 (2013)
Screen image. Aftereffect
Poznin V.
PDF
(Rus)
卷 3, 编号 2 (2011)
Russian Television: the Conflict of Matrices
Dzyaloshinskiy I.
PDF
(Rus)
卷 11, 编号 3 (2019)
The film star — the phenomenon of a parasocial relation
Zhabskiy M., Novoselova F., Tarasov К.
PDF
(Rus)
卷 3, 编号 1 (2011)
Nature of Television as a Source ofDocumentary Genres Features
Shergova K.
PDF
(Rus)
卷 5, 编号 4 (2013)
On media conflict and new forms of screen product
Urazova S.
PDF
(Rus)
卷 10, 编号 3 (2018)
Multivariance of Reality in the Digital Paradigm
Urazova S.
PDF
(Rus) PDF
(简体中)
卷 3, 编号 3 (2011)
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.
PDF
(Rus)
卷 6, 编号 1 (2014)
Visualization of advertising media text on TV channels’ websites: creative technologies
Lobodenko L.
PDF
(Rus)
卷 11, 编号 1 (2019)
Cinematic media in digital culture
Bakulev G.
PDF
(Rus)
卷 3, 编号 3 (2011)
Russian Television: the Conflict of Matrices
Dzyaloshinskiy I.
PDF
(Rus)
卷 7, 编号 2 (2015)
Screen Communications As a Form of Socialization and Individualization
Urazova S.
PDF
(Rus)
卷 8, 编号 4 (2016)
Newsreel: Is Its Revival Possible?
Malkova L.
PDF
(Rus)
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