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期
标题
作者
卷 10, 编号 4 (2018)
Visual Picture of the World in the Reflection of Modern Media
Utilova N.
PDF
(Rus)
卷 13, 编号 2(48) (2021)
Compositional Objectives of Academic Drawing
Sveshnikov A.
PDF
(Rus)
卷 12, 编号 4 (2020)
A Character in the Space of Leisure. An Essay on Dramatic Composition of Film
Marievskaya N.
PDF
(Rus)
卷 13, 编号 2(48) (2021)
The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions
Oseeva Y.
PDF
(Rus)
卷 13, 编号 1 (2021)
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films
Shevchenko-Rosliakova A.
PDF
(Rus)
卷 12, 编号 2 (2020)
Reconstruction of the Past in the Reality of Screen Imagery
Marusenkov V.
PDF
(Rus)
卷 10, 编号 4 (2018)
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.
PDF
(Rus)
卷 11, 编号 1 (2019)
Visual picture of the world in the reflection of modern media
Utilova N.
PDF
(Rus)
卷 3, 编号 4 (2011)
The Poetic Cinema of the Post-Cultural Era
Yeliseyeva Y.
PDF
(Rus)
卷 5, 编号 3 (2013)
The Problem Field of Modern Information Space
Malyshev A.
PDF
(Rus)
卷 8, 编号 2 (2016)
The Moral Law of Love Conservation
Barabash N.
PDF
(Rus)
卷 11, 编号 1 (2019)
电视屏幕上的游乐设施: 交通线游戏的规则
Rusinova E.
PDF
(Eng) PDF
(Rus)
卷 4, 编号 1 (2012)
A Competitive Model of Commercial TV Broadcasting
Urazova S.
PDF
(Rus)
卷 5, 编号 3 (2013)
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound
Mikheeva Y.
PDF
(Rus)
卷 8, 编号 3 (2016)
Documentaries, 21st Century: Time to Sum Up
Poznin V.
PDF
(Rus)
卷 2, 编号 2 (2010)
The Unknown Cinema of the War and Victory
Grashchenkova I., Grashchenkova I.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
The Role of Memory in the Perception of the Screen Image
Poznin V.
PDF
(Rus)
卷 5, 编号 2 (2013)
Film as Text. Some Aspects of Text Analysis
Kluyeva L.
PDF
(Rus)
卷 9, 编号 1 (2017)
Dynamics of Corporality and Static Models of Space in Thriller Dramaturgy
Kozlova S.
PDF
(Rus)
卷 12, 编号 1 (2020)
Techniques for compositional filling the space of a television frame
Shabalin V.
PDF
(Rus)
卷 2, 编号 1 (2010)
Screen in the new time
Krivosheev M., Krivocheev M.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
The Image of Home in Cinema
Reizen O.
PDF
(Rus)
卷 5, 编号 4 (2013)
Hoffmann’s Dual World in “Hoffmaniada”
Trapeznikova Y.
PDF
(Rus)
卷 9, 编号 1 (2017)
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.
PDF
(Rus)
卷 2, 编号 4 (2010)
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)
Zakrevskaya :., Zakrevskaya A.
PDF
(Rus)
卷 4, 编号 1 (2012)
On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting
Fomina V.
PDF
(Rus)
卷 5, 编号 4 (2013)
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound
Mikheeva Y.
PDF
(Rus)
卷 10, 编号 1 (2018)
The Media Image as a Motivator for the Humanization of Society
Vazhenina O.
PDF
(Rus)
卷 2, 编号 4 (2010)
Modern Visual Culture: Psychological Space and Time in the Movies
Kosenkova N., Kosenkova N.
PDF
(Rus)
卷 5, 编号 2 (2013)
Magic Realism of André Delvaux
Zakrevskaya A.
PDF
(Rus)
卷 5, 编号 3 (2013)
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.
PDF
(Rus)
卷 9, 编号 4 (2017)
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.
PDF
(Rus)
卷 12, 编号 1 (2020)
Russian Сinema: Modest Charm of a Hollow Character?
Maryevskaya N.
PDF
(Rus)
卷 3, 编号 2 (2011)
The Search for Visual
Yeliseyeva Y.
PDF
(Rus)
卷 5, 编号 1 (2013)
Peculiarities of flash Animation
Trapeznikova Y.
PDF
(Rus)
卷 6, 编号 3 (2014)
Collage Methods in Russian Animation Under Market Conditions
Trapeznikova Y.
PDF
(Rus)
卷 12, 编号 1 (2020)
Historical time and the image of the house in A. Sokurov’s work
Klimenko N.
PDF
(Rus)
卷 3, 编号 2 (2011)
Space in Art and Cinema
Sedlovskiy A.
PDF
(Rus)
卷 5, 编号 2 (2013)
Artistic Space as a Modern Aesthetical Category
Nikitina I.
PDF
(Rus)
卷 7, 编号 2 (2015)
Stylistic Features Of Russian Arthouse
Poznin V.
PDF
(Rus)
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