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Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.

(Rus)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.

(Rus)

卷 13, 编号 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

卷 10, 编号 4 (2018)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.

(Rus)

Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness

Danilov D.

(Rus)

卷 13, 编号 1 (2021)

Drama Features оf Documentary: Movie, TV Film, Streaming Platform

Trusevich E.

(Rus)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.

(Rus)

卷 4, 编号 2-3 (2012)

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.

(Rus)

卷 12, 编号 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

卷 4, 编号 2-3 (2012)

Sociocultural Functions of Film Libraries and Archives

Malyshev V.

(Rus)

卷 13, 编号 3(49) (2021)

Alexander Dovzhenko. Poetic Space of Immortality

Vinogradov V.

(Rus)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.

(Rus)

卷 5, 编号 1 (2013)

Can “Native” Cinema Be Marketable

Zhabskiy M.

(Rus)

卷 10, 编号 4 (2018)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.

(Rus)

Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama

Kasmynin A.

(Rus)

卷 4, 编号 4 (2012)

Can “Native” Cinema Be Marketable

Zhabskiy M.

(Rus)

卷 7, 编号 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.

(Rus)

卷 3, 编号 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

卷 13, 编号 3(49) (2021)

The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries

Koneva M.

(Rus)

卷 3, 编号 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.

(Rus)

卷 1, 编号 1 (2009)

Cinema of Bulgaria at the turn of century

Utilov V.

(Rus)

卷 5, 编号 3 (2013)

The Analysis of Artistic Time in the Theory of Film Dramaturgy

Marievskaya N.

(Rus)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.

(Rus)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.

(Rus)

卷 2, 编号 2 (2010)

Second World War Film Chronicle

Prozhiko G., Prozhiko G.

(Rus)

卷 5, 编号 2 (2013)

Can “Native” Cinema Be Marketable

Zhabskiy M.

(Rus)

卷 6, 编号 3 (2014)

Co-production in Current International Film Industry. Major Trends

Chudakova A.

(Rus)

卷 9, 编号 3 (2017)

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.

(Rus)

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Mikheeva J.

(Rus)

卷 2, 编号 1 (2010)

Remakes. The Artistic and Aesthetic Principles

Primakova N., Primakova N.

(Rus)

卷 4, 编号 2-3 (2012)

Cinema and Advertising: Enemies or Allies?

Zvegintseva I.

(Rus)

卷 9, 编号 2 (2017)

Censorship Machine in the Soviet Cinema of the 1920s

Nasrtdinova A.

(Rus)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E., Habchuk E.

(Rus)

卷 13, 编号 1 (2021)

Folklore Traditions of the Sverdlovsk Animation School

Tomilov Y.

(Rus)

卷 2, 编号 1 (2010)

Historical time in a film structure(end, beginning in № 1)

Marievskaya N., Marievskaya N.

(Rus)

卷 4, 编号 1 (2012)

The factors of competitive ability of national film industries

Zhabskiy M.

(Rus)

卷 8, 编号 2 (2016)

Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering

Pronin A.

(Rus)

卷 8, 编号 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.

(Rus)

Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century

Melekhova X.

(Rus)

卷 10, 编号 4 (2018)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.

(Rus)

The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions

Oseeva Y.

(Rus)

卷 13, 编号 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

The film star — the phenomenon of a parasocial relation

Zhabskiy M., Novoselova F., Tarasov К.

(Rus)

卷 5, 编号 3 (2013)

Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907)

Kosinova M.

(Rus)

卷 12, 编号 4 (2020)

The Expressive Function of Color in Modern Non-Fiction Films

Shtandke A.

(Rus)

Short Film: Genre Originality of Debuts

ZHdankina G., SHipulina N.

(Rus)

卷 3, 编号 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.

(Rus)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.

(Rus)

卷 7, 编号 3 (2015)

Branding as a Factor of Competitiveness of the “Lenfilm” Studio

Pankratova M.

(Rus)

卷 8, 编号 1 (2016)

Lost in Translation: Songs in Foreign Films

Parfentyeva Y.

(Rus)

卷 8, 编号 2 (2016)

Structural Analysis of Film Characters

Boyko M.

(Rus)

卷 9, 编号 1 (2017)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.

(Rus)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

卷 10, 编号 2 (2018)

The Product of Film Industry - a Cultural Good in Commodity Form

Zhabsky M.

(Rus)

卷 12, 编号 4 (2020)

From a Screen Document to a Poetic Image. Making Sense

Prozhiko G.

(Rus)

The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook

Park Young Eun ..

(Rus)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.

(Rus)

卷 5, 编号 2 (2013)

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.

(Rus)

卷 8, 编号 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.

(Rus)

A Stunt as a Plastic Metaphor in Epic Series “Liberation”

Danilov D.

(Rus)

Modern Forms of Capturing Reality in the Format of Video Hosting

Shtandke A.

(Rus)

卷 11, 编号 1 (2019)

电视屏幕上的游乐设施: 交通线游戏的规则

Rusinova E.

(Eng)

(Rus)

卷 3, 编号 4 (2011)

The factors of competitive ability of national film industries

Zhabskiy M.

(Rus)

卷 5, 编号 1 (2013)

State backing of non-fiction film

Malkova L.

(Rus)

卷 7, 编号 1 (2015)

Movie Distribution Categories in Russia: Sample of Statistical Analysis

Ivanov O., Astakhova N., Ivanov D.

(Rus)

卷 8, 编号 3 (2016)

A Criminal as the Main Movie Character, or Old Themes and New Solutions

Zvegintseva I.

(Rus)

卷 9, 编号 1 (2017)

Style “Noir” in Classical and Contemporary Art History

Orozbaev K.

(Rus)

卷 9, 编号 1 (2017)

Cinema and Globalization

Zhabskiy M.

(Rus)

The Perception of a Contemporary in Non-fiction Films

Shtandke A.

(Rus)

卷 11, 编号 4 (2019)

Cooperation between the Russian Animation Industry and Asian Partners

Krivulya N.

(Rus)

卷 11, 编号 2 (2019)

The sound world of the alienated film character

Rusinova E.

(Rus)

卷 1, 编号 1 (2009)

Historical time in a film structure

Marievskaya N.

(Rus)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A., Andreyev I.

(Rus)

卷 7, 编号 1 (2015)

1992-2012. Attempts at Privatization of Film Studios

Ziborova O.

(Rus)

卷 3, 编号 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

卷 3, 编号 4 (2011)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.

(Rus)

On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze

Marievskaya N.

(Rus)

卷 9, 编号 2 (2017)

Music in the Metadigetic Space of the Motion Picture

Rusinova E.

(Rus)

卷 9, 编号 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

卷 11, 编号 1 (2019)

Cinematic media in digital culture

Bakulev G.

(Rus)

卷 2, 编号 2 (2010)

Traditions and Innovations in Film Education

Novikov A., Novikov A.

(Rus)

卷 3, 编号 1 (2011)

The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme

Perelshtein R.

(Rus)

卷 4, 编号 4 (2012)

The Formula of Producer’s Happiness?

Bakulev G.

(Rus)

卷 5, 编号 1 (2013)

Does cinema remain the driving force of screen culture?

Kirillova N.

(Rus)

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.

(Rus)

卷 6, 编号 3 (2014)

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.

(Rus)

卷 7, 编号 2 (2015)

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.

(Rus)

卷 7, 编号 4 (2015)

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.

(Rus)

卷 8, 编号 3 (2016)

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.

(Rus)

卷 8, 编号 4 (2016)

Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film

Kropova D.

(Rus)

卷 10, 编号 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E., Khabchuk E.

(Rus)

卷 12, 编号 1 (2020)

Stopover? Non-fiction movies in the first decade after the millennium

Prozhiko G.

(Rus)