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Authors
THE MUSICAL CULTURE OF SOVIET RUSSIA OF THE 20S OF THE XX CENTURY: AFM AND RAPM IN THE STRUGGLE FOR «NEW ART»
Marova E.L.
PHENOMENON OF THE EUROPEAN FESTIVAL OF ACADEMIC MUSIC. THE HISTORY OF THE FESTIVE CULTURE
Minailenko M.A.
Alexander Glazunov and His Role in The History of Recognition of The Saxophone in The Academic Environment
Li S.
GENRE THE STYLE OF THE SOUTHERN RUSSIAN ROUND DANCE SONGS
Zhirov M.S., Kudymova O.N., Kuznetsova N.S.
Quality Management of Teaching Students of The Faculty of Music and Performing Arts on The Basis of A Competence-Based Approach
Aryutkina A.N.
IMAGE OF A POPULAR RUSSIAN PERFORMER OF CLASSICAL MUSIC IN A MODERN CARICATURE
Bakirova K.S.
Domestic music publishing business of the second half of the XIX – early XX centuries: characteristics and features of the functioning of the industry
Radzetskaya O.V.
INDUSTRIAL CITY AS A PHILOSOPHICAL AND CULTURAL PROBLEM: FROM THE SOVIET MAGNITOGORSK TO THE CULTURAL CAPITAL OF EUROPE
Burlina E.Y.
The historical significance of the song “Djurjevdan”: on the problem of selection of musical material for studies
Vucenovic A.
M.M. BAKHTIN’S "LIVING" IN MUSIC
Voronina N.I.
Sound – music – culture: space-time reflection
Voronina N.I.
HUMANITARIAN DISCOURSES OF MODERNITY: THE NEED FOR THE PRESENT AND THE FUTURE
Burlina E.Y., Bokuradze D.S.
Viola in the Russian musical art of the second half of the twentieth century: works by composers of the Moscow advance-guard
Radzetskaya M.D.
FORMATION OF DIRECTOR'S OPERA IN THE WORLD MUSICAL ART
Sporyshev V.P.
A.V. Amfiteatrov as an Interpreter of the Art of Sculpture (Intermedial Aspect)
Klyueva I.V.
TRIAD "IMAGE-METHOD-STYLE" IN THE INTERPRETATION OF PIANO MUSIC: TOWARDS THE CONSTRUCTION OF A UNIVERSAL THEORY OF PERFORMANCE
Dyatlov D.A.
The essence of A.I. Herzen's musical concept on the pages of the «Past and doom» («Byloye i dumy»)
Voronina N.I.
N.P. OGAREV - M.YU. LERMONTOV: MUSICAL-POETIC DIALOGUE
Voronina N.I., Novikova N.L., Sirotina I.L.
1 - 18 of 18 Items

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