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Title

Authors

Vol 13, No 3(49) (2021)

Alexander Dovzhenko. Poetic Space of Immortality

Vinogradov V.

(Rus)

Vol 13, No 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 10, No 3 (2018)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.S.

(Rus)

Vol 10, No 4 (2018)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.A.

(Rus)

Vol 10, No 3 (2018)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.A.

(Rus)

Vol 12, No 3 (2020)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.I.

(Rus)

Vol 12, No 4 (2020)

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Zernova P.

(Rus)

Vol 12, No 3 (2020)

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

Vol 12, No 3 (2020)

Techniques for Representing the Author in Alexander Sokurov’s films

Klimenko N.

(Rus)

Vol 11, No 1 (2019)

The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero

Rusinova E.A.

(Eng)

(Rus)

Vol 12, No 2 (2020)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

Vol 12, No 2 (2020)

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Vol 13, No 2(48) (2021)

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

Vol 12, No 3 (2020)

Short Film: Genre Originality of Debuts

ZHdankina G., SHipulina N.

(Rus)

Vol 12, No 4 (2020)

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

Vol 8, No 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.N.

(Rus)

Vol 11, No 4 (2019)

CILECT as the Project of a World Film School: Origins, Specifics, Development

Malyshev V.

(Rus)

Vol 11, No 1 (2019)

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 3, No 1 (2011)

Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"

Ilchenko S.N.

(Rus)

Vol 7, No 3 (2015)

Video Aesthetics in Cinema and Video Art

Smolev D.D.

(Rus)

Vol 8, No 4 (2016)

Patterns of Behavior in the Great Patriotic War’s Soviet Cinema

Rostotskaya M.A.

(Rus)

Vol 9, No 4 (2017)

The Storming of the Winter Palace as a Mythmaking of National Screen Culture

Ilchenko S.N.

(Rus)

Vol 11, No 3 (2019)

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.O.

(Rus)

Vol 1, No 1 (2009)

About dubbing foreign ilms

ROUSSINOVA E.A.

(Rus)

Vol 3, No 3 (2011)

Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization

Ilchenko S.N.

(Rus)

Vol 7, No 3 (2015)

State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation

Zhdanova V.A.

(Rus)

Vol 9, No 2 (2017)

Cinema of Arabic East: the Problem of Radical Islam

Shakhov A.S.

(Rus)

Vol 9, No 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 11, No 1 (2019)

Contemporary Russian cinema and its world contexts

Reisen O.K.

(Rus)

Vol 2, No 2 (2010)

A Long Story about a Big Set for a Short Episode

Tolkachev A.N., Tolkachov A.N.

(Rus)

Vol 4, No 1 (2012)

The Reflection of Ethno-Cultural Stereotypes in Film Art

Monakhova M.O.

(Rus)

Vol 8, No 1 (2016)

American Biopic in Contemporary Cinema

Morozova I.V.

(Rus)

Vol 9, No 2 (2017)

The Problem of Adaptation of Utopias in Russian Cinema

Shesteric O.V.

(Rus)

Vol 10, No 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E.A., Habchuk E.M.

(Rus)

Vol 10, No 4 (2018)

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 1, No 1 (2009)

Postmodernism as Myths Generating Practice

Mankovskaya N.B.

(Rus)

Vol 4, No 4 (2012)

Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”

Mikheeva Y.V.

(Rus)

Vol 8, No 1 (2016)

Emotional Influence on the Viewer in Contemporary American Cinema

Vital F.Y.

(Rus)

Vol 9, No 2 (2017)

Censorship Machine in the Soviet Cinema of the 1920s

Nasrtdinova A.R.

(Rus)

Vol 10, No 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Vol 11, No 2 (2019)

Existential problematics in the films of Pedro Costa

Sandu V.O.

(Rus)

Vol 2, No 2 (2010)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 4, No 4 (2012)

Phenomenon of the System Repetition in Photography as an Alternative to Film

Burov A.M.

(Rus)

Vol 8, No 1 (2016)

The Birth of Identity in the Finnish Cinema

Ivannikova C.O.

(Rus)

Vol 9, No 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 11, No 2 (2019)

The ‘hero archetype’ in the neo-mythological context of contemporary screen culture

Stroeva O.V.

(Rus)

Vol 2, No 2 (2010)

In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945

Utilov V.A., Utilov V.

(Rus)

Vol 5, No 3 (2013)

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.M.

(Rus)

Vol 8, No 3 (2016)

Indian Cinema: Past and Present

Nefedova D.N.

(Rus)

Vol 9, No 3 (2017)

India and England in the Mirror of Screen

Zvegintseva I.A.

(Rus)

Vol 10, No 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 11, No 2 (2019)

The sound world of the alienated film character

Rusinova E.A.

(Rus)

Vol 2, No 4 (2010)

"The Karamazov Brothers" as intellectualgames

Il'chenko S.N., Ilchenko S.N.

(Rus)

Vol 6, No 4 (2014)

James Mangold is “a jewel of a man” in American Cinema

Zvegintseva I.A.

(Rus)

Vol 8, No 3 (2016)

A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism

Vinogradov V.V.

(Rus)

Vol 9, No 3 (2017)

Screen Imagery as Reflected through Mythologems

Marusenkov V.V.

(Rus)

Vol 10, No 4 (2018)

Contemporary Russian Cinema and Its World Contexts

Reisen O.K.

(Rus)

Vol 11, No 4 (2019)

The Russian Intelligentsia: Taming Nihilism in the Stalin Period

Vinogradov V.

(Rus)

Vol 11, No 2 (2019)

VR Cinema. Virtual Spectacle as a Dream

Novikov V.N.

(Rus)

Vol 2, No 4 (2010)

The Phenomenon of the French NewWave. Technology or Ideology?

Vinogradov V.V., Vinogradov V.V.

(Rus)

Vol 7, No 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.V.

(Rus)

Vol 9, No 4 (2017)

Film Reconstruction of the Past as a Method of Understanding Reality

Marusenkov V.V.

(Rus)

Vol 10, No 2 (2018)

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.K.

(Rus)

1 - 63 of 63 Items

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