检索

期
标题
作者
卷 10, 编号 3 (2018)
Multivariance of Reality in the Digital Paradigm
Urazova S.
PDF
(Rus) PDF
(简体中)
卷 12, 编号 3 (2020)
Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture
Krivulya N.
PDF
(Rus)
卷 12, 编号 3 (2020)
Modern Forms of Capturing Reality in the Format of Video Hosting
Shtandke A.
PDF
(Rus)
卷 3, 编号 1 (2011)
Real Television as a Factor of Socio- Cultural Globalization
Urazova S.
PDF
(Rus)
卷 13, 编号 1 (2021)
VR-technologies in Animation
Yarovaya N.
PDF
(Rus)
卷 3, 编号 3 (2011)
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.
PDF
(Rus)
卷 12, 编号 4 (2020)
Sound Space of M.Garrone’s Films: from Fiction to Reality
Sorokina J.
PDF
(Rus)
卷 3, 编号 4 (2011)
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.
PDF
(Rus)
卷 8, 编号 4 (2016)
TV Moves into Virtual Reality as a Projection of Development
Urazova S.
PDF
(Rus)
卷 2, 编号 2 (2010)
Some Aspects of Mythological Reality
Chizhevskaya O., Chizhevskaya O.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
Television Civilization and Image of Reality
Utilova N.
PDF
(Rus)
卷 9, 编号 2 (2017)
Desktop Films. To Read or to Watch?
Novikov V.
PDF
(Rus)
卷 2, 编号 3 (2010)
Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art?
Yaremenko Y.
PDF
(Rus)
卷 4, 编号 1 (2012)
On Creating a Virtual Character (analysis of«Mouchette.org» site)
Yugai I.
PDF
(Rus)
卷 9, 编号 2 (2017)
The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror”
Fedotkin S.
PDF
(Rus)
卷 11, 编号 4 (2019)
The Existential World of Kira Muratova
Kirillova N.
PDF
(Rus)
卷 2, 编号 2 (2010)
Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art?
Yaremenko E., Yaremenko Y.
PDF
(Rus)
卷 5, 编号 2 (2013)
On modeling TV programs
Vanchenko T.
PDF
(Rus)
卷 9, 编号 3 (2017)
Mediatext Language Practices as a Factor in Representation of Reality
Kirillova N.
PDF
(Rus)
卷 11, 编号 3 (2019)
The evolution of visual instruments of VR cinema
Matkin A.
PDF
(Rus)
卷 2, 编号 1 (2010)
Films about filmmaking. Reality and game
Perel'shteyn R., Perelshtein R.
PDF
(Rus)
卷 5, 编号 1 (2013)
«Drowning by Numbers» by Peter Greenaway in light of surrealism
Perelshtein R.
PDF
(Rus)
卷 11, 编号 3 (2019)
The canons of capturing reality in the documentary cinema of the 1960s
Bezenkova M.
PDF
(Rus)
卷 5, 编号 1 (2013)
Does cinema remain the driving force of screen culture?
Kirillova N.
PDF
(Rus)
卷 10, 编号 1 (2018)
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?
Novikov V.
PDF
(Rus)
卷 11, 编号 1 (2019)
VR technologies in docudrama
Stezhko N.
PDF
(Rus)
卷 3, 编号 1 (2011)
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme
Perelshtein R.
PDF
(Rus)
卷 6, 编号 2 (2014)
Free Will and Existentialism of Death
Barabash N.
PDF
(Rus)
卷 10, 编号 2 (2018)
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?
Novikov V.
PDF
(Rus)
卷 11, 编号 2 (2019)
VR Cinema. Virtual Spectacle as a Dream
Novikov V.
PDF
(Rus)
卷 8, 编号 2 (2016)
Modernist Cinema of Andrey Tarkovsky
Fedotkin S.
PDF
(Rus)
卷 2, 编号 2 (2010)
DiaMatrix. Eclectic Glance on the Historiosophy of the Soviet Cinema of the 1930-1940s
Apostolov A., Apostolov A.
PDF
(Rus)
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