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Title

Authors

Vol 10, No 3 (2018)

Multivariance of Reality in the Digital Paradigm

Urazova S.L.

(Rus)

(简体中)

Vol 12, No 3 (2020)

Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture

Krivulya N.

(Rus)

Vol 12, No 3 (2020)

Modern Forms of Capturing Reality in the Format of Video Hosting

Shtandke A.

(Rus)

Vol 3, No 1 (2011)

Real Television as a Factor of Socio- Cultural Globalization

Urazova S.L.

(Rus)

Vol 13, No 1 (2021)

VR-technologies in Animation

Yarovaya N.Y.

(Rus)

Vol 3, No 3 (2011)

Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen

Urazova S.L.

(Rus)

Vol 12, No 4 (2020)

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

Vol 3, No 4 (2011)

Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen

Urazova S.L.

(Rus)

Vol 8, No 4 (2016)

TV Moves into Virtual Reality as a Projection of Development

Urazova S.L.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Mythological Reality

Chizhevskaya O.A., Chizhevskaya O.A.

(Rus)

Vol 4, No 2-3 (2012)

Television Civilization and Image of Reality

Utilova N.I.

(Rus)

Vol 9, No 2 (2017)

Desktop Films. To Read or to Watch?

Novikov V.N.

(Rus)

Vol 2, No 3 (2010)

Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art?

Yaremenko Y.G.

(Rus)

Vol 4, No 1 (2012)

On Creating a Virtual Character (analysis of«Mouchette.org» site)

Yugai I.I.

(Rus)

Vol 9, No 2 (2017)

The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror”

Fedotkin S.V.

(Rus)

Vol 11, No 4 (2019)

The Existential World of Kira Muratova

Kirillova N.

(Rus)

Vol 2, No 2 (2010)

Digital Technologies and Virtual Worlds: Is Mankind on the Threshold of New Art?

Yaremenko E.G., Yaremenko Y.G.

(Rus)

Vol 5, No 2 (2013)

On modeling TV programs

Vanchenko T.P.

(Rus)

Vol 9, No 3 (2017)

Mediatext Language Practices as a Factor in Representation of Reality

Kirillova N.B.

(Rus)

Vol 11, No 3 (2019)

The evolution of visual instruments of VR cinema

Matkin A.V.

(Rus)

Vol 2, No 1 (2010)

Films about filmmaking. Reality and game

Perel'shteyn R.M., Perelshtein R.M.

(Rus)

Vol 5, No 1 (2013)

«Drowning by Numbers» by Peter Greenaway in light of surrealism

Perelshtein R.M.

(Rus)

Vol 11, No 3 (2019)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.V.

(Rus)

Vol 5, No 1 (2013)

Does cinema remain the driving force of screen culture?

Kirillova N.B.

(Rus)

Vol 10, No 1 (2018)

Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?

Novikov V.N.

(Rus)

Vol 11, No 1 (2019)

VR technologies in docudrama

Stezhko N.G.

(Rus)

Vol 3, No 1 (2011)

The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme

Perelshtein R.M.

(Rus)

Vol 6, No 2 (2014)

Free Will and Existentialism of Death

Barabash N.A.

(Rus)

Vol 10, No 2 (2018)

Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?

Novikov V.N.

(Rus)

Vol 11, No 2 (2019)

VR Cinema. Virtual Spectacle as a Dream

Novikov V.N.

(Rus)

Vol 8, No 2 (2016)

Modernist Cinema of Andrey Tarkovsky

Fedotkin S.V.

(Rus)

Vol 2, No 2 (2010)

DiaMatrix. Eclectic Glance on the Historiosophy of the Soviet Cinema of the 1930-1940s

Apostolov A.I., Apostolov A.I.

(Rus)

1 - 32 of 32 Items

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