| 期 |
标题 |
文件 |
| 卷 13, 编号 3(49) (2021) |
The Victimizer-Victim Conflict as Represented in the Foreign Post-War Cinematograph |
(Rus)
|
|
Chirkina M.
|
| 卷 13, 编号 2(48) (2021) |
Historical Trauma as a Source of Grotesque in Cinema |
(Rus)
|
|
Babina A.
|
| 卷 13, 编号 2(48) (2021) |
Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema |
(Rus)
|
|
Makarova M.
|
| 卷 13, 编号 2(48) (2021) |
The Perception of a Contemporary in Non-fiction Films |
(Rus)
|
|
Shtandke A.
|
| 卷 13, 编号 1 (2021) |
The Year of Science and Technology |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 1 (2021) |
Presentation of the authors |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 1 (2021) |
Recommendations to authors |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 2(48) (2021) |
Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema |
(Rus)
|
|
Klyueva L.
|
| 卷 13, 编号 2(48) (2021) |
A Stunt as a Plastic Metaphor in Epic Series “Liberation” |
(Rus)
|
|
Danilov D.
|
| 卷 13, 编号 2(48) (2021) |
Compositional Objectives of Academic Drawing |
(Rus)
|
|
Sveshnikov A.
|
| 卷 13, 编号 2(48) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
KHrenov N., KHrenov A.
|
| 卷 13, 编号 2(48) (2021) |
Summary |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 2(48) (2021) |
Recommendations to authors |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 2(48) (2021) |
Библиотека ВГИК |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 2(48) (2021) |
Библиотека ВГИК |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 2(48) (2021) |
Библиотека ВГИК |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 2(48) (2021) |
From the First of September, VGIK! |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 2(48) (2021) |
Master class by B.V.Vengerovsky, Honored Artist of Russia.
A visit to Peredelkino. Boris Pasternak House Museum.
Production faculty: master class by Anatoly Sivushov.
At the opening of the monument "Shoulder to Shoulder" |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 3(49) (2021) |
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema |
(Rus)
|
|
Marusenkov V.
|
| 卷 13, 编号 3(49) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
KHrenov N., KHrenov A.
|
| 卷 13, 编号 3(49) (2021) |
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera” |
(Rus)
|
|
Goryachok K.
|
| 卷 13, 编号 3(49) (2021) |
Fluctuations in the Media Market in an Era of Communication Abundance |
(Rus)
|
|
Urazova S.
|
| 卷 12, 编号 4 (2020) |
Exhibition of coursework of 3rd year students of the Faculty of Art, VGIK |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 3(49) (2021) |
On the Essence and Relevance of the Work on Semantic Oppositions in Creative Writing |
(Rus)
|
|
Klyueva L.
|
| 卷 13, 编号 3(49) (2021) |
Alexander Dovzhenko. Poetic Space of Immortality |
(Rus)
|
|
Vinogradov V.
|
| 卷 13, 编号 3(49) (2021) |
The Concept Of Self-Sacrifice In The Philosophy Of Andrei Tarkovsky’s Work |
(Rus)
|
|
Kirillova N.
|
| 卷 13, 编号 3(49) (2021) |
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries |
(Rus)
|
|
Koneva M.
|
| 卷 13, 编号 3(49) (2021) |
Focus on tradition and innovation! |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 3(49) (2021) |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 3(49) (2021) |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 3(49) (2021) |
Modern Films In The Assessment Of Future Filmmakers |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 3(49) (2021) |
Artistic Space In Documentary Films (According To The Results Of The XVII Kazan International Muslim Film Festival) |
(Rus)
|
|
Chirkina M.
|
| 卷 13, 编号 3(49) (2021) |
Summary |
(Rus)
|
|
Editorial office a.
|
| 卷 13, 编号 3(49) (2021) |
Recommendations for Authors |
(Rus)
|
|
Editorial office a.
|
| 卷 7, 编号 3 (2015) |
35th International Student Festival |
(Rus)
|
|
- -.
|
| 卷 7, 编号 3 (2015) |
7th International Summer Film School VGIK |
(Rus)
|
|
- -.
|
| 卷 3, 编号 3 (2011) |
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen |
(Rus)
|
|
Urazova S.
|
| 卷 3, 编号 4 (2011) |
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen |
(Rus)
|
|
Urazova S.
|
| 卷 7, 编号 3 (2015) |
II Scientific-Practical Conference “Innovative technologies in film and education”. VII International Children's Painting Competition “Cinema in children's drawings” |
(Rus)
|
|
- -.
|
| 卷 1, 编号 1 (2009) |
preasentation of authors |
(Rus)
|
|
Urazova S.
|
| 卷 2, 编号 3 (2010) |
SUMMARYPREZENTATsIYa AVTOROV |
(Rus)
|
|
- -.
|
| 卷 7, 编号 3 (2015) |
VIII International scientific-practical conference “Animation as a Cultural Phenomenon. Preservation of cultural traditions in the context of globalization” |
(Rus)
|
|
- -.
|
| 卷 4, 编号 4 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| 卷 4, 编号 4 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| 卷 4, 编号 4 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| 卷 4, 编号 1 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| 卷 4, 编号 1 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| 卷 4, 编号 2-3 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| 卷 4, 编号 2-3 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| 卷 4, 编号 2-3 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| 卷 2, 编号 3 (2010) |
«Art. Proekt. Diplom 2010.», «Prostranstvo kino» |
(Rus)
|
|
- -.
|
| 卷 2, 编号 2 (2010) |
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate |
(Rus)
|
|
Il'chenko S., Ilchenko S.
|
| 卷 4, 编号 4 (2012) |
Golden Eagle-2012. Inpressions |
(Rus)
|
|
Yeliseyeva Y.
|
| 卷 4, 编号 1 (2012) |
«Kino SShA na rubezhe vekov» |
(Rus)
|
|
Vinogradov V.
|
| 卷 2, 编号 2 (2010) |
«Nasha pamyat' - nasha Pobeda». Vystavka studencheskikh rabot raznykh let,posvyashchennykh Velikoy Otechestvennoy voyne |
(Rus)
|
|
- -.
|
| 卷 7, 编号 1 (2015) |
«Student Taffy» - an innovative project |
(Rus)
|
|
- -.
|
| 卷 11, 编号 2 (2019) |
Viktor Turin's Turksib as an ecological message |
(Rus)
|
|
Berkova N.
|
| 卷 1, 编号 1 (2009) |
«Ty zastavlyaesh' zriteley smeyat'sya i pomogaesh' im luchshe ponimat' zhizn'. Mne eto nravitsya» |
(Rus)
|
|
Li V.
|
| 卷 5, 编号 3 (2013) |
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice |
(Rus)
|
|
Burov A.
|
| 卷 5, 编号 2 (2013) |
Shadi Abdel Salam, «the Pharaoh of Egyptian Cinema» |
(Rus)
|
|
Shakhov A.
|
| 卷 5, 编号 4 (2013) |
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy |
(Rus)
|
|
Khrenov N.
|
| 卷 5, 编号 3 (2013) |
Alexander Sokurov’s “Faust”: Goethe’s Philosophic Implications as a Problem |
(Rus)
|
|
Khrenov N.
|
| 卷 2, 编号 2 (2010) |
"I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy |
(Rus)
|
|
Klyueva L., Kluyeva L.
|
| 卷 2, 编号 1 (2010) |
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema") |
(Rus)
|
|
Turitsyn V., Turitsyn V.
|
| 卷 3, 编号 1 (2011) |
Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone" |
(Rus)
|
|
Ilchenko S.
|
| 卷 3, 编号 4 (2011) |
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev |
(Rus)
|
|
Pishita Y.
|
| 卷 2, 编号 1 (2010) |
The mediabrend is urgency of the development in new economicalconditions |
(Rus)
|
|
Yakusheva V., Yakusheva V.
|
| 卷 11, 编号 2 (2019) |
Actual problems of the composition of the artistic image |
(Rus)
|
|
Sveshnikov A.
|
| 卷 5, 编号 2 (2013) |
Algeria: Birth of Cinema |
(Rus)
|
|
Shakhov A.
|
| 卷 5, 编号 4 (2013) |
Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's |
(Rus)
|
|
Kosinova M.
|
| 卷 3, 编号 4 (2011) |
Alfred Schnittke and the End of Russian Classic Music |
(Rus)
|
|
Mikheyeva Y.
|
| 卷 5, 编号 3 (2013) |
The Analysis of Artistic Time in the Theory of Film Dramaturgy |
(Rus)
|
|
Marievskaya N.
|
| 卷 9, 编号 4 (2017) |
BIBLIOTEKA VGIK |
(Rus)
|
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- -.
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| 卷 9, 编号 4 (2017) |
BIBLIOTEKA VGIK |
(Rus)
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- -.
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| 卷 9, 编号 4 (2017) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 9, 编号 2 (2017) |
Biblioteka VGIK |
(Rus)
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| 卷 9, 编号 2 (2017) |
Biblioteka VGIK |
(Rus)
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| 卷 9, 编号 2 (2017) |
Biblioteka VGIK |
(Rus)
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| 卷 8, 编号 4 (2016) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 8, 编号 3 (2016) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 8, 编号 3 (2016) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 7, 编号 1 (2015) |
Biblioteka VGIK |
(Rus)
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| 卷 6, 编号 4 (2014) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 6, 编号 4 (2014) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 5, 编号 3 (2013) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 5, 编号 1 (2013) |
Biblioteka VGIK |
(Rus)
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| 卷 5, 编号 1 (2013) |
Biblioteka VGIK |
(Rus)
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| 卷 3, 编号 4 (2011) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 3, 编号 4 (2011) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 3, 编号 3 (2011) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 3, 编号 2 (2011) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 3, 编号 3 (2011) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 3, 编号 2 (2011) |
BIBLIOTEKA VGIK |
(Rus)
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| 卷 2, 编号 4 (2010) |
biblioteka VGIK |
(Rus)
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- -.
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| 卷 2, 编号 4 (2010) |
biblioteka VGIK |
(Rus)
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- -.
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| 卷 11, 编号 2 (2019) |
VGIK Library |
(Rus)
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VGIK E.
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| 卷 11, 编号 3 (2019) |
Библиотека ВГИК |
(Rus)
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| 卷 12, 编号 2 (2020) |
Библиотека ВГИК |
(Rus)
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| 卷 6, 编号 4 (2014) |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
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| 卷 6, 编号 4 (2014) |
BIBLIOTEKA NII KINOISKUSSTVA |
(Rus)
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| 401 - 500 的 779 信息 |
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