Issue |
Title |
File |
Vol 2, No 2 (2010) |
NemenskiyBoris Mikhaylovich |
 (Rus)
|
- -.
|
Vol 3, No 1 (2011) |
New "Lyrical Sentience" of Guillaume Apollinaire and "Lyrical Truth" of Louis Delluc |
 (Rus)
|
Vinogradov V.V.
|
Vol 8, No 4 (2016) |
Newsreel: Is Its Revival Possible? |
 (Rus)
|
Malkova L.Y.
|
Vol 12, No 2 (2020) |
No one is forgotten, nothing is forgotten… |
 (Rus)
|
Editorial office a.
|
Vol 5, No 4 (2013) |
Now we have forty... |
 (Rus)
|
Tsyrkun N.A.
|
Vol 3, No 3 (2011) |
Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev |
 (Rus)
|
Kljueva L.B.
|
Vol 10, No 1 (2018) |
On «Pretty Young Lady», Dos Passos and the Textology of «Art» |
 (Rus)
|
Zabrodin V.V.
|
Vol 4, No 1 (2012) |
On Creating a Virtual Character (analysis of«Mouchette.org» site) |
 (Rus)
|
Yugai I.I.
|
Vol 5, No 4 (2013) |
On media conflict and new forms of screen product |
 (Rus)
|
Urazova S.L.
|
Vol 5, No 2 (2013) |
On modeling TV programs |
 (Rus)
|
Vanchenko T.P.
|
Vol 5, No 1 (2013) |
On modeling TV programs |
 (Rus)
|
Vanchenko T.P.
|
Vol 6, No 1 (2014) |
On prerequisites for developing artistic time theory |
 (Rus)
|
Marievskaja N.E.
|
Vol 6, No 1 (2014) |
On representation and typology of the demoniac and monstrous characters |
 (Rus)
|
Krivulya N.G.
|
Vol 5, No 4 (2013) |
On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze |
 (Rus)
|
Marievskaya N.Y.
|
Vol 4, No 1 (2012) |
On the character transformation in the Russian Cinema |
 (Rus)
|
Sharapova M.A.
|
Vol 13, No 3(49) (2021) |
On the Essence and Relevance of the Work on Semantic Oppositions in Creative Writing |
 (Rus)
|
Klyueva L.
|
Vol 12, No 4 (2020) |
On the eve of the New Year holidays |
 (Rus)
|
Editorial office a.
|
Vol 4, No 1 (2012) |
On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting |
 (Rus)
|
Fomina V.A.
|
Vol 2, No 3 (2010) |
On the importance of strategy changes of the discourse by the example of two Alexey Herman's films |
 (Rus)
|
Kljueva L.B.
|
Vol 8, No 3 (2016) |
On The Matter of Market in Cinema |
 (Rus)
|
Zhabskiy M.I.
|
Vol 2, No 3 (2010) |
On the methodology of the study of ontology in the concept of cinema Andre Bazin |
 (Rus)
|
Schtein S.Y.
|
Vol 11, No 4 (2019) |
On the Problem of the Discourse Analysis of Literary Texts |
 (Rus)
|
Klyueva L.
|
Vol 5, No 3 (2013) |
Opyt estetiko-sotsiologicheskogo analiza kinoiskusstva |
 (Rus)
|
Ushkarev A.A.
|
Vol 12, No 2 (2020) |
Palestine in Foreign Cinema |
 (Rus)
|
Nassar A.
|
Vol 13, No 2(48) (2021) |
Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema |
 (Rus)
|
Klyueva L.
|
Vol 8, No 4 (2016) |
Patterns of Behavior in the Great Patriotic War’s Soviet Cinema |
 (Rus)
|
Rostotskaya M.A.
|
Vol 5, No 1 (2013) |
Peculiarities of flash Animation |
 (Rus)
|
Trapeznikova Y.V.
|
Vol 4, No 2-3 (2012) |
Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality» |
 (Rus)
|
Bezenkova M.V.
|
Vol 3, No 4 (2011) |
Pervaya mezhdunarodnaya nauchnoprakticheskaya konferentsiya «Geroy v dramaturgii sovremennogo fil'ma» |
 (Rus)
|
- -.
|
Vol 6, No 4 (2014) |
Phenomenon of Political Biopic in the English-Language Cinema |
 (Rus)
|
Morozova I.V.
|
Vol 4, No 4 (2012) |
Phenomenon of the System Repetition in Photography as an Alternative to Film |
 (Rus)
|
Burov A.M.
|
Vol 4, No 1 (2012) |
Philosophic Foundations of an Audiovisual Counterpoint in a Film |
 (Rus)
|
Mikheeva Y.V.
|
Vol 7, No 2 (2015) |
Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis |
 (Rus)
|
Ivannikova K.O.
|
Vol 6, No 3 (2014) |
Planning Element as a Narrative Method in Moulding of Audiovisual Imagery in Documentaries |
 (Rus)
|
Koneva M.N.
|
Vol 6, No 3 (2014) |
Points of Disequilibrium in Narrative Dynamics and Their Structure |
 (Rus)
|
Marievskaya N.Y.
|
Vol 1, No 1 (2009) |
Postmodernism as Myths Generating Practice |
 (Rus)
|
Mankovskaya N.B.
|
Vol 9, No 3 (2017) |
PRAVILA DLYa AVTOROV |
 (Rus)
|
- -.
|
Vol 5, No 3 (2013) |
Prazdnik ekrannogo iskusstva |
 (Rus)
|
- -.
|
Vol 3, No 2 (2011) |
PRAZDNIK KINO. 33 Moskovskiy mezhdunarodnyy kinofestival' 23.06 - 02.07.2011 |
 (Rus)
|
- -.
|
Vol 1, No 1 (2009) |
preasentation of authors |
 (Rus)
|
Urazova S.L.
|
Vol 13, No 1 (2021) |
Presentation of the authors |
 (Rus)
|
Editorial office a.
|
Vol 8, No 2 (2016) |
Primary Cinema Sources of American Noir |
 (Rus)
|
Orozbaev K.N.
|
Vol 4, No 2-3 (2012) |
Problems of Animation Film Visual Anthropology |
 (Rus)
|
Krivulya N.G.
|
Vol 6, No 2 (2014) |
Problems of Presentation and Typology of Demonic and Monstrous Characters in Animation (for the beginning see Issue #19) |
 (Rus)
|
Krivulya N.G.
|
Vol 3, No 4 (2011) |
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev |
 (Rus)
|
Pishita Y.M.
|
Vol 7, No 2 (2015) |
Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV |
 (Rus)
|
Malkova L.Y.
|
Vol 10, No 2 (2018) |
Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia |
 (Rus)
|
Sidorenko V.I.
|
Vol 10, No 2 (2018) |
Psychological Insight in Asgar Farhadi’s Early Films |
 (Rus)
|
Grigorieva N.G.
|
Vol 11, No 4 (2019) |
Pyotr Chardynin’s The Idiot as a Phenomenon of Creative Reinterpretation of Dostoevsky’s Novel |
 (Rus)
|
Ryabokon’ A.
|
Vol 9, No 1 (2017) |
READING ROOM | BOOKSHELF |
 (Rus)
|
- -.
|
Vol 7, No 2 (2015) |
READING ROOM | BOOKSHELF |
 (Rus)
|
- -.
|
Vol 3, No 1 (2011) |
Real Television as a Factor of Socio- Cultural Globalization |
 (Rus)
|
Urazova S.L.
|
Vol 10, No 2 (2018) |
RECOMMENDATIONS AUTHORS |
 (Rus)
|
- E.
|
Vol 10, No 1 (2018) |
RECOMMENDATIONS AUTHORS |
 (Rus)
|
- -.
|
Vol 9, No 4 (2017) |
RECOMMENDATIONS AUTHORS |
 (Rus)
|
- -.
|
Vol 8, No 4 (2016) |
RECOMMENDATIONS AUTHORS |
 (Rus)
|
- -.
|
Vol 8, No 3 (2016) |
RECOMMENDATIONS AUTHORS |
 (Rus)
|
- -.
|
Vol 7, No 2 (2015) |
RECOMMENDATIONS AUTHORS |
 (Rus)
|
- -.
|
Vol 12, No 3 (2020) |
Recommendations for authors |
 (Rus)
|
Editorial a.
|
Vol 13, No 3(49) (2021) |
Recommendations for Authors |
 (Rus)
|
Editorial office a.
|
Vol 12, No 4 (2020) |
Recommendations for the authors |
 (Rus)
|
Editorial office a.
|
Vol 12, No 1 (2020) |
Recommendations to authors |
 (Rus)
|
Editorial office a.
|
Vol 10, No 4 (2018) |
Recommendations to authors |
 (Rus)
|
Editorial office a.
|
Vol 13, No 1 (2021) |
Recommendations to authors |
 (Rus)
|
Editorial office a.
|
Vol 13, No 2(48) (2021) |
Recommendations to authors |
 (Rus)
|
Editorial office a.
|
Vol 6, No 4 (2014) |
Reconstruction As a Show In Contemporary Historical TV-research |
 (Rus)
|
Ekimova A.V.
|
Vol 7, No 4 (2015) |
Reconstruction as the Character Depiction Method in Documentary |
 (Rus)
|
Troukhina A.V.
|
Vol 12, No 2 (2020) |
Reconstruction of the Past in the Reality of Screen Imagery |
 (Rus)
|
Marusenkov V.
|
Vol 7, No 1 (2015) |
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work |
 (Rus)
|
Mikheyeva Y.V.
|
Vol 5, No 3 (2013) |
Regional Aspects of the State Policy in Culture and Art |
 (Rus)
|
Molchanov I.N., Molchanova N.P.
|
Vol 10, No 3 (2018) |
REKOMENDATsII AVTORAM |
 (Rus)
|
Editorial office a.
|
Vol 8, No 2 (2016) |
REKOMENDATsII AVTORAM |
 (Rus)
|
- -.
|
Vol 3, No 4 (2011) |
REKOMENDATsII AVTORAM |
 (Rus)
|
- -.
|
Vol 2, No 1 (2010) |
REKOMENDATsII AVTORAM |
|
- -.
|
Vol 2, No 3 (2010) |
REKOMENDATsII AVTORAM |
 (Rus)
|
- -.
|
Vol 1, No 1 (2009) |
REKOMENDATsII AVTORAM |
 (Rus)
|
- -.
|
Vol 2, No 2 (2010) |
Rekomendatsii avtoram.Usloviya publikatsii statey v nauchnomperiodicheskom zhurnale «Vestnik VGIK» |
 (Rus)
|
- -.
|
Vol 2, No 1 (2010) |
Remakes. The Artistic and Aesthetic Principles |
 (Rus)
|
Primakova N.V., Primakova N.V.
|
Vol 5, No 2 (2013) |
Representation and Reconstruction of the Time in Non-Fiction Films |
 (Rus)
|
Razgon L.N.
|
Vol 7, No 3 (2015) |
Representation of Youth in Soviet Cinema of the 1950s |
 (Rus)
|
Zharikova V.V.
|
Vol 10, No 4 (2018) |
Riddle as a Structural Element of the Quest Genre |
 (Rus)
|
Yankovskiy A.N.
|
Vol 7, No 2 (2015) |
Roads of the War. On the 70th anniversary of the Great Victory |
 (Rus)
|
- -.
|
Vol 5, No 1 (2013) |
Rolf de Heer, one of the most unpredictable film directors |
 (Rus)
|
Zvegintseva I.A.
|
Vol 3, No 1 (2011) |
Rossiyskoe animatsionnoe kino |
 (Rus)
|
Vladykina M.I.
|
Vol 9, No 3 (2017) |
Russia's Contribution to Digital TV Broadcasting |
 (Rus)
|
Urazova S.L.
|
Vol 2, No 2 (2010) |
Russian Cinema for Children and Adolescents. Unsolved Problems |
 (Rus)
|
Sidorenko V.I., Sidornko V.I.
|
Vol 11, No 2 (2019) |
Russian Documentary at the Turn of the 21st Century |
 (Rus)
|
Prozhiko G.S.
|
Vol 3, No 3 (2011) |
Russian Television: the Conflict of Matrices |
 (Rus)
|
Dzyaloshinskiy I.M.
|
Vol 3, No 2 (2011) |
Russian Television: the Conflict of Matrices |
 (Rus)
|
Dzyaloshinskiy I.M.
|
Vol 12, No 1 (2020) |
Russian Сinema: Modest Charm of a Hollow Character? |
 (Rus)
|
Maryevskaya N.E.
|
Vol 4, No 4 (2012) |
Scenic birth of “Waiting for Godot” by Samuel Beckett |
 (Rus)
|
Anishchenko M.G.
|
Vol 9, No 1 (2017) |
School of mastership |
 (Rus)
|
- -.
|
Vol 7, No 2 (2015) |
Screen Communications As a Form of Socialization and Individualization |
 (Rus)
|
Urazova S.L.
|
Vol 5, No 2 (2013) |
Screen image. Aftereffect |
 (Rus)
|
Poznin V.F.
|
Vol 9, No 1 (2017) |
Screen Image and the System of expressive Means in American Documentary of the 1960s |
 (Rus)
|
Kazyutchits M.F.
|
Vol 9, No 3 (2017) |
Screen Imagery as Reflected through Mythologems |
 (Rus)
|
Marusenkov V.V.
|
Vol 2, No 1 (2010) |
Screen in the new time |
 (Rus)
|
Krivosheev M.I., Krivocheev M.I.
|
Vol 10, No 2 (2018) |
Screen Metamorphoses of Ivan Pyryev |
 (Rus)
|
Kirillova N.B.
|
Vol 2, No 2 (2010) |
Screen reality in the context media milieu modernization |
 (Rus)
|
Urazova S.L., Urazova S.L.
|
Vol 10, No 2 (2018) |
Screen Self-Reflection: Classification of Species |
 (Rus)
|
Solovyova M.V.
|
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