| 期 |
标题 |
文件 |
| 卷 9, 编号 2 (2017) |
Culture-Bound Items in the Formation of the Cinema Audiences |
(Rus)
|
|
Voskolovich N., Zhiltsov E.
|
| 卷 9, 编号 1 (2017) |
Screen Image and the System of expressive Means in American Documentary of the 1960s |
(Rus)
|
|
Kazyutchits M.
|
| 卷 8, 编号 4 (2016) |
Student Creativity Festival |
(Rus)
|
|
Editorial -.
|
| 卷 8, 编号 4 (2016) |
Newsreel: Is Its Revival Possible? |
(Rus)
|
|
Malkova L.
|
| 卷 8, 编号 4 (2016) |
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years |
(Rus)
|
|
Sputnitskaya N.
|
| 卷 8, 编号 4 (2016) |
Education Genres Animated Poster in the Second Half of the 20th Century |
(Rus)
|
|
Krivulya N.
|
| 卷 8, 编号 4 (2016) |
Historical Potential of Newsreel and Its Interpretation |
(Rus)
|
|
Belyakov V.
|
| 卷 8, 编号 4 (2016) |
Patterns of Behavior in the Great Patriotic War’s Soviet Cinema |
(Rus)
|
|
Rostotskaya M.
|
| 卷 8, 编号 4 (2016) |
Destiny of Indian Cinema in Russia |
(Rus)
|
|
Nefedova D.
|
| 卷 8, 编号 4 (2016) |
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film |
(Rus)
|
|
Kropova D.
|
| 卷 8, 编号 4 (2016) |
“Provincial” Cinema on Global Orbits |
(Rus)
|
|
Kirillova N.
|
| 卷 8, 编号 4 (2016) |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Sveshnikov A.
|
| 卷 8, 编号 4 (2016) |
Travesty of the Sacred in Postmodernist Westerns |
(Rus)
|
|
Tsyrkun N.
|
| 卷 8, 编号 3 (2016) |
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream |
(Rus)
|
|
Sputnitskaya N.
|
| 卷 8, 编号 4 (2016) |
Two Peoples, Two Worlds |
(Rus)
|
|
Zvegintseva I.
|
| 卷 8, 编号 3 (2016) |
Development of the Animated Poster in the First Half of the XX century |
(Rus)
|
|
Krivulya N.
|
| 卷 8, 编号 4 (2016) |
«Pulsating Organizations» in Culture |
(Rus)
|
|
Gordin V., Elkanova E.
|
| 卷 8, 编号 4 (2016) |
TV Moves into Virtual Reality as a Projection of Development |
(Rus)
|
|
Urazova S.
|
| 卷 8, 编号 3 (2016) |
Documentaries, 21st Century: Time to Sum Up |
(Rus)
|
|
Poznin V.
|
| 卷 9, 编号 1 (2017) |
Style “Noir” in Classical and Contemporary Art History |
(Rus)
|
|
Orozbaev K.
|
| 卷 9, 编号 1 (2017) |
Innovations in the Financial Regulation of Culture and Art Institutions |
(Rus)
|
|
Molchanov I.
|
| 卷 9, 编号 1 (2017) |
“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016) |
(Rus)
|
|
Gordin V., Elkanova E.
|
| 卷 9, 编号 1 (2017) |
Evergreen Theories of Mass Communication: Uses and Gratifications Approach |
(Rus)
|
|
Bakulev G.
|
| 卷 8, 编号 3 (2016) |
Kaleidoscope Aesthetics in Visual Media |
(Rus)
|
|
Romakina M.
|
| 卷 8, 编号 2 (2016) |
Animated Poster: Its Origins, Specificity and Peculiarity |
(Rus)
|
|
Krivulya N.
|
| 卷 8, 编号 2 (2016) |
Structural Analysis of Film Characters |
(Rus)
|
|
Boyko M.
|
| 卷 8, 编号 2 (2016) |
Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch |
(Rus)
|
|
Fanina M.
|
| 卷 8, 编号 2 (2016) |
Modernist Cinema of Andrey Tarkovsky |
(Rus)
|
|
Fedotkin S.
|
| 卷 8, 编号 2 (2016) |
Kaleidoscope Aesthetics in Visual Media |
(Rus)
|
|
Romakina M.
|
| 卷 8, 编号 2 (2016) |
The Moral Law of Love Conservation |
(Rus)
|
|
Barabash N.
|
| 卷 8, 编号 2 (2016) |
Violence in Films: Three Preconditions for the Mimetic Effect |
(Rus)
|
|
Tarasov K.
|
| 卷 8, 编号 2 (2016) |
Isao Takahata’s Nostalgia |
(Rus)
|
|
Karchava L.
|
| 卷 8, 编号 2 (2016) |
Primary Cinema Sources of American Noir |
(Rus)
|
|
Orozbaev K.
|
| 卷 8, 编号 3 (2016) |
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism |
(Rus)
|
|
Vinogradov V.
|
| 卷 8, 编号 3 (2016) |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Sveshnikov A.
|
| 卷 8, 编号 3 (2016) |
The Influence of the Painting Tradition on Derek Jarman’s Films |
(Rus)
|
|
Denisova I.
|
| 卷 8, 编号 3 (2016) |
Specifics of Imaginative Approach in the US Documentary of 1960-2000s |
(Rus)
|
|
Kazyutchits M.
|
| 卷 8, 编号 3 (2016) |
Indian Cinema: Past and Present |
(Rus)
|
|
Nefedova D.
|
| 卷 8, 编号 3 (2016) |
A Criminal as the Main Movie Character, or Old Themes and New Solutions |
(Rus)
|
|
Zvegintseva I.
|
| 卷 8, 编号 3 (2016) |
On The Matter of Market in Cinema |
(Rus)
|
|
Zhabskiy M.
|
| 卷 8, 编号 3 (2016) |
The Visualization as a Way of Involvement in TV Commercials |
(Rus)
|
|
Fedotova L.
|
| 卷 8, 编号 1 (2016) |
The 60s. Half a Century Later. Nostalgia |
(Rus)
|
|
Prozhiko G.
|
| 卷 8, 编号 1 (2016) |
Love in the Soviet Qnema as the Stereotype of Gender Relations |
(Rus)
|
|
Fanina M.
|
| 卷 8, 编号 1 (2016) |
Lost in Translation: Songs in Foreign Films |
(Rus)
|
|
Parfentyeva Y.
|
| 卷 8, 编号 1 (2016) |
Landscape as a Leitmotif of a Film |
(Rus)
|
|
Shakhovskaya N.
|
| 卷 8, 编号 1 (2016) |
Directing “Mixed” Forms. Dialogue of Classical Traditions and Modern Creative Practice |
(Rus)
|
|
Yekimova A.
|
| 卷 8, 编号 1 (2016) |
The Birth of Identity in the Finnish Cinema |
(Rus)
|
|
Ivannikova C.
|
| 卷 8, 编号 2 (2016) |
Development of the Financial Relations in the Cultural Sphere |
(Rus)
|
|
Molchanov I.
|
| 卷 8, 编号 2 (2016) |
Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering |
(Rus)
|
|
Pronin A.
|
| 卷 8, 编号 2 (2016) |
The Aesthetics of Filming in the Format of Scientific Conferences |
(Rus)
|
|
Tsetlina V.
|
| 卷 7, 编号 4 (2015) |
Toward the Sociological Rationalization of State Film Policy |
(Rus)
|
|
Zhabskiy M.
|
| 卷 8, 编号 1 (2016) |
Emotional Influence on the Viewer in Contemporary American Cinema |
(Rus)
|
|
Vital F.
|
| 卷 8, 编号 1 (2016) |
American Biopic in Contemporary Cinema |
(Rus)
|
|
Morozova I.
|
| 卷 8, 编号 1 (2016) |
Economic Regulation in the Sphere of Culture and Art: the Current State and Essential Problems |
(Rus)
|
|
Molchanov I.
|
| 卷 8, 编号 1 (2016) |
TV Project as a Specimen of Social Engineering |
(Rus)
|
|
Dmitrenko Y.
|
| 卷 8, 编号 1 (2016) |
Media Concentration as the Structuring Process of Screen Communications |
(Rus)
|
|
Urazova S.
|
| 卷 7, 编号 4 (2015) |
The 60s. Half a Century Later. Nostalgia |
(Rus)
|
|
Prozhiko G.
|
| 卷 7, 编号 3 (2015) |
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation |
(Rus)
|
|
Zhdanova V.
|
| 卷 7, 编号 3 (2015) |
Functional Duality of Cinema |
(Rus)
|
|
Ushkarev A.
|
| 卷 7, 编号 3 (2015) |
Evolution of Dramaturgy of Fiction Popular Science Films |
(Rus)
|
|
Kolodinskiy M.
|
| 卷 7, 编号 3 (2015) |
Representation of Youth in Soviet Cinema of the 1950s |
(Rus)
|
|
Zharikova V.
|
| 卷 7, 编号 3 (2015) |
Conversation Direction in Russian Contemporary Documentaries |
(Rus)
|
|
Trukhina A.
|
| 卷 7, 编号 3 (2015) |
Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect |
(Rus)
|
|
Pronin A.
|
| 卷 7, 编号 3 (2015) |
Video Art: Significant Absence of Editing as an Artistic Tool |
(Rus)
|
|
Staruseva-Persheyeva A.
|
| 卷 7, 编号 3 (2015) |
Creative Process as an Aesthetic Entity |
(Rus)
|
|
Sveshnikov A.
|
| 卷 7, 编号 3 (2015) |
Iran in Contemporary Russian Cinema (Film’s Visual Formula) |
(Rus)
|
|
Akhmad Mir Akhorli -.
|
| 卷 7, 编号 3 (2015) |
Video Aesthetics in Cinema and Video Art |
(Rus)
|
|
Smolev D.
|
| 卷 7, 编号 4 (2015) |
Countercommunicative Mechanisms in the Artistic Practice of Cinema |
(Rus)
|
|
Klyueva L.
|
| 卷 7, 编号 3 (2015) |
Branding as a Factor of Competitiveness of the “Lenfilm” Studio |
(Rus)
|
|
Pankratova M.
|
| 卷 7, 编号 3 (2015) |
Visualization Techniques on Business TV |
(Rus)
|
|
Dolgova Y.
|
| 卷 7, 编号 3 (2015) |
Media Evolution Emulation |
(Rus)
|
|
Bakulev G.
|
| 卷 7, 编号 4 (2015) |
Reconstruction as the Character Depiction Method in Documentary |
(Rus)
|
|
Troukhina A.
|
| 卷 7, 编号 1 (2015) |
S.M. Eisenstein’s Aesthetics in Semiotic Perspective |
(Rus)
|
|
Khrenov N.
|
| 卷 7, 编号 1 (2015) |
From Theory to Methodology of Cinema |
(Rus)
|
|
Schtein S.
|
| 卷 7, 编号 1 (2015) |
The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s |
(Rus)
|
|
Sputnitskaya N.
|
| 卷 7, 编号 1 (2015) |
“Deus ex Machina” as a Method of Constructing a Happy End in Film Art |
(Rus)
|
|
Shevtsov V.
|
| 卷 7, 编号 1 (2015) |
Evolution of Mythological Narrative in Sergey Bodrov's Work |
(Rus)
|
|
Kurdiayev G.
|
| 卷 7, 编号 1 (2015) |
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work |
(Rus)
|
|
Mikheyeva Y.
|
| 卷 7, 编号 1 (2015) |
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art |
(Rus)
|
|
Stroeva O.
|
| 卷 7, 编号 1 (2015) |
European Film Avant-Garde: Poetics of Objectiveness |
(Rus)
|
|
Lyubovich M.
|
| 卷 7, 编号 1 (2015) |
1992-2012. Attempts at Privatization of Film Studios |
(Rus)
|
|
Ziborova O.
|
| 卷 7, 编号 1 (2015) |
Movie Distribution Categories in Russia: Sample of Statistical Analysis |
(Rus)
|
|
Ivanov O., Astakhova N., Ivanov D.
|
| 卷 7, 编号 1 (2015) |
Split Screen as a Method of Film Editing |
(Rus)
|
|
Shabalin V.
|
| 卷 7, 编号 1 (2015) |
«We» and «Others» - Their Actions and Our Reactions |
(Rus)
|
|
Fedotova L.
|
| 卷 7, 编号 1 (2015) |
Escaping Aesthetics, or What Film Theory Should Do? |
(Rus)
|
|
Tsyrkun N.
|
| 卷 7, 编号 4 (2015) |
Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema |
(Rus)
|
|
Ziborova O.
|
| 卷 7, 编号 4 (2015) |
Screening Zurbagan: On Use of Animation in Russian Feature Cinema |
(Rus)
|
|
Sputnitskaya N.
|
| 卷 7, 编号 4 (2015) |
Faith as One of the Universal Existential Categories |
(Rus)
|
|
Barabash N.
|
| 卷 7, 编号 4 (2015) |
European Avant-guard: Dialectics of “Feature” and “Non-feature” Films |
(Rus)
|
|
Lyubovich M.
|
| 卷 7, 编号 2 (2015) |
Eisenstein’s Aesthetics in Semiotic Perspective |
(Rus)
|
|
Khrenov N.
|
| 卷 7, 编号 4 (2015) |
The Theme of Apocalypse in Australian Cinema |
(Rus)
|
|
Zvegintseva I.
|
| 卷 7, 编号 2 (2015) |
From Theory to Methodology of Cinema |
(Rus)
|
|
Schtein S.
|
| 卷 7, 编号 4 (2015) |
Naomi Kawase: the Eternal and the Transitory |
(Rus)
|
|
Terakopyan M.
|
| 卷 7, 编号 2 (2015) |
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film |
(Rus)
|
|
Kiselev A.
|
| 卷 7, 编号 4 (2015) |
TV Dramaturgy: Format Approach |
(Rus)
|
|
Kemarskaya I.
|
| 卷 7, 编号 2 (2015) |
Stylistic Features Of Russian Arthouse |
(Rus)
|
|
Poznin V.
|
| 卷 7, 编号 2 (2015) |
Synthesis of National and Transnational in A. Konchalovsky's American Movies |
(Rus)
|
|
Kurdiaev G.
|
| 卷 7, 编号 2 (2015) |
From Greek Tragedy To Opera-Film |
(Rus)
|
|
Kropova D.
|
| 卷 7, 编号 2 (2015) |
Sound Editing in Screen Works |
(Rus)
|
|
Efimova N.
|
| 卷 7, 编号 2 (2015) |
L.S. Vygotsky On Psychological Properties of Art Form Organization |
(Rus)
|
|
Sveshnikov A.
|
| 101 - 200 的 779 信息 |
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