| Issue |
Title |
File |
| Vol 4, No 1 (2012) |
The factors of competitive ability of national film industries |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 3, No 4 (2011) |
The factors of competitive ability of national film industries |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 12, No 3 (2020) |
The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook |
(Rus)
|
|
Park Young Eun ..
|
| Vol 11, No 3 (2019) |
The film star — the phenomenon of a parasocial relation |
(Rus)
|
|
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
|
| Vol 7, No 1 (2015) |
The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 4, No 4 (2012) |
The Formula of Producer’s Happiness? |
(Rus)
|
|
Bakulev G.P.
|
| Vol 5, No 1 (2013) |
The Great Kamchatka Expedition |
(Rus)
|
|
Golovnyov I.A.
|
| Vol 12, No 2 (2020) |
The Image and Sound of War in the Films “The Ascent” and “Come and See” |
(Rus)
|
|
Prozorovskaya I.
|
| Vol 10, No 3 (2018) |
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal |
(Rus)
|
|
Smagina S.A.
|
| Vol 4, No 2-3 (2012) |
The Image of Home in Cinema |
(Rus)
|
|
Reizen O.K.
|
| Vol 11, No 2 (2019) |
The image of prince Myshkin in Russian cinema |
(Rus)
|
|
Ryabokon’ A.V.
|
| Vol 9, No 2 (2017) |
The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” |
(Rus)
|
|
Fedotkin S.V.
|
| Vol 10, No 4 (2018) |
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 12, No 4 (2020) |
The Image of War in the Cinema of the 60s. Knights without Past and Future |
(Rus)
|
|
Ianushko A.V.
|
| Vol 5, No 4 (2013) |
The Images of China on Russian Screen. A Glance from the Audience |
(Rus)
|
|
Andreyev A.L., Andreyev I.A.
|
| Vol 10, No 4 (2018) |
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 3, No 3 (2011) |
The Individual and Contemporary in Yuliy Raizman's Late Work |
(Rus)
|
|
Sopin A.O.
|
| Vol 10, No 1 (2018) |
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music |
(Rus)
|
|
Rusinova E.A., Habchuk E.M.
|
| Vol 10, No 3 (2018) |
The Influence of Far Eastern Culture on the Creative Work of S.M.Eisenstein |
(简体中)
(Rus)
|
|
Song J.I.
|
| Vol 3, No 1 (2011) |
The Influence of Newest Audiovisual Technologies on the Audience |
(Rus)
|
|
Kosenkova N.G.
|
| Vol 4, No 4 (2012) |
The Influence of the Marketability Factors on the TV Company |
(Rus)
|
|
Yakusheva V.V.
|
| Vol 8, No 3 (2016) |
The Influence of the Painting Tradition on Derek Jarman’s Films |
(Rus)
|
|
Denisova I.V.
|
| Vol 10, No 2 (2018) |
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause |
(Rus)
|
|
Rusinova E.A., Khabchuk E.M.
|
| Vol 10, No 4 (2018) |
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century |
(Rus)
|
|
Smagina S.A.
|
| Vol 10, No 4 (2018) |
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker |
(Eng)
(简体中)
(Rus)
|
|
Malyshev V.S.
|
| Vol 12, No 3 (2020) |
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” |
(Rus)
|
|
Vinogradov V.
|
| Vol 13, No 2(48) (2021) |
The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions |
(Rus)
|
|
Oseeva Y.
|
| Vol 3, No 2 (2011) |
The Iranian Cinema of the 20th Century (1900-1980) |
(Rus)
|
|
Mirakhorli A.
|
| Vol 2, No 4 (2010) |
"The Karamazov Brothers" as intellectualgames |
(Rus)
|
|
Il'chenko S.N., Ilchenko S.N.
|
| Vol 8, No 4 (2016) |
The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 12, No 4 (2020) |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 4 (2020) |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 4 (2020) |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 4 (2020) |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 3(49) (2021) |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 3(49) (2021) |
The Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 3, No 3 (2011) |
The Line in Neo-Modernism Geometrical Abstraction |
(Rus)
|
|
Burov A.M.
|
| Vol 7, No 2 (2015) |
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film |
(Rus)
|
|
Kiselev A.O.
|
| Vol 10, No 1 (2018) |
The Media Image as a Motivator for the Humanization of Society |
(Rus)
|
|
Vazhenina O.A.
|
| Vol 2, No 1 (2010) |
The mediabrend is urgency of the development in new economicalconditions |
(Rus)
|
|
Yakusheva V.V., Yakusheva V.
|
| Vol 2, No 4 (2010) |
The Mirror Shield: the Camera as anInstrument of Civil Defence |
(Rus)
|
|
Naveskin R.A., Naveskin R.A.
|
| Vol 8, No 2 (2016) |
The Moral Law of Love Conservation |
(Rus)
|
|
Barabash N.A.
|
| Vol 9, No 1 (2017) |
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema |
(Rus)
|
|
Arysheva A.S.
|
| Vol 11, No 4 (2019) |
The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam |
(Rus)
|
|
Milydon V.
|
| Vol 5, No 3 (2013) |
The Myth of the Authenticity of the Wartime Newsreels |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 4, No 2-3 (2012) |
The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory |
(Rus)
|
|
Kluyeva L.B.
|
| Vol 4, No 4 (2012) |
The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory |
(Rus)
|
|
Kluyeva L.B.
|
| Vol 4, No 2-3 (2012) |
The Origins of Surrealism. Absolutizing the Unconscious |
(Rus)
|
|
Adashevskaya Z.A.
|
| Vol 10, No 1 (2018) |
The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers |
(Rus)
|
|
Krivulya N.G.
|
| Vol 3, No 2 (2011) |
The Parable in the Work of World Film Masters |
(Rus)
|
|
Tugushi S.A.
|
| Vol 4, No 2-3 (2012) |
The Paradoxes of the Thaw Period |
(Rus)
|
|
Zaitseva L.A.
|
| Vol 2, No 4 (2010) |
The Pattern of Box-Office Receits |
(Rus)
|
|
Pigorev D.P., Pigorev D.P.
|
| Vol 4, No 4 (2012) |
The Peculiarities of Financial Management of Cinema Houses |
(Rus)
|
|
Ogurchikov P.K., Pichugin E.A.
|
| Vol 3, No 2 (2011) |
The Peculiarities of Modern Television Speech |
(Rus)
|
|
Gegelova N.S.
|
| Vol 13, No 2(48) (2021) |
The Perception of a Contemporary in Non-fiction Films |
(Rus)
|
|
Shtandke A.
|
| Vol 2, No 4 (2010) |
The Phenomenon of the French NewWave. Technology or Ideology? |
(Rus)
|
|
Vinogradov V.V., Vinogradov V.V.
|
| Vol 10, No 4 (2018) |
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines |
(Rus)
|
|
Nikitina I.P.
|
| Vol 3, No 4 (2011) |
The Poetic Cinema of the Post-Cultural Era |
(Rus)
|
|
Yeliseyeva Y.A.
|
| Vol 13, No 1 (2021) |
The Price of Going out to the Movies — the History and the Contemporaneousness |
(Rus)
|
|
Zhabskiy M., Tarasov K.A.
|
| Vol 9, No 1 (2017) |
The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror |
(Rus)
|
|
Klyueva L.B.
|
| Vol 5, No 3 (2013) |
The Problem Field of Modern Information Space |
(Rus)
|
|
Malyshev A.V.
|
| Vol 9, No 2 (2017) |
The Problem of Adaptation of Utopias in Russian Cinema |
(Rus)
|
|
Shesteric O.V.
|
| Vol 8, No 4 (2016) |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Sveshnikov A.V.
|
| Vol 8, No 3 (2016) |
The Problem of Artistic Form and the Objectives of Fine Arts Pedagogy |
(Rus)
|
|
Sveshnikov A.V.
|
| Vol 10, No 2 (2018) |
The Product of Film Industry - a Cultural Good in Commodity Form |
(Rus)
|
|
Zhabsky M.I.
|
| Vol 11, No 3 (2019) |
The profession of an artist-animator, or how to learn how to control the movement of a drawing |
(Rus)
|
|
Belonogova A.V.
|
| Vol 4, No 1 (2012) |
The Reflection of Ethno-Cultural Stereotypes in Film Art |
(Rus)
|
|
Monakhova M.O.
|
| Vol 11, No 3 (2019) |
The role and basic aspects of ‘‘the montage of attractions’’ in Russian cinema |
(Rus)
|
|
Gulyaeva Y.V.
|
| Vol 4, No 2-3 (2012) |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
|
Poznin V.F.
|
| Vol 4, No 2-3 (2012) |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
|
Nikitina I.P.
|
| Vol 5, No 2 (2013) |
The Role of the Information Space in the Culture of the Young Generation |
(Rus)
|
|
Malyshev A.V.
|
| Vol 11, No 4 (2019) |
The Russian Intelligentsia: Taming Nihilism in the Stalin Period |
(Rus)
|
|
Vinogradov V.
|
| Vol 10, No 1 (2018) |
The Science of the History of Media: Approaches and Concepts |
(Rus)
|
|
Bakulev G.P.
|
| Vol 3, No 2 (2011) |
The Search for Visual |
(Rus)
|
|
Yeliseyeva Y.A.
|
| Vol 3, No 4 (2011) |
The Search of New Distribution Patterns in Digital Media Environment |
(Rus)
|
|
Bakulev G.P.
|
| Vol 3, No 4 (2011) |
The Significance of Myth in the Work of Andrey Zvyagintsev |
(Rus)
|
|
Kljueva L.B.
|
| Vol 6, No 1 (2014) |
The Silent Era in Australian Cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 11, No 1 (2019) |
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero |
(Eng)
(Rus)
|
|
Rusinova E.A.
|
| Vol 11, No 2 (2019) |
The sound world of the alienated film character |
(Rus)
|
|
Rusinova E.A.
|
| Vol 9, No 4 (2017) |
The Storming of the Winter Palace as a Mythmaking of National Screen Culture |
(Rus)
|
|
Ilchenko S.N.
|
| Vol 11, No 3 (2019) |
The story of one crime: in life, in literature and in cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 12, No 1 (2020) |
The struggle for the Far East in the interpretation of the Vasilyev brothers |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 9, No 1 (2017) |
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture |
(Rus)
|
|
Rusinova E.A.
|
| Vol 7, No 4 (2015) |
The Theme of Apocalypse in Australian Cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 10, No 1 (2018) |
The Transformation of the Jesse James’ Myth in Contemporary American Cinema |
(Rus)
|
|
Zakharov D.V.
|
| Vol 9, No 4 (2017) |
The Un-Gone Past in the Context of Research |
(Rus)
|
|
Pal'shkova M.A.
|
| Vol 2, No 2 (2010) |
The Unknown Cinema of the War and Victory |
(Rus)
|
|
Grashchenkova I.N., Grashchenkova I.N.
|
| Vol 13, No 3(49) (2021) |
The Victimizer-Victim Conflict as Represented in the Foreign Post-War Cinematograph |
(Rus)
|
|
Chirkina M.
|
| Vol 5, No 4 (2013) |
The Visible and Invisible Worlds in Louis Bunuel’s “Viridiana” |
(Rus)
|
|
Perelshtein R.M.
|
| Vol 8, No 3 (2016) |
The Visualization as a Way of Involvement in TV Commercials |
(Rus)
|
|
Fedotova L.N.
|
| Vol 4, No 2-3 (2012) |
The War in Yury German’s Novel «Operation «Happy New Year!» and Alexey German’s Film «Trial on the Road» |
(Rus)
|
|
Sibirtseva Y.I.
|
| Vol 10, No 3 (2018) |
The Way of Genre in Cinema Documentary |
(Rus)
(简体中)
|
|
Prozhiko G.S.
|
| Vol 8, No 1 (2016) |
The Year of Russian Cinema |
(Rus)
|
|
- -.
|
| Vol 13, No 1 (2021) |
The Year of Science and Technology |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 3(49) (2021) |
The Сoncept of Sound Expression in Viktor Kosakovsky’s Documentaries |
(Rus)
|
|
Koneva M.
|
| Vol 6, No 3 (2014) |
Theatre and Document: Opposition or Integration? |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 2, No 2 (2010) |
Theory of Marginality and the Cinemaof Postmodernism (P.P. Pasolini,R. Khamdamov, J. Stelling, L. von Trier) |
(Rus)
|
|
Koblenkova D.V., Koblenkova D.V.
|
| Vol 6, No 4 (2014) |
Time - Backwards: Mayakovsky Quotes Vertov |
(Rus)
|
|
Pronin A.A.
|
| Vol 6, No 4 (2014) |
Time and Essence. Study of Cinema Product Temporal Analysis |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 11, No 1 (2019) |
To academic film science |
(Rus)
|
|
Vinogradov V.V.
|
| 601 - 700 of 779 Items |
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