| Issue |
Title |
File |
| Vol 6, No 1 (2014) |
I am - caricaturist |
(Rus)
|
|
Maslennikov I.F.
|
| Vol 4, No 4 (2012) |
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid” |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 9, No 3 (2017) |
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 2, No 4 (2010) |
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life" |
(Rus)
|
|
Urazovoy S.L., Urazova S.L.
|
| Vol 2, No 2 (2010) |
"I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy |
(Rus)
|
|
Klyueva L.B., Kluyeva L.B.
|
| Vol 7, No 3 (2015) |
II Scientific-Practical Conference “Innovative technologies in film and education”. VII International Children's Painting Competition “Cinema in children's drawings” |
(Rus)
|
|
- -.
|
| Vol 6, No 2 (2014) |
Impact of Technology on Screen Aesthetics |
(Rus)
|
|
Poznin V.F.
|
| Vol 6, No 3 (2014) |
Impressionism as an Expression of Social Consciousness |
(Rus)
|
|
Kharitonova N.S.
|
| Vol 11, No 4 (2019) |
In a holiday atmosphere |
(Rus)
|
|
edition J.
|
| Vol 2, No 2 (2010) |
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945 |
(Rus)
|
|
Utilov V.A., Utilov V.
|
| Vol 9, No 3 (2017) |
India and England in the Mirror of Screen |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 8, No 3 (2016) |
Indian Cinema: Past and Present |
(Rus)
|
|
Nefedova D.N.
|
| Vol 9, No 2 (2017) |
Individualism as a Cultural Syndrome in Recent American Cinema |
(Rus)
|
|
Tsyrkun N.A.
|
| Vol 9, No 4 (2017) |
Information Requirements of Society and Expressivity of Audiovisual Media |
(Rus)
|
|
Malkova L.Y.
|
| Vol 12, No 4 (2020) |
Initiation by Fear as a Model of Soviet Film Tales of the 1960s |
(Rus)
|
|
Zernova P.
|
| Vol 9, No 1 (2017) |
Innovations in the Financial Regulation of Culture and Art Institutions |
(Rus)
|
|
Molchanov I.N.
|
| Vol 7, No 2 (2015) |
Interaction of Artistic Culture of Russia and Scandinavian Countries at the turn of the 19th-20th Centuries |
(Rus)
|
|
Kharitonova N.S.
|
| Vol 7, No 4 (2015) |
Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema |
(Rus)
|
|
Ziborova O.P.
|
| Vol 10, No 4 (2018) |
Involuntary Behavior of Gogol’s Heroes |
(Rus)
|
|
Mildon V.I.
|
| Vol 7, No 3 (2015) |
Iran in Contemporary Russian Cinema (Film’s Visual Formula) |
(Rus)
|
|
Akhmad Mir Akhorli -.
|
| Vol 12, No 3 (2020) |
Is Aesthetics a Metatheory in Relation to Art Criticism? |
(Rus)
|
|
Nikitina I.
|
| Vol 13, No 2(48) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
KHrenov N., KHrenov A.
|
| Vol 13, No 3(49) (2021) |
Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject? |
(Rus)
|
|
KHrenov N., KHrenov A.
|
| Vol 8, No 2 (2016) |
Isao Takahata’s Nostalgia |
(Rus)
|
|
Karchava L.L.
|
| Vol 4, No 2-3 (2012) |
Iyun'skaya kinomaniya |
(Rus)
|
|
- -.
|
| Vol 5, No 2 (2013) |
Izobrazitel'noe reshenie v fil'me «Muzhchina i zhenshchina» |
(Rus)
|
|
Artemov V.V.
|
| Vol 6, No 4 (2014) |
James Mangold is “a jewel of a man” in American Cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 2, No 3 (2010) |
Jean Cocteau. Trilogy about Death, or Between Dionysius and Apollo |
(Rus)
|
|
Vinogradov V.V., Kokto Z.
|
| Vol 8, No 3 (2016) |
Kaleidoscope Aesthetics in Visual Media |
(Rus)
|
|
Romakina M.A.
|
| Vol 8, No 2 (2016) |
Kaleidoscope Aesthetics in Visual Media |
(Rus)
|
|
Romakina M.A.
|
| Vol 9, No 3 (2017) |
Keynote Narration and Theory of Distance: Analysis of the Seasons |
(Rus)
|
|
Fedotkin S.V.
|
| Vol 5, No 3 (2013) |
Khudozhestvennye resheniya ekrannogo prostranstva v istoricheskom fil'me |
(Rus)
|
|
Eliseeva E.A.
|
| Vol 4, No 1 (2012) |
Khudozhnik dvukh kontinentov - Nikolay Feshin |
(Rus)
|
|
Riss V.
|
| Vol 5, No 1 (2013) |
Kiki de Montparnasse and Ivan Mozzhukhin |
(Rus)
|
|
Dolmatovskaya G.Y.
|
| Vol 9, No 1 (2017) |
Kinoteatr.doc in Search of the «Real» Movies |
(Rus)
|
|
Kuzmina L.V.
|
| Vol 1, No 1 (2009) |
KNIGI RUKOPISI ZNANIYa |
(Rus)
|
|
- -.
|
| Vol 12, No 1 (2020) |
L |
(Rus)
|
|
Editorial a.
|
| Vol 12, No 1 (2020) |
L |
(Rus)
|
|
Editorial a.
|
| Vol 13, No 2(48) (2021) |
Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama |
(Rus)
|
|
Kasmynin A.
|
| Vol 8, No 1 (2016) |
Landscape as a Leitmotif of a Film |
(Rus)
|
|
Shakhovskaya N.A.
|
| Vol 3, No 3 (2011) |
Language, Speech and Image in Analysing Artistic Forms |
(Rus)
|
|
Mikheyeva Y.V.
|
| Vol 3, No 4 (2011) |
Liberty as a Cultural Value |
(Rus)
|
|
Mezhuyev V.M.
|
| Vol 10, No 4 (2018) |
Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 10, No 4 (2018) |
Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 10, No 4 (2018) |
Library VGIK |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 3 (2020) |
Library VGIK |
(Rus)
|
|
Editorial a.
|
| Vol 6, No 2 (2014) |
Lighting a new generation form the lightscript |
(Rus)
|
|
Artemov V.A.
|
| Vol 3, No 3 (2011) |
Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization |
(Rus)
|
|
Ilchenko S.N.
|
| Vol 8, No 1 (2016) |
Lost in Translation: Songs in Foreign Films |
(Rus)
|
|
Parfentyeva Y.N.
|
| Vol 8, No 1 (2016) |
Love in the Soviet Qnema as the Stereotype of Gender Relations |
(Rus)
|
|
Fanina M.A.
|
| Vol 7, No 2 (2015) |
L.S. Vygotsky On Psychological Properties of Art Form Organization |
(Rus)
|
|
Sveshnikov A.V.
|
| Vol 4, No 2-3 (2012) |
Madrid, province, Barcelona. Geography as a Phenomenological Object of Cinema |
(Rus)
|
|
Reizen O.K.
|
| Vol 5, No 2 (2013) |
Magic Realism of André Delvaux |
(Rus)
|
|
Zakrevskaya A.A.
|
| Vol 11, No 1 (2019) |
Mass scenes as a way of manipulating the consciousness of the viewer |
(Rus)
|
|
Arysheva A.S.
|
| Vol 13, No 2(48) (2021) |
Master class by B.V.Vengerovsky, Honored Artist of Russia.
A visit to Peredelkino. Boris Pasternak House Museum.
Production faculty: master class by Anatoly Sivushov.
At the opening of the monument "Shoulder to Shoulder" |
(Rus)
|
|
Editorial office a.
|
| Vol 3, No 1 (2011) |
Maupassant's "Boule de Suif" in Soviet Translation |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 10, No 1 (2018) |
Maurice Maeterlinck’s Philosophy of Art |
(Rus)
|
|
Mankovskaya N.B.
|
| Vol 8, No 1 (2016) |
Media Concentration as the Structuring Process of Screen Communications |
(Rus)
|
|
Urazova S.L.
|
| Vol 7, No 3 (2015) |
Media Evolution Emulation |
(Rus)
|
|
Bakulev G.P.
|
| Vol 7, No 4 (2015) |
Media Evolution Emulation: Development Perspectives |
(Rus)
|
|
Bakulev G.P.
|
| Vol 13, No 1 (2021) |
Media Image of the Screen as Representation of Sociocultural Reality |
(Rus)
|
|
Volkov S.
|
| Vol 5, No 2 (2013) |
Medialogiya kak nauchnaya distsiplina |
(Rus)
|
|
Urazova S.L.
|
| Vol 9, No 3 (2017) |
Mediatext Language Practices as a Factor in Representation of Reality |
(Rus)
|
|
Kirillova N.B.
|
| Vol 12, No 2 (2020) |
Mediatization as a Mode of Being in the Light of Self-Isolation |
(Rus)
|
|
Urazova S.
|
| Vol 9, No 4 (2017) |
Metaphor in Cinema: Specifics of its Creation and Perception |
(Rus)
|
|
Poznin V.F.
|
| Vol 11, No 3 (2019) |
Methodological aspects of studying the history of Soviet cinema in the 1930s |
(Rus)
|
|
Usuvaliev S.I.
|
| Vol 6, No 2 (2014) |
Methodology of Factoring's Implementation in Leasing's Scheme |
(Rus)
|
|
Zakharova E.Y., Krivolutsky Y.V.
|
| Vol 11, No 3 (2019) |
Methods of using the type expressiveness of the actor in the cinema of “new sincerity” |
(Rus)
|
|
Kuznetsova M.O.
|
| Vol 10, No 2 (2018) |
Mind-Body Dialectics in the Latest Science Fiction TV-Series |
(Rus)
|
|
Stroyeva O.V.
|
| Vol 6, No 1 (2014) |
Mir Mamoru Osii: illyuziya ili real'nost'? |
(Rus)
|
|
Terakopyan M.L.
|
| Vol 4, No 1 (2012) |
Mirror and its Semiotic Modifications in Culture |
(Rus)
|
|
Kljueva L.B.
|
| Vol 6, No 3 (2014) |
Mission Possible: We are shooting Russia! |
(Rus)
|
|
- -.
|
| Vol 5, No 2 (2013) |
M.Night Shyamalan’s Ups and Downs |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 11, No 2 (2019) |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.A.
|
| Vol 11, No 1 (2019) |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.A.
|
| Vol 11, No 3 (2019) |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.A.
|
| Vol 11, No 4 (2019) |
Modern Art History As a Human Science in a Situation of Cultural Turn |
(Rus)
|
|
Khrenov N.
|
| Vol 12, No 1 (2020) |
Modern art history as a human science in a situation of cultural turn |
(Rus)
|
|
Khrenov N.A.
|
| Vol 12, No 2 (2020) |
Modern Art History As a Human Science in a Situation of Cultural Turn |
(Rus)
|
|
KHrenov N.
|
| Vol 13, No 3(49) (2021) |
Modern Films In The Assessment Of Future Filmmakers |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 3 (2020) |
Modern Forms of Capturing Reality in the Format of Video Hosting |
(Rus)
|
|
Shtandke A.
|
| Vol 12, No 1 (2020) |
Modern Social Problems in the Works of Novice Documentary Filmmakers |
(Rus)
|
|
Shtandke A.A.
|
| Vol 2, No 4 (2010) |
Modern Visual Culture: Psychological Space and Time in the Movies |
(Rus)
|
|
Kosenkova N.G., Kosenkova N.
|
| Vol 8, No 2 (2016) |
Modernist Cinema of Andrey Tarkovsky |
(Rus)
|
|
Fedotkin S.V.
|
| Vol 3, No 4 (2011) |
Moral Aspects of Russian PreRevolutionary Cinema |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 4, No 1 (2012) |
Moral Aspects of Russian PreRevolutionary Cinema. Yakov Protazanov |
(Rus)
|
|
Rostotskaya M.A.
|
| Vol 7, No 1 (2015) |
Movie Distribution Categories in Russia: Sample of Statistical Analysis |
(Rus)
|
|
Ivanov O.V., Astakhova N.V., Ivanov D.O.
|
| Vol 11, No 4 (2019) |
Multimedia Learning Model: Adapting an Image in a Screen Work |
(Rus)
|
|
YAremenko E.
|
| Vol 10, No 3 (2018) |
Multivariance of Reality in the Digital Paradigm |
(Rus)
(简体中)
|
|
Urazova S.L.
|
| Vol 9, No 1 (2017) |
Music as a Part of the Theatrical Game of the Movie |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 9, No 2 (2017) |
Music in the Metadigetic Space of the Motion Picture |
(Rus)
|
|
Rusinova E.A.
|
| Vol 5, No 4 (2013) |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 5, No 3 (2013) |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 13, No 3(49) (2021) |
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema |
(Rus)
|
|
Marusenkov V.
|
| Vol 10, No 3 (2018) |
Mythologeme of Asceticism in the National Cinema the 1930s |
(Rus)
|
|
Zubkina Y.V.
|
| Vol 5, No 2 (2013) |
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier» |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 3, No 2 (2011) |
Mythology and Conventions of American Pre-War Cinema |
(Rus)
|
|
Fomina V.A.
|
| Vol 7, No 4 (2015) |
Naomi Kawase: the Eternal and the Transitory |
(Rus)
|
|
Terakopyan M.L.
|
| Vol 3, No 1 (2011) |
Nature of Television as a Source ofDocumentary Genres Features |
(Rus)
|
|
Shergova K.A.
|
| Vol 1, No 1 (2009) |
Nauchno-prakticheskaya konferentsiya «Rossiyskiy kinobiznes: sovremennost' i perspektivy» k 90-letiyu VGIK i 100-letiyu professora B.N.Konopleva Rossiyskiy kinobiznes: sovremennost' i perspektivy |
(Rus)
|
|
Urazova S.L.
|
| 301 - 400 of 779 Items |
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