| Issue |
Title |
File |
| Vol 12, No 4 (2020) |
Sound Space of M.Garrone’s Films: from Fiction to Reality |
(Rus)
|
|
Sorokina J.
|
| Vol 6, No 1 (2014) |
Soviet cinema as a state budget’s contributor. Distribution in the 1930s |
(Rus)
|
|
Kosinova M.I.
|
| Vol 5, No 4 (2013) |
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants |
(Rus)
|
|
Fyodorova A.A.
|
| Vol 8, No 3 (2016) |
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 3, No 4 (2011) |
Sovremennaya estetika. Mezhdu naukoy i iskusstvom |
(Rus)
|
|
- -.
|
| Vol 3, No 2 (2011) |
Space in Art and Cinema |
(Rus)
|
|
Sedlovskiy A.A.
|
| Vol 8, No 3 (2016) |
Specifics of Imaginative Approach in the US Documentary of 1960-2000s |
(Rus)
|
|
Kazyutchits M.F.
|
| Vol 7, No 1 (2015) |
Split Screen as a Method of Film Editing |
(Rus)
|
|
Shabalin V.V.
|
| Vol 5, No 1 (2013) |
State backing of non-fiction film |
(Rus)
|
|
Malkova L.Y.
|
| Vol 6, No 3 (2014) |
State Guardianship of Cinema: The Issue of Goal-Setting |
(Rus)
|
|
Zhabsky M.I.
|
| Vol 7, No 3 (2015) |
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation |
(Rus)
|
|
Zhdanova V.A.
|
| Vol 3, No 2 (2011) |
Still Life in the Space of the Film |
(Rus)
|
|
Gvozdeva Y.V.
|
| Vol 12, No 1 (2020) |
Stopover? Non-fiction movies in the first decade after the millennium |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 6, No 4 (2014) |
Strategies of Audiovisual Translation |
(Rus)
|
|
Bakulev G.P.
|
| Vol 8, No 2 (2016) |
Structural Analysis of Film Characters |
(Rus)
|
|
Boyko M.E.
|
| Vol 8, No 4 (2016) |
Student Creativity Festival |
(Rus)
|
|
Editorial -.
|
| Vol 10, No 3 (2018) |
Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness |
(Rus)
|
|
Danilov D.I.
|
| Vol 9, No 1 (2017) |
Style “Noir” in Classical and Contemporary Art History |
(Rus)
|
|
Orozbaev K.N.
|
| Vol 7, No 2 (2015) |
Stylistic Features Of Russian Arthouse |
(Rus)
|
|
Poznin V.F.
|
| Vol 10, No 4 (2018) |
Summary |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 2 (2020) |
Summary |
(Rus)
|
|
Editorial office a.
|
| Vol 12, No 3 (2020) |
Summary |
(Rus)
|
|
Editorial a.
|
| Vol 12, No 4 (2020) |
Summary |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 2(48) (2021) |
Summary |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 3(49) (2021) |
Summary |
(Rus)
|
|
Editorial office a.
|
| Vol 11, No 2 (2019) |
SUMMARY | PRESENTATION OF AUTHORS |
(Rus)
|
|
Editorial Board J.
|
| Vol 11, No 3 (2019) |
SUMMARY | PRESENTATION OF AUTHORS |
(Rus)
|
|
Editorial Board J.
|
| Vol 2, No 3 (2010) |
SUMMARYPREZENTATsIYa AVTOROV |
(Rus)
|
|
- -.
|
| Vol 9, No 3 (2017) |
Summer Time is a Time Creativity |
(Rus)
|
|
- -.
|
| Vol 6, No 2 (2014) |
Superhero Cinema Comics: Gender Transposition |
(Rus)
|
|
Tsyrkun N.A.
|
| Vol 2, No 1 (2010) |
Swedish Cinematograph at the beginning of the XXI century. The problem of national style |
(Rus)
|
|
Koblenkova D.V., Koblenkova D.V.
|
| Vol 8, No 1 (2016) |
Synesthetic Problems in French Symbolism’ Aesthetics and their Current Relevance |
(Rus)
|
|
Mankovskaya N.B.
|
| Vol 9, No 4 (2017) |
Synthesis of Arts in Vasily Kandinsky's Creative Work |
(Rus)
|
|
Kharitonova N.S.
|
| Vol 3, No 3 (2011) |
Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood |
(Rus)
|
|
Pishita Y.M.
|
| Vol 7, No 2 (2015) |
Synthesis of National and Transnational in A. Konchalovsky's American Movies |
(Rus)
|
|
Kurdiaev G.I.
|
| Vol 1, No 1 (2009) |
System of audiovisual content distribution with application of digital technologies |
(Rus)
|
|
Levanskaya E.S.
|
| Vol 9, No 2 (2017) |
Tarkovsky in a Changing Time |
(Rus)
|
|
- -.
|
| Vol 12, No 1 (2020) |
Techniques for compositional filling the space of a television frame |
(Rus)
|
|
Shabalin V.V.
|
| Vol 12, No 3 (2020) |
Techniques for Representing the Author in Alexander Sokurov’s films |
(Rus)
|
|
Klimenko N.
|
| Vol 4, No 2-3 (2012) |
Television Civilization and Image of Reality |
(Rus)
|
|
Utilova N.I.
|
| Vol 6, No 2 (2014) |
Television Impact on Children's Development: Experience of Positive Modeling |
(Rus)
|
|
Makhovskaya O.I., Marchenko F.O.
|
| Vol 4, No 2-3 (2012) |
Television: Process and Phenomenon |
(Rus)
|
|
Shumakov S.L.
|
| Vol 8, No 1 (2016) |
The 60s. Half a Century Later. Nostalgia |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 7, No 4 (2015) |
The 60s. Half a Century Later. Nostalgia |
(Rus)
|
|
Prozhiko G.S.
|
| Vol 4, No 2-3 (2012) |
The Actor’s Perception of the Partner’s Speech |
(Rus)
|
|
Avtushenko I.A.
|
| Vol 8, No 2 (2016) |
The Aesthetics of Filming in the Format of Scientific Conferences |
(Rus)
|
|
Tsetlina V.Y.
|
| Vol 5, No 3 (2013) |
The Analysis of Artistic Time in the Theory of Film Dramaturgy |
(Rus)
|
|
Marievskaya N.Y.
|
| Vol 6, No 4 (2014) |
The Art of Opera: Variability of Artistic Languages of Screen Forms |
(Rus)
|
|
Mesyanzhinova A.V.
|
| Vol 9, No 3 (2017) |
The Aspects of Body in American Film Noir (1941-1955) |
(Rus)
|
|
Orozbaev K.N.
|
| Vol 2, No 4 (2010) |
The Birth of a Personality from the Carnival Spirit |
(Rus)
|
|
Kolotaev V.A., Kolotayev V.A.
|
| Vol 10, No 1 (2018) |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
|
Drubek N.
|
| Vol 9, No 4 (2017) |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
|
Drubek N.
|
| Vol 8, No 1 (2016) |
The Birth of Identity in the Finnish Cinema |
(Rus)
|
|
Ivannikova C.O.
|
| Vol 11, No 3 (2019) |
The canons of capturing reality in the documentary cinema of the 1960s |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 3, No 3 (2011) |
The Commercial Value of an Audiovisual Product. A Film as a Commodity Item |
(Rus)
|
|
Melesse Y.V.
|
| Vol 12, No 4 (2020) |
The Concept of Latent Dramaturgy in Contemporary Iranian Cinema |
(Rus)
|
|
Chirkina M.
|
| Vol 13, No 3(49) (2021) |
The Concept Of Self-Sacrifice In The Philosophy Of Andrei Tarkovsky’s Work |
(Rus)
|
|
Kirillova N.
|
| Vol 3, No 1 (2011) |
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme |
(Rus)
|
|
Perelshtein R.M.
|
| Vol 2, No 3 (2010) |
The Convergent and Integration Aspects of Mass Media Evolution in the Information Age |
(Rus)
|
|
Urazova S.L.
|
| Vol 1, No 1 (2009) |
The creative work of Sergey Paradzhanov as an event of Postmodernism |
(Rus)
|
|
Lukashova A.G.
|
| Vol 10, No 4 (2018) |
The Culture of the XVIIIth Century and the Return to the Human Being |
(Rus)
|
|
Pondopulo G.K.
|
| Vol 9, No 2 (2017) |
The Demand for Russian Cinema |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 2, No 4 (2010) |
The Development of Female Characters in Central Asian Cinema |
(Rus)
|
|
Abikeeva G.O., Abikeeva G.O.
|
| Vol 10, No 3 (2018) |
The Doppelgänger Motif in the “New Sincerity” Cinema |
(Rus)
|
|
Kuznetsova M.О.
|
| Vol 7, No 1 (2015) |
The Effect of Media Culture on Modern Art: Photography, Hyperrealism, Video Art |
(Rus)
|
|
Stroeva O.V.
|
| Vol 12, No 1 (2020) |
The emergence of a holistic artistic image |
(Rus)
|
|
Sveshnikov A.V.
|
| Vol 11, No 2 (2019) |
The environment of the cinematic spectacle. The architecture of the early Russian movie theaters |
(Rus)
|
|
Anisimov A.V.
|
| Vol 13, No 1 (2021) |
The Evolution of the Concept of the Victory in Russian Documentary Cinema |
(Rus)
|
|
Prozhiko G.
|
| Vol 11, No 3 (2019) |
The evolution of visual instruments of VR cinema |
(Rus)
|
|
Matkin A.V.
|
| Vol 11, No 4 (2019) |
The Existential World of Kira Muratova |
(Rus)
|
|
Kirillova N.
|
| Vol 12, No 4 (2020) |
The Expressive Function of Color in Modern Non-Fiction Films |
(Rus)
|
|
Shtandke A.
|
| Vol 4, No 1 (2012) |
The factors of competitive ability of national film industries |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 3, No 4 (2011) |
The factors of competitive ability of national film industries |
(Rus)
|
|
Zhabskiy M.I.
|
| Vol 11, No 3 (2019) |
The film star — the phenomenon of a parasocial relation |
(Rus)
|
|
Zhabskiy M.I., Novoselova F.V., Tarasov К.А.
|
| Vol 12, No 3 (2020) |
The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook |
(Rus)
|
|
Park Young Eun ..
|
| Vol 7, No 1 (2015) |
The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s |
(Rus)
|
|
Sputnitskaya N.Y.
|
| Vol 4, No 4 (2012) |
The Formula of Producer’s Happiness? |
(Rus)
|
|
Bakulev G.P.
|
| Vol 5, No 1 (2013) |
The Great Kamchatka Expedition |
(Rus)
|
|
Golovnyov I.A.
|
| Vol 12, No 2 (2020) |
The Image and Sound of War in the Films “The Ascent” and “Come and See” |
(Rus)
|
|
Prozorovskaya I.
|
| Vol 10, No 3 (2018) |
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal |
(Rus)
|
|
Smagina S.A.
|
| Vol 4, No 2-3 (2012) |
The Image of Home in Cinema |
(Rus)
|
|
Reizen O.K.
|
| Vol 11, No 2 (2019) |
The image of prince Myshkin in Russian cinema |
(Rus)
|
|
Ryabokon’ A.V.
|
| Vol 9, No 2 (2017) |
The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” |
(Rus)
|
|
Fedotkin S.V.
|
| Vol 10, No 4 (2018) |
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity |
(Rus)
|
|
Mikheeva Y.V.
|
| Vol 12, No 4 (2020) |
The Image of War in the Cinema of the 60s. Knights without Past and Future |
(Rus)
|
|
Ianushko A.V.
|
| Vol 5, No 4 (2013) |
The Images of China on Russian Screen. A Glance from the Audience |
(Rus)
|
|
Andreyev A.L., Andreyev I.A.
|
| Vol 10, No 4 (2018) |
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia |
(Rus)
|
|
Bezenkova M.V.
|
| Vol 3, No 3 (2011) |
The Individual and Contemporary in Yuliy Raizman's Late Work |
(Rus)
|
|
Sopin A.O.
|
| Vol 10, No 1 (2018) |
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music |
(Rus)
|
|
Rusinova E.A., Habchuk E.M.
|
| Vol 10, No 3 (2018) |
The Influence of Far Eastern Culture on the Creative Work of S.M.Eisenstein |
(简体中)
(Rus)
|
|
Song J.I.
|
| Vol 3, No 1 (2011) |
The Influence of Newest Audiovisual Technologies on the Audience |
(Rus)
|
|
Kosenkova N.G.
|
| Vol 4, No 4 (2012) |
The Influence of the Marketability Factors on the TV Company |
(Rus)
|
|
Yakusheva V.V.
|
| Vol 8, No 3 (2016) |
The Influence of the Painting Tradition on Derek Jarman’s Films |
(Rus)
|
|
Denisova I.V.
|
| Vol 10, No 2 (2018) |
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause |
(Rus)
|
|
Rusinova E.A., Khabchuk E.M.
|
| Vol 10, No 4 (2018) |
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century |
(Rus)
|
|
Smagina S.A.
|
| Vol 10, No 4 (2018) |
The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker |
(Eng)
(简体中)
(Rus)
|
|
Malyshev V.S.
|
| Vol 12, No 3 (2020) |
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika” |
(Rus)
|
|
Vinogradov V.
|
| Vol 13, No 2(48) (2021) |
The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions |
(Rus)
|
|
Oseeva Y.
|
| Vol 3, No 2 (2011) |
The Iranian Cinema of the 20th Century (1900-1980) |
(Rus)
|
|
Mirakhorli A.
|
| Vol 2, No 4 (2010) |
"The Karamazov Brothers" as intellectualgames |
(Rus)
|
|
Il'chenko S.N., Ilchenko S.N.
|
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