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Issue
Title
Authors
Impact of Technology on Screen Aesthetics
Poznin V.F.
The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s
Sputnitskaya N.Y.
The Birth of Identity in the Finnish Cinema
Ivannikova C.O.
Documentaries, 21st Century: Time to Sum Up
Poznin V.F.
Cinema and Globalization
Zhabskiy M.I.
Ethnographic Cinema: the Image of the Other
Prozhiko G.S.
Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound
Rusinova E.
Some Aspects of Film Color Semantics and Cultural Tradition
Klopotovskaya E.A., Klopotovskaya Y.A.
The Mirror Shield: the Camera as anInstrument of Civil Defence
Naveskin R.A., Naveskin R.A.
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.S.
What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»
The Formula of Producer’s Happiness?
Bakulev G.P.
The Images of China on Russian Screen. A Glance from the Audience
Andreyev A.L., Andreyev I.A.
Screenplay as a Dynamic Process Model
Marievskaya N.Y.
The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film
Kiselev A.O.
Love in the Soviet Qnema as the Stereotype of Gender Relations
Fanina M.A.
Criteria of Composition of Documentaries about Nature
Berkova N.N.
Financing Cinema Production as a High-Risk Activity
Molchanova N.P.
A screen version of the story of Salinger translated into Farsi
Grigoreva N.G.
The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero
Rusinova E.A.
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate
Il'chenko S.N., Ilchenko S.N.
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)
Zakrevskaya :.A., Zakrevskaya A.A.
The factors of competitive ability of national film industries
Zhabskiy M.I.
State backing of non-fiction film
Malkova L.Y.
Cinema Policy of Simple Solutions
Zhabsky M.I.
Naomi Kawase: the Eternal and the Transitory
Terakopyan M.L.
S.M. Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
On The Matter of Market in Cinema
Zhabskiy M.I.
Destiny of Indian Cinema in Russia
Nefedova D.N.
Compensatory Happy Ending as a Typological Group of a Film Finale
Shevtsov V.A.
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
Psychological Insight in Asgar Farhadi’s Early Films
Grigorieva N.G.
Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics
Mikheeva J.V.
The sound world of the alienated film character
Rusinova E.A.
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945
Utilov V.A., Utilov V.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S.L., Urazova S.L.
The Role of Memory in the Perception of the Screen Image
Poznin V.F.
Algeria: Birth of Cinema
Shakhov A.S.
Mir Mamoru Osii: illyuziya ili real'nost'?
Terakopyan M.L.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Reconstruction as the Character Depiction Method in Documentary
Troukhina A.V.
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Kazyutchits M.F.
Newsreel: Is Its Revival Possible?
Malkova L.Y.
Music in the Metadigetic Space of the Motion Picture
Rusinova E.A.
The Birth of Cinema in the Russian Empire and Film Censorship
Drubek N.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E.A., Khabchuk E.M.
101 - 146 of 146 Items << < 1 2 

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