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Sound as a Sign and Artistic Symbol in Film

Rusinova E.

(Rus)

卷 10, 编号 4 (2018)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.

(Rus)

The Way of Genre in Cinema Documentary

Prozhiko G.

(Rus)

(简体中)

卷 7, 编号 1 (2015)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.

(Rus)

卷 12, 编号 2 (2020)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.

(Rus)

卷 4, 编号 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.

(Rus)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.

(Rus)

卷 12, 编号 4 (2020)

The Expressive Function of Color in Modern Non-Fiction Films

Shtandke A.

(Rus)

卷 2, 编号 3 (2010)

Dramatic Peculiarities of Ecological film

Trusevich Y.

(Rus)

卷 5, 编号 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.

(Rus)

Stylistic Features Of Russian Arthouse

Poznin V.

(Rus)

卷 12, 编号 3 (2020)

Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture

Krivulya N.

(Rus)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.

(Rus)

卷 8, 编号 4 (2016)

“Provincial” Cinema on Global Orbits

Kirillova N.

(Rus)

卷 9, 编号 3 (2017)

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.

(Rus)

卷 12, 编号 3 (2020)

Modern Forms of Capturing Reality in the Format of Video Hosting

Shtandke A.

(Rus)

卷 3, 编号 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.

(Rus)

卷 5, 编号 4 (2013)

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.

(Rus)

卷 3, 编号 3 (2011)

Cinema in the Phase of Private Interest

Zakharov D.

(Rus)

卷 13, 编号 2(48) (2021)

The Perception of a Contemporary in Non-fiction Films

Shtandke A.

(Rus)

卷 13, 编号 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

卷 9, 编号 1 (2017)

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.

(Rus)

卷 10, 编号 4 (2018)

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.

(Rus)

卷 12, 编号 2 (2020)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.

(Rus)

卷 10, 编号 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.

(Rus)

卷 10, 编号 4 (2018)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.

(Rus)

卷 13, 编号 1 (2021)

The Price of Going out to the Movies — the History and the Contemporaneousness

Zhabskiy M., Tarasov K.

(Rus)

卷 3, 编号 4 (2011)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.

(Rus)

卷 6, 编号 4 (2014)

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.

(Rus)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.

(Rus)

卷 12, 编号 4 (2020)

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.

(Rus)

卷 5, 编号 2 (2013)

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.

(Rus)

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.

(Rus)

卷 11, 编号 4 (2019)

The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam

Milydon V.

(Rus)

Mass scenes as a way of manipulating the consciousness of the viewer

Arysheva A.

(Rus)

卷 2, 编号 1 (2010)

Screen in the new time

Krivosheev M., Krivocheev M.

(Rus)

卷 3, 编号 2 (2011)

Mythology and Conventions of American Pre-War Cinema

Fomina V.

(Rus)

卷 3, 编号 4 (2011)

Moral Aspects of Russian PreRevolutionary Cinema

Rostotskaya M.

(Rus)

卷 4, 编号 4 (2012)

Social and Economic Aspects of Forming Film Audience

Voskolovich N., Molchanov I.

(Rus)

卷 6, 编号 2 (2014)

Impact of Technology on Screen Aesthetics

Poznin V.

(Rus)

卷 7, 编号 1 (2015)

The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s

Sputnitskaya N.

(Rus)

卷 8, 编号 1 (2016)

The Birth of Identity in the Finnish Cinema

Ivannikova C.

(Rus)

卷 8, 编号 3 (2016)

Documentaries, 21st Century: Time to Sum Up

Poznin V.

(Rus)

卷 9, 编号 1 (2017)

Cinema and Globalization

Zhabskiy M.

(Rus)

卷 9, 编号 3 (2017)

Ethnographic Cinema: the Image of the Other

Prozhiko G.

(Rus)

卷 11, 编号 4 (2019)

Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound

Rusinova E.

(Rus)

Some Aspects of Film Color Semantics and Cultural Tradition

Klopotovskaya E., Klopotovskaya Y.

(Rus)

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R., Naveskin R.

(Rus)

卷 3, 编号 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»

(Rus)

卷 4, 编号 4 (2012)

The Formula of Producer’s Happiness?

Bakulev G.

(Rus)

卷 5, 编号 4 (2013)

The Images of China on Russian Screen. A Glance from the Audience

Andreyev A., Andreyev I.

(Rus)

卷 6, 编号 2 (2014)

Screenplay as a Dynamic Process Model

Marievskaya N.

(Rus)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.

(Rus)

卷 8, 编号 1 (2016)

Love in the Soviet Qnema as the Stereotype of Gender Relations

Fanina M.

(Rus)

Criteria of Composition of Documentaries about Nature

Berkova N.

(Rus)

卷 10, 编号 2 (2018)

Financing Cinema Production as a High-Risk Activity

Molchanova N.

(Rus)

卷 12, 编号 1 (2020)

A screen version of the story of Salinger translated into Farsi

Grigoreva N.

(Rus)

电视屏幕上的游乐设施: 交通线游戏的规则

Rusinova E.

(Eng)

(Rus)

"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate

Il'chenko S., Ilchenko S.

(Rus)

Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)

Zakrevskaya :., Zakrevskaya A.

(Rus)

卷 4, 编号 1 (2012)

The factors of competitive ability of national film industries

Zhabskiy M.

(Rus)

卷 5, 编号 1 (2013)

State backing of non-fiction film

Malkova L.

(Rus)

卷 6, 编号 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.

(Rus)

卷 7, 编号 4 (2015)

Naomi Kawase: the Eternal and the Transitory

Terakopyan M.

(Rus)

卷 7, 编号 1 (2015)

S.M. Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.

(Rus)

卷 8, 编号 3 (2016)

On The Matter of Market in Cinema

Zhabskiy M.

(Rus)

卷 8, 编号 4 (2016)

Destiny of Indian Cinema in Russia

Nefedova D.

(Rus)

卷 9, 编号 2 (2017)

Compensatory Happy Ending as a Typological Group of a Film Finale

Shevtsov V.

(Rus)

Metaphor in Cinema: Specifics of its Creation and Perception

Poznin V.

(Rus)

卷 10, 编号 2 (2018)

Psychological Insight in Asgar Farhadi’s Early Films

Grigorieva N.

(Rus)

Sound in the films of Michael Haneke from the perspective of phenomenological aesthetics

Mikheeva J.

(Rus)

卷 11, 编号 2 (2019)

The sound world of the alienated film character

Rusinova E.

(Rus)

In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945

Utilov V., Utilov V.

(Rus)

I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"

Urazovoy S., Urazova S.

(Rus)

The Role of Memory in the Perception of the Screen Image

Poznin V.

(Rus)

卷 5, 编号 2 (2013)

Algeria: Birth of Cinema

Shakhov A.

(Rus)

卷 6, 编号 1 (2014)

Mir Mamoru Osii: illyuziya ili real'nost'?

Terakopyan M.

(Rus)

卷 6, 编号 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.

(Rus)

卷 7, 编号 4 (2015)

Reconstruction as the Character Depiction Method in Documentary

Troukhina A.

(Rus)

卷 8, 编号 3 (2016)

Specifics of Imaginative Approach in the US Documentary of 1960-2000s

Kazyutchits M.

(Rus)

卷 8, 编号 4 (2016)

Newsreel: Is Its Revival Possible?

Malkova L.

(Rus)

卷 9, 编号 2 (2017)

Music in the Metadigetic Space of the Motion Picture

Rusinova E.

(Rus)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

卷 10, 编号 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E., Khabchuk E.

(Rus)

The film star — the phenomenon of a parasocial relation

Zhabskiy M., Novoselova F., Tarasov К.

(Rus)

Cinematic media in digital culture

Bakulev G.

(Rus)

The Unknown Cinema of the War and Victory

Grashchenkova I., Grashchenkova I.

(Rus)

A Film Director in Search of the Genre

Maslennikov I., Maslennikov I.

(Rus)

卷 3, 编号 4 (2011)

The factors of competitive ability of national film industries

Zhabskiy M.

(Rus)