Search

Issue
Title
Authors
Screen Metamorphoses of Ivan Pyryev
Kirillova N.B.
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”
Vinogradov V.
The struggle for the Far East in the interpretation of the Vasilyev brothers
Rostotskaya M.A.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production
Sarymsakov S.K., Sarymsakov S.K.
"The Karamazov Brothers" as intellectualgames
Il'chenko S.N., Ilchenko S.N.
Mythology and Conventions of American Pre-War Cinema
Fomina V.A.
Moral Aspects of Russian PreRevolutionary Cinema
Rostotskaya M.A.
Algeria: Birth of Cinema
Shakhov A.S.
Soviet cinema as a state budget’s contributor. Distribution in the 1930s
Kosinova M.I.
Emotional Influence on the Viewer in Contemporary American Cinema
Vital F.Y.
Structural Analysis of Film Characters
Boyko M.E.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s
Kazyuchits M.F.
The Storming of the Winter Palace as a Mythmaking of National Screen Culture
Ilchenko S.N.
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century
Smagina S.A.
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?
Khokhlova D.E.
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War
Danilov D.I.
The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam
Milydon V.
VR Cinema. Virtual Spectacle as a Dream
Novikov V.N.
Russian Cinema for Children and Adolescents. Unsolved Problems
Sidorenko V.I., Sidornko V.I.
A Film Director in Search of the Genre
Maslennikov I.F., Maslennikov I.F.
What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»
The Great Kamchatka Expedition
Golovnyov I.A.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
Screen Communications As a Form of Socialization and Individualization
Urazova S.L.
Naomi Kawase: the Eternal and the Transitory
Terakopyan M.L.
S.M. Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Toward the Sociological Rationalization of State Film Policy
Zhabskiy M.I.
Documentaries, 21st Century: Time to Sum Up
Poznin V.F.
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.A.
India and England in the Mirror of Screen
Zvegintseva I.A.
Financing Cinema Production as a High-Risk Activity
Molchanova N.P.
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Smagina S.A.
Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema
Makarova M.
A screen version of the story of Salinger translated into Farsi
Grigoreva N.G.
Mass scenes as a way of manipulating the consciousness of the viewer
Arysheva A.S.
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate
Il'chenko S.N., Ilchenko S.N.
The Iranian Cinema of the 20th Century (1900-1980)
Mirakhorli A.
Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood
Pishita Y.M.
The Reflection of Ethno-Cultural Stereotypes in Film Art
Monakhova M.O.
Screen image. Aftereffect
Poznin V.F.
Both Screenwriter and Director
Zvegintseva I.A.
Video Art: “A White Cube” or “A Black Box”?
Staruseva-Persheeva A.D.
Iran in Contemporary Russian Cinema (Film’s Visual Formula)
Akhmad Mir Akhorli -.
The Birth of Identity in the Finnish Cinema
Ivannikova C.O.
“Provincial” Cinema on Global Orbits
Kirillova N.B.
Cinema and Globalization
Zhabskiy M.I.
Screen Imagery as Reflected through Mythologems
Marusenkov V.V.
Psychological Insight in Asgar Farhadi’s Early Films
Grigorieva N.G.
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries
Sergeeva T.S.
Techniques for Representing the Author in Alexander Sokurov’s films
Klimenko N.
The story of one crime: in life, in literature and in cinema
Zvegintseva I.A.
A Long Story about a Big Set for a Short Episode
Tolkachev A.N., Tolkachov A.N.
In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945
Utilov V.A., Utilov V.
Axiology of the Political Dichotomy of the Russian Screen Content's Political "Overtone"
Ilchenko S.N.
The factors of competitive ability of national film industries
Zhabskiy M.I.
Baz Luhrmann’s creative manner
Zvegintseva I.A.
Superhero Cinema Comics: Gender Transposition
Tsyrkun N.A.
James Mangold is “a jewel of a man” in American Cinema
Zvegintseva I.A.
Eisenstein’s Aesthetics in Semiotic Perspective
Khrenov N.A.
Video Art: Significant Absence of Editing as an Artistic Tool
Staruseva-Persheyeva A.D.
Love in the Soviet Qnema as the Stereotype of Gender Relations
Fanina M.A.
Destiny of Indian Cinema in Russia
Nefedova D.N.
Music in the Metadigetic Space of the Motion Picture
Rusinova E.A.
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century
Melekhova X.A.
The Way of Genre in Cinema Documentary
Prozhiko G.S.
101 - 167 of 167 Items << < 1 2 

Search tips:

  • Search terms are case-insensitive
  • Common words are ignored
  • By default only articles containing all terms in the query are returned (i.e., AND is implied)
  • Combine multiple words with OR to find articles containing either term; e.g., education OR research
  • Use parentheses to create more complex queries; e.g., archive ((journal OR conference) NOT theses)
  • Search for an exact phrase by putting it in quotes; e.g., "open access publishing"
  • Exclude a word by prefixing it with - or NOT; e.g. online -politics or online NOT politics
  • Use * in a term as a wildcard to match any sequence of characters; e.g., soci* morality would match documents containing "sociological" or "societal"