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Title
Authors
The Problem of Adaptation of Utopias in Russian Cinema
Shesteric O.V.
Ethnographic Cinema: the Image of the Other
Prozhiko G.S.
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”
Vinogradov V.V.
Sound Space of M.Garrone’s Films: from Fiction to Reality
Sorokina J.
Methods of using the type expressiveness of the actor in the cinema of “new sincerity”
Kuznetsova M.O.
Postmodernism as Myths Generating Practice
Mankovskaya N.B.
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")
Turitsyn V.N., Turitsyn V.N.
Situations and Characters of American Pre-War Cinema
Fomina V.A.
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.V.
Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films
Malyshev V.S.
The Images of China on Russian Screen. A Glance from the Audience
Andreyev A.L., Andreyev I.A.
Time and Essence. Study of Cinema Product Temporal Analysis
Marievskaya N.Y.
Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Sputnitskaya N.Y.
Functional Duality of Cinema
Ushkarev A.A.
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Kazyutchits M.F.
Censorship Machine in the Soviet Cinema of the 1920s
Nasrtdinova A.R.
Criteria of Composition of Documentaries about Nature
Berkova N.N.
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity
Mikheeva Y.V.
Initiation by Fear as a Model of Soviet Film Tales of the 1960s
Zernova P.
Existential problematics in the films of Pedro Costa
Sandu V.O.
Traditions and Innovations in Film Education
Novikov A.V., Novikov A.V.
Screen in the new time
Krivosheev M.I., Krivocheev M.I.
Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev
Pishita Y.M.
Film Studies As a Normative Academic Discipline
Nikitina I.P., Ivin A.A.
Movie Distribution Categories in Russia: Sample of Statistical Analysis
Ivanov O.V., Astakhova N.V., Ivanov D.O.
State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation
Zhdanova V.A.
A. Sokurov’s “The Lonely Voice of Man” in the Context of Russian Cosmism
Vinogradov V.V.
Cinema of Arabic East: the Problem of Radical Islam
Shakhov A.S.
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries
Mylnikov D.Y.
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia
Bezenkova M.V.
Contemporary Russian Cinema and Its World Contexts
Reisen O.K.
Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”
Goryachok K.
The Concept of Latent Dramaturgy in Contemporary Iranian Cinema
Chirkina M.
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen
Grigoreva N.
Methodological aspects of studying the history of Soviet cinema in the 1930s
Usuvaliev S.I.
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture
Stroeva O.V.
Dramatic Peculiarities of Ecological film
Trusevich Y.S.
Bryan Forbes and Jack Clayton: Underestimated Spaces (British Cinema of the late 1950s-early 1960s)
Zakrevskaya :.A., Zakrevskaya A.A.
Live Broadcast of Terrorist Acts as Media Mythology of Show-Civilization
Ilchenko S.N.
The Poetic Cinema of the Post-Cultural Era
Yeliseyeva Y.A.
Ideas of the Philosophical Ideallogism and Kieslowski’s “Pyramid”
Mikheeva Y.V.
“Moscow text” in Russian cinema in the 1920s-1940s
Boyarshinova N.A.
Points of Disequilibrium in Narrative Dynamics and Their Structure
Marievskaya N.Y.
Stylistic Features Of Russian Arthouse
Poznin V.F.
Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work
Mikheyeva Y.V.
American Biopic in Contemporary Cinema
Morozova I.V.
Individualism as a Cultural Syndrome in Recent American Cinema
Tsyrkun N.A.
Film Reconstruction of the Past as a Method of Understanding Reality
Marusenkov V.V.
“New Drama” in the Context of the Historical Film
Kuzmina L.V.
Screen Metamorphoses of Ivan Pyryev
Kirillova N.B.
The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”
Vinogradov V.
The struggle for the Far East in the interpretation of the Vasilyev brothers
Rostotskaya M.A.
Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint
Rusinova E.A.
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production
Sarymsakov S.K., Sarymsakov S.K.
"The Karamazov Brothers" as intellectualgames
Il'chenko S.N., Ilchenko S.N.
Mythology and Conventions of American Pre-War Cinema
Fomina V.A.
Moral Aspects of Russian PreRevolutionary Cinema
Rostotskaya M.A.
Algeria: Birth of Cinema
Shakhov A.S.
Soviet cinema as a state budget’s contributor. Distribution in the 1930s
Kosinova M.I.
Emotional Influence on the Viewer in Contemporary American Cinema
Vital F.Y.
Structural Analysis of Film Characters
Boyko M.E.
Music as a Part of the Theatrical Game of the Movie
Mikheeva Y.V.
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s
Kazyuchits M.F.
The Storming of the Winter Palace as a Mythmaking of National Screen Culture
Ilchenko S.N.
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century
Smagina S.A.
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?
Khokhlova D.E.
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