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Issue

Title

Authors

Vol 11, No 1 (2019)

Cinematic media in digital culture

Bakulev G.P.

(Rus)

Vol 2, No 2 (2010)

Traditions and Innovations in Film Education

Novikov A.V., Novikov A.V.

(Rus)

Vol 3, No 1 (2011)

The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme

Perelshtein R.M.

(Rus)

Vol 4, No 4 (2012)

The Formula of Producer’s Happiness?

Bakulev G.P.

(Rus)

Vol 5, No 1 (2013)

Does cinema remain the driving force of screen culture?

Kirillova N.B.

(Rus)

Vol 5, No 4 (2013)

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.A.

(Rus)

Vol 6, No 3 (2014)

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.V.

(Rus)

Vol 7, No 2 (2015)

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.O.

(Rus)

Vol 7, No 4 (2015)

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.I.

(Rus)

Vol 8, No 3 (2016)

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.V.

(Rus)

Vol 8, No 4 (2016)

Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film

Kropova D.S.

(Rus)

Vol 10, No 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 10, No 3 (2018)

Sound as a Sign and Artistic Symbol in Film

Rusinova E.A.

(Rus)

Vol 13, No 1 (2021)

Folklore Traditions of the Sverdlovsk Animation School

Tomilov Y.

(Rus)

Vol 12, No 1 (2020)

Stopover? Non-fiction movies in the first decade after the millennium

Prozhiko G.S.

(Rus)

Vol 11, No 3 (2019)

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.O.

(Rus)

Vol 1, No 1 (2009)

Choice of profession: the bases of producer's workmanship

Chigevskaya O.A.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Mythological Reality

Chizhevskaya O.A., Chizhevskaya O.A.

(Rus)

Vol 4, No 4 (2012)

The Peculiarities of Financial Management of Cinema Houses

Ogurchikov P.K., Pichugin E.A.

(Rus)

Vol 5, No 2 (2013)

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 5, No 3 (2013)

The Myth of the Authenticity of the Wartime Newsreels

Prozhiko G.S.

(Rus)

Vol 6, No 3 (2014)

Cinematic Nature of English Pre-Raphaelites’ Painting

Bernatonite A.V.

(Rus)

Vol 7, No 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 7, No 1 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 8, No 4 (2016)

Destiny of Indian Cinema in Russia

Nefedova D.N.

(Rus)

Vol 9, No 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 10, No 4 (2018)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.V.

(Rus)

Vol 13, No 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

Vol 13, No 2(48) (2021)

The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions

Oseeva Y.

(Rus)

Vol 13, No 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Vol 1, No 1 (2009)

About dubbing foreign ilms

ROUSSINOVA E.A.

(Rus)

Vol 2, No 3 (2010)

Artistic Merit as a Russian Film Competitiveness Factor

Ziborova O.P.

(Rus)

Vol 2, No 1 (2010)

Screen in the new time

Krivosheev M.I., Krivocheev M.I.

(Rus)

Vol 4, No 2-3 (2012)

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.V.

(Rus)

Vol 5, No 3 (2013)

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.M.

(Rus)

Vol 6, No 2 (2014)

Impact of Technology on Screen Aesthetics

Poznin V.F.

(Rus)

Vol 7, No 2 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 7, No 3 (2015)

Visualization Techniques on Business TV

Dolgova Y.I.

(Rus)

Vol 8, No 1 (2016)

The Birth of Identity in the Finnish Cinema

Ivannikova C.O.

(Rus)

Vol 8, No 2 (2016)

Violence in Films: Three Preconditions for the Mimetic Effect

Tarasov K.A.

(Rus)

Vol 8, No 4 (2016)

The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years

Sputnitskaya N.Y.

(Rus)

Vol 9, No 3 (2017)

Screen Imagery as Reflected through Mythologems

Marusenkov V.V.

(Rus)

Vol 10, No 2 (2018)

Screen Metamorphoses of Ivan Pyryev

Kirillova N.B.

(Rus)

Vol 10, No 4 (2018)

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 13, No 3(49) (2021)

Alexander Dovzhenko. Poetic Space of Immortality

Vinogradov V.

(Rus)

Vol 12, No 4 (2020)

The Expressive Function of Color in Modern Non-Fiction Films

Shtandke A.

(Rus)

Vol 12, No 3 (2020)

Short Film: Genre Originality of Debuts

ZHdankina G., SHipulina N.

(Rus)

Vol 2, No 2 (2010)

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S.K., Sarymsakov S.K.

(Rus)

Vol 2, No 4 (2010)

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R.A., Naveskin R.A.

(Rus)

Vol 4, No 2-3 (2012)

Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»

Bezenkova M.V.

(Rus)

Vol 5, No 1 (2013)

European Film Avant-Garde: phenomenological interpretation of reality

Lyubovich M.V.

(Rus)

Vol 6, No 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 7, No 4 (2015)

The Theme of Apocalypse in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 9, No 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 13, No 2(48) (2021)

A Stunt as a Plastic Metaphor in Epic Series “Liberation”

Danilov D.

(Rus)

Vol 12, No 4 (2020)

From a Screen Document to a Poetic Image. Making Sense

Prozhiko G.

(Rus)

Vol 12, No 3 (2020)

The Film “Stalker” by A.A.Tarkovsky as a Manifestation of F.M.Dostoevsky’s World Outlook

Park Young Eun ..

(Rus)

Vol 2, No 2 (2010)

A Long Story about a Big Set for a Short Episode

Tolkachev A.N., Tolkachov A.N.

(Rus)

Vol 2, No 2 (2010)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 2, No 4 (2010)

The Pattern of Box-Office Receits

Pigorev D.P., Pigorev D.P.

(Rus)

Vol 3, No 4 (2011)

The Search of New Distribution Patterns in Digital Media Environment

Bakulev G.P.

(Rus)

Vol 6, No 1 (2014)

The Silent Era in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 7, No 4 (2015)

Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema

Ziborova O.P.

(Rus)

Vol 7, No 3 (2015)

Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect

Pronin A.A.

(Rus)

Vol 9, No 1 (2017)

“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)

Gordin V.E., Elkanova E.M.

(Rus)

Vol 9, No 1 (2017)

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 3 (2017)

Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s

Sputnitskaya N.Y.

(Rus)

Vol 10, No 2 (2018)

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.K.

(Rus)

101 - 169 of 169 Items << < 1 2

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