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Issue
Title
Authors
Voice in the Metadiegetic Space of the Motion Picture
Rusinova E.A.
Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema
Marusenkov V.
From a Screen Document to a Poetic Image. Making Sense
Prozhiko G.
Stopover? Non-fiction movies in the first decade after the millennium
Prozhiko G.S.
A Long Story about a Big Set for a Short Episode
Tolkachev A.N., Tolkachov A.N.
Russian Cinema for Children and Adolescents. Unsolved Problems
Sidorenko V.I., Sidornko V.I.
The Pattern of Box-Office Receits
Pigorev D.P., Pigorev D.P.
The Search of New Distribution Patterns in Digital Media Environment
Bakulev G.P.
The Silent Era in Australian Cinema
Zvegintseva I.A.
Theatre and Document: Opposition or Integration?
Prozhiko G.S.
Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema
Ziborova O.P.
Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect
Pronin A.A.
“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)
Gordin V.E., Elkanova E.M.
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture
Rusinova E.A.
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s
Sputnitskaya N.Y.
Film Art Against Avant-Garde? On the Onthology of Artistic Means
Yakimovich A.K.
A Stunt as a Plastic Metaphor in Epic Series “Liberation”
Danilov D.
Modern Forms of Capturing Reality in the Format of Video Hosting
Shtandke A.
The struggle for the Far East in the interpretation of the Vasilyev brothers
Rostotskaya M.A.
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.G.
Some Aspects of Film Color Semantics and Cultural Tradition
Klopotovskaya E.A., Klopotovskaya Y.A.
I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"
Urazovoy S.L., Urazova S.L.
Essential Peculiarities of Time Representation in the post-perestroika cinema
Bezenkova M.V.
American cinema of the Great Depression. The «Social Restlessness Phase»
Zakharov D.V.
On prerequisites for developing artistic time theory
Marievskaja N.E.
Character’s Imagery in Russian Animation of 1990s
Prikhod’ko V.V.
Representation of Youth in Soviet Cinema of the 1950s
Zharikova V.V.
Metaphor in Cinema: Specifics of its Creation and Perception
Poznin V.F.
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century
Smagina S.A.
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal
Smagina S.A.
The Perception of a Contemporary in Non-fiction Films
Shtandke A.
Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War
Danilov D.I.
Modern Social Problems in the Works of Novice Documentary Filmmakers
Shtandke A.A.
The Search for Visual
Yeliseyeva Y.A.
Alfred Schnittke and the End of Russian Classic Music
Mikheyeva Y.V.
The Influence of the Marketability Factors on the TV Company
Yakusheva V.V.
Strategies of Audiovisual Translation
Bakulev G.P.
Evolution of Dramaturgy of Fiction Popular Science Films
Kolodinskiy M.N.
Indian Cinema: Past and Present
Nefedova D.N.
«Pulsating Organizations» in Culture
Gordin V.E., Elkanova E.M.
Film Reconstruction of the Past as a Method of Understanding Reality
Marusenkov V.V.
Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia
Sidorenko V.I.
To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema
Malyshev V.
Russian Documentary at the Turn of the 21st Century
Prozhiko G.S.
Artist and Repression: Reflections
Perel'shteyn R.M., Perelshtein R.M.
The Unknown Cinema of the War and Victory
Grashchenkova I.N., Grashchenkova I.N.
The Great Kamchatka Expedition
Golovnyov I.A.
Crime Teenpic as a Subgenre of American Cinema
Zharikova V.V.
Propaganda: Unity of Polemic Forms and Documentary Images in Russian TV
Malkova L.Y.
European Film Avant-Garde: Poetics of Objectiveness
Lyubovich M.V.
Emotional Influence on the Viewer in Contemporary American Cinema
Vital F.Y.
Specifics of Imaginative Approach in the US Documentary of 1960-2000s
Kazyutchits M.F.
Two Peoples, Two Worlds
Zvegintseva I.A.
Financing Cinema Production as a High-Risk Activity
Molchanova N.P.
The Intertextuality of the Sound Space in Dmitry Volkostrelov’s productions
Oseeva Y.
Short Film: Genre Originality of Debuts
ZHdankina G., SHipulina N.
Cinematic media in digital culture
Bakulev G.P.
Traditions and Innovations in Film Education
Novikov A.V., Novikov A.V.
The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme
Perelshtein R.M.
The Formula of Producer’s Happiness?
Bakulev G.P.
Does cinema remain the driving force of screen culture?
Kirillova N.B.
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants
Fyodorova A.A.
Silence of the Author: Semantics of Muting in Cinema
Mikheyeva Y.V.
Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis
Ivannikova K.O.
Toward the Sociological Rationalization of State Film Policy
Zhabskiy M.I.
The Influence of the Painting Tradition on Derek Jarman’s Films
Denisova I.V.
Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film
Kropova D.S.
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause
Rusinova E.A., Khabchuk E.M.
Sound as a Sign and Artistic Symbol in Film
Rusinova E.A.
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