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Two Peoples, Two Worlds

Zvegintseva I.

(Rus)

Financing Cinema Production as a High-Risk Activity

Molchanova N.

(Rus)

卷 11, 编号 1 (2019)

Cinematic media in digital culture

Bakulev G.

(Rus)

Traditions and Innovations in Film Education

Novikov A., Novikov A.

(Rus)

卷 3, 编号 1 (2011)

The conflict of the "Inner" and "Outer" Person as Film Art's Archetypal Theme

Perelshtein R.

(Rus)

卷 4, 编号 4 (2012)

The Formula of Producer’s Happiness?

Bakulev G.

(Rus)

卷 5, 编号 1 (2013)

Does cinema remain the driving force of screen culture?

Kirillova N.

(Rus)

卷 5, 编号 4 (2013)

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.

(Rus)

卷 6, 编号 3 (2014)

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.

(Rus)

卷 7, 编号 2 (2015)

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.

(Rus)

卷 7, 编号 4 (2015)

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.

(Rus)

卷 8, 编号 3 (2016)

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.

(Rus)

Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film

Kropova D.

(Rus)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E., Khabchuk E.

(Rus)

卷 12, 编号 1 (2020)

Stopover? Non-fiction movies in the first decade after the millennium

Prozhiko G.

(Rus)

卷 11, 编号 3 (2019)

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.

(Rus)

卷 1, 编号 1 (2009)

Choice of profession: the bases of producer's workmanship

Chigevskaya O.

(Rus)

Some Aspects of Mythological Reality

Chizhevskaya O., Chizhevskaya O.

(Rus)

卷 4, 编号 4 (2012)

The Peculiarities of Financial Management of Cinema Houses

Ogurchikov P., Pichugin E.

(Rus)

卷 5, 编号 2 (2013)

Screen image. Aftereffect

Poznin V.

(Rus)

卷 5, 编号 3 (2013)

The Myth of the Authenticity of the Wartime Newsreels

Prozhiko G.

(Rus)

卷 6, 编号 3 (2014)

Cinematic Nature of English Pre-Raphaelites’ Painting

Bernatonite A.

(Rus)

卷 7, 编号 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.

(Rus)

卷 7, 编号 1 (2015)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

Destiny of Indian Cinema in Russia

Nefedova D.

(Rus)

卷 9, 编号 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.

(Rus)

卷 1, 编号 1 (2009)

About dubbing foreign ilms

ROUSSINOVA E.

(Rus)

卷 2, 编号 3 (2010)

Artistic Merit as a Russian Film Competitiveness Factor

Ziborova O.

(Rus)

卷 2, 编号 1 (2010)

Screen in the new time

Krivosheev M., Krivocheev M.

(Rus)

卷 4, 编号 2-3 (2012)

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.

(Rus)

卷 5, 编号 3 (2013)

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.

(Rus)

卷 6, 编号 2 (2014)

Impact of Technology on Screen Aesthetics

Poznin V.

(Rus)

卷 7, 编号 2 (2015)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

卷 7, 编号 3 (2015)

Visualization Techniques on Business TV

Dolgova Y.

(Rus)

卷 8, 编号 1 (2016)

The Birth of Identity in the Finnish Cinema

Ivannikova C.

(Rus)

卷 8, 编号 2 (2016)

Violence in Films: Three Preconditions for the Mimetic Effect

Tarasov K.

(Rus)

The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years

Sputnitskaya N.

(Rus)

卷 9, 编号 3 (2017)

Screen Imagery as Reflected through Mythologems

Marusenkov V.

(Rus)

Screen Metamorphoses of Ivan Pyryev

Kirillova N.

(Rus)

卷 10, 编号 4 (2018)

世界影坛杰作对制片人创造性世界观的影响

Malyshev V.

(Eng)

(简体中)

(Rus)

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S., Sarymsakov S.

(Rus)

卷 2, 编号 4 (2010)

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R., Naveskin R.

(Rus)

卷 4, 编号 2-3 (2012)

Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»

Bezenkova M.

(Rus)

卷 5, 编号 1 (2013)

European Film Avant-Garde: phenomenological interpretation of reality

Lyubovich M.

(Rus)

卷 6, 编号 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.

(Rus)

卷 7, 编号 4 (2015)

The Theme of Apocalypse in Australian Cinema

Zvegintseva I.

(Rus)

卷 9, 编号 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.

(Rus)

A Long Story about a Big Set for a Short Episode

Tolkachev A., Tolkachov A.

(Rus)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V., Sidornko V.

(Rus)

卷 2, 编号 4 (2010)

The Pattern of Box-Office Receits

Pigorev D., Pigorev D.

(Rus)

卷 3, 编号 4 (2011)

The Search of New Distribution Patterns in Digital Media Environment

Bakulev G.

(Rus)

卷 6, 编号 1 (2014)

The Silent Era in Australian Cinema

Zvegintseva I.

(Rus)

卷 6, 编号 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.

(Rus)

卷 7, 编号 4 (2015)

Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema

Ziborova O.

(Rus)

卷 7, 编号 3 (2015)

Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect

Pronin A.

(Rus)

卷 9, 编号 1 (2017)

“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)

Gordin V., Elkanova E.

(Rus)

卷 9, 编号 1 (2017)

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.

(Rus)

卷 9, 编号 3 (2017)

Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s

Sputnitskaya N.

(Rus)

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.

(Rus)

卷 12, 编号 1 (2020)

Modern Social Problems in the Works of Novice Documentary Filmmakers

Shtandke A.

(Rus)

卷 1, 编号 1 (2009)

Alteration of perception of the screen image - actual trend analysis

Kosenkova N.

(Rus)