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Issue

Title

Authors

Vol 7, No 2 (2015)

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.O.

(Rus)

Vol 7, No 4 (2015)

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.I.

(Rus)

Vol 8, No 3 (2016)

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.V.

(Rus)

Vol 8, No 4 (2016)

Traits of Mystery (miracle play), Tragedy and Commedia Dell'Arte in a Fairy-Opera-Film

Kropova D.S.

(Rus)

Vol 10, No 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E.A., Khabchuk E.M.

(Rus)

Vol 12, No 1 (2020)

Stopover? Non-fiction movies in the first decade after the millennium

Prozhiko G.S.

(Rus)

Vol 11, No 3 (2019)

Methods of using the type expressiveness of the actor in the cinema of “new sincerity”

Kuznetsova M.O.

(Rus)

Vol 1, No 1 (2009)

Choice of profession: the bases of producer's workmanship

Chigevskaya O.A.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Mythological Reality

Chizhevskaya O.A., Chizhevskaya O.A.

(Rus)

Vol 4, No 4 (2012)

The Peculiarities of Financial Management of Cinema Houses

Ogurchikov P.K., Pichugin E.A.

(Rus)

Vol 5, No 2 (2013)

Screen image. Aftereffect

Poznin V.F.

(Rus)

Vol 5, No 3 (2013)

The Myth of the Authenticity of the Wartime Newsreels

Prozhiko G.S.

(Rus)

Vol 6, No 3 (2014)

Cinematic Nature of English Pre-Raphaelites’ Painting

Bernatonite A.V.

(Rus)

Vol 7, No 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.O.

(Rus)

Vol 7, No 1 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 8, No 4 (2016)

Destiny of Indian Cinema in Russia

Nefedova D.N.

(Rus)

Vol 9, No 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.A.

(Rus)

Vol 1, No 1 (2009)

About dubbing foreign ilms

ROUSSINOVA E.A.

(Rus)

Vol 2, No 3 (2010)

Artistic Merit as a Russian Film Competitiveness Factor

Ziborova O.P.

(Rus)

Vol 2, No 1 (2010)

Screen in the new time

Krivosheev M.I., Krivocheev M.I.

(Rus)

Vol 4, No 2-3 (2012)

Artistic and symbolic meaning of Alexander Sokurov’s tetralogy (philosophical and aesthetic study)

Bychkov V.V.

(Rus)

Vol 5, No 3 (2013)

“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice

Burov A.M.

(Rus)

Vol 6, No 2 (2014)

Impact of Technology on Screen Aesthetics

Poznin V.F.

(Rus)

Vol 7, No 2 (2015)

From Theory to Methodology of Cinema

Schtein S.Y.

(Rus)

Vol 7, No 3 (2015)

Visualization Techniques on Business TV

Dolgova Y.I.

(Rus)

Vol 8, No 1 (2016)

The Birth of Identity in the Finnish Cinema

Ivannikova C.O.

(Rus)

Vol 8, No 2 (2016)

Violence in Films: Three Preconditions for the Mimetic Effect

Tarasov K.A.

(Rus)

Vol 8, No 4 (2016)

The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years

Sputnitskaya N.Y.

(Rus)

Vol 9, No 3 (2017)

Screen Imagery as Reflected through Mythologems

Marusenkov V.V.

(Rus)

Vol 10, No 2 (2018)

Screen Metamorphoses of Ivan Pyryev

Kirillova N.B.

(Rus)

Vol 10, No 4 (2018)

The Influence of World Cinema Masterpieces on the Creative Worldview of the Filmmaker

Malyshev V.S.

(Eng)

(简体中)

(Rus)

Vol 2, No 2 (2010)

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S.K., Sarymsakov S.K.

(Rus)

Vol 2, No 4 (2010)

The Mirror Shield: the Camera as anInstrument of Civil Defence

Naveskin R.A., Naveskin R.A.

(Rus)

Vol 4, No 2-3 (2012)

Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»

Bezenkova M.V.

(Rus)

Vol 5, No 1 (2013)

European Film Avant-Garde: phenomenological interpretation of reality

Lyubovich M.V.

(Rus)

Vol 6, No 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.I.

(Rus)

Vol 7, No 4 (2015)

The Theme of Apocalypse in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 9, No 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.A.

(Rus)

Vol 2, No 2 (2010)

A Long Story about a Big Set for a Short Episode

Tolkachev A.N., Tolkachov A.N.

(Rus)

Vol 2, No 2 (2010)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V.I., Sidornko V.I.

(Rus)

Vol 2, No 4 (2010)

The Pattern of Box-Office Receits

Pigorev D.P., Pigorev D.P.

(Rus)

Vol 3, No 4 (2011)

The Search of New Distribution Patterns in Digital Media Environment

Bakulev G.P.

(Rus)

Vol 6, No 1 (2014)

The Silent Era in Australian Cinema

Zvegintseva I.A.

(Rus)

Vol 6, No 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.S.

(Rus)

Vol 7, No 4 (2015)

Interpretation of the Soviet Thaw (Ottepel’) Period in Contemporary Cinema

Ziborova O.P.

(Rus)

Vol 7, No 3 (2015)

Feature Film Quotation in a Documentary Portrait: a Functional-Semantic Aspect

Pronin A.A.

(Rus)

Vol 9, No 1 (2017)

“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016)

Gordin V.E., Elkanova E.M.

(Rus)

Vol 9, No 1 (2017)

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.A.

(Rus)

Vol 9, No 3 (2017)

Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s

Sputnitskaya N.Y.

(Rus)

Vol 10, No 2 (2018)

Film Art Against Avant-Garde? On the Onthology of Artistic Means

Yakimovich A.K.

(Rus)

Vol 12, No 1 (2020)

Modern Social Problems in the Works of Novice Documentary Filmmakers

Shtandke A.A.

(Rus)

Vol 1, No 1 (2009)

Alteration of perception of the screen image - actual trend analysis

Kosenkova N.G.

(Rus)

Vol 2, No 2 (2010)

Some Aspects of Film Color Semantics and Cultural Tradition

Klopotovskaya E.A., Klopotovskaya Y.A.

(Rus)

Vol 2, No 4 (2010)

I.F. Maslennikov: "The cinema of emotion forms the spiritual and sensual perception of life"

Urazovoy S.L., Urazova S.L.

(Rus)

Vol 4, No 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.V.

(Rus)

Vol 5, No 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.V.

(Rus)

Vol 6, No 1 (2014)

On prerequisites for developing artistic time theory

Marievskaja N.E.

(Rus)

Vol 6, No 4 (2014)

Character’s Imagery in Russian Animation of 1990s

Prikhod’ko V.V.

(Rus)

Vol 7, No 3 (2015)

Representation of Youth in Soviet Cinema of the 1950s

Zharikova V.V.

(Rus)

Vol 9, No 4 (2017)

Metaphor in Cinema: Specifics of its Creation and Perception

Poznin V.F.

(Rus)

Vol 3, No 2 (2011)

The Search for Visual

Yeliseyeva Y.A.

(Rus)

Vol 3, No 4 (2011)

Alfred Schnittke and the End of Russian Classic Music

Mikheyeva Y.V.

(Rus)

Vol 4, No 4 (2012)

The Influence of the Marketability Factors on the TV Company

Yakusheva V.V.

(Rus)

Vol 6, No 4 (2014)

Strategies of Audiovisual Translation

Bakulev G.P.

(Rus)

Vol 7, No 3 (2015)

Evolution of Dramaturgy of Fiction Popular Science Films

Kolodinskiy M.N.

(Rus)

Vol 8, No 3 (2016)

Indian Cinema: Past and Present

Nefedova D.N.

(Rus)

Vol 8, No 4 (2016)

«Pulsating Organizations» in Culture

Gordin V.E., Elkanova E.M.

(Rus)

Vol 9, No 4 (2017)

Film Reconstruction of the Past as a Method of Understanding Reality

Marusenkov V.V.

(Rus)

Vol 10, No 2 (2018)

Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia

Sidorenko V.I.

(Rus)

101 - 169 of 169 Items << < 1 2

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