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期
标题
作者
卷 2, 编号 1 (2010)
Screen in the new time
Krivosheev M., Krivocheev M.
PDF
(Rus)
卷 3, 编号 4 (2011)
To the problem of correlation between a screen adaptation and its literary source
Simonova S.
PDF
(Rus)
卷 6, 编号 4 (2014)
The Art of Opera: Variability of Artistic Languages of Screen Forms
Mesyanzhinova A.
PDF
(Rus)
卷 12, 编号 1 (2020)
A screen version of the story of Salinger translated into Farsi
Grigoreva N.
PDF
(Rus)
卷 10, 编号 2 (2018)
Screen Metamorphoses of Ivan Pyryev
Kirillova N.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
The Role of Memory in the Perception of the Screen Image
Poznin V.
PDF
(Rus)
卷 6, 编号 3 (2014)
Dynamics of Opera Screen Forms: Theoretical Aspects
Masyandjinova A.
PDF
(Rus)
卷 12, 编号 1 (2020)
Techniques for compositional filling the space of a television frame
Shabalin V.
PDF
(Rus)
卷 12, 编号 2 (2020)
A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen
Grigoreva N.
PDF
(Rus)
卷 2, 编号 2 (2010)
"I-Film" or "Insight-Film" as a Specific Type of Postmodern Journey. Language Strategy
Klyueva L., Kluyeva L.
PDF
(Rus)
卷 6, 编号 1 (2014)
«The White Guard» on TV: fascinated by masscult mythology
Ilchenko S.
PDF
(Rus)
卷 8, 编号 2 (2016)
Violence in Films: Three Preconditions for the Mimetic Effect
Tarasov K.
PDF
(Rus)
卷 10, 编号 4 (2018)
Visual Picture of the World in the Reflection of Modern Media
Utilova N.
PDF
(Rus)
卷 13, 编号 3(49) (2021)
The Concept Of Self-Sacrifice In The Philosophy Of Andrei Tarkovsky’s Work
Kirillova N.
PDF
(Rus)
卷 11, 编号 4 (2019)
The Existential World of Kira Muratova
Kirillova N.
PDF
(Rus)
卷 2, 编号 1 (2010)
Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")
Turitsyn V., Turitsyn V.
PDF
(Rus)
卷 3, 编号 4 (2011)
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.
PDF
(Rus)
卷 6, 编号 1 (2014)
From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov
Khrenov N.
PDF
(Rus)
卷 7, 编号 2 (2015)
Stylistic Features Of Russian Arthouse
Poznin V.
PDF
(Rus)
卷 8, 编号 3 (2016)
Documentaries, 21st Century: Time to Sum Up
Poznin V.
PDF
(Rus)
卷 10, 编号 2 (2018)
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?
Novikov V.
PDF
(Rus)
卷 13, 编号 1 (2021)
Folklore Traditions of the Sverdlovsk Animation School
Tomilov Y.
PDF
(Rus)
卷 4, 编号 2-3 (2012)
The War in Yury German’s Novel «Operation «Happy New Year!» and Alexey German’s Film «Trial on the Road»
Sibirtseva Y.
PDF
(Rus)
卷 6, 编号 2 (2014)
Screen Version of «Charlie and the Chocolate Factory» as an Example of Literary Work's Visualization
Yermilova N.
PDF
(Rus)
卷 7, 编号 4 (2015)
TV Dramaturgy: Format Approach
Kemarskaya I.
PDF
(Rus)
卷 8, 编号 3 (2016)
Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream
Sputnitskaya N.
PDF
(Rus)
卷 13, 编号 1 (2021)
Media Image of the Screen as Representation of Sociocultural Reality
Volkov S.
PDF
(Rus)
卷 11, 编号 1 (2019)
Visual picture of the world in the reflection of modern media
Utilova N.
PDF
(Rus)
卷 3, 编号 1 (2011)
Real Television as a Factor of Socio- Cultural Globalization
Urazova S.
PDF
(Rus)
卷 6, 编号 2 (2014)
Impact of Technology on Screen Aesthetics
Poznin V.
PDF
(Rus)
卷 7, 编号 4 (2015)
Screening Zurbagan: On Use of Animation in Russian Feature Cinema
Sputnitskaya N.
PDF
(Rus)
卷 9, 编号 2 (2017)
Desktop Films. To Read or to Watch?
Novikov V.
PDF
(Rus)
卷 10, 编号 3 (2018)
The Way of Genre in Cinema Documentary
Prozhiko G.
PDF
(Rus) PDF
(简体中)
卷 13, 编号 1 (2021)
Screenlife vs. Classic Cinema
Shimokhin B.
PDF
(Rus)
卷 11, 编号 2 (2019)
The ‘hero archetype’ in the neo-mythological context of contemporary screen culture
Stroeva O.
PDF
(Rus)
卷 3, 编号 1 (2011)
Maupassant's "Boule de Suif" in Soviet Translation
Rostotskaya M.
PDF
(Rus)
卷 5, 编号 1 (2013)
Does cinema remain the driving force of screen culture?
Kirillova N.
PDF
(Rus)
卷 7, 编号 1 (2015)
Split Screen as a Method of Film Editing
Shabalin V.
PDF
(Rus)
卷 9, 编号 3 (2017)
Mediatext Language Practices as a Factor in Representation of Reality
Kirillova N.
PDF
(Rus)
卷 12, 编号 4 (2020)
From a Screen Document to a Poetic Image. Making Sense
Prozhiko G.
PDF
(Rus)
卷 11, 编号 2 (2019)
The image of prince Myshkin in Russian cinema
Ryabokon’ A.
PDF
(Rus)
卷 3, 编号 3 (2011)
Homo Informaticus as a Personality Type. The Conflict of Spectacular and Real on the Screen
Urazova S.
PDF
(Rus)
卷 5, 编号 2 (2013)
Screen image. Aftereffect
Poznin V.
PDF
(Rus)
卷 6, 编号 3 (2014)
Theatre and Document: Opposition or Integration?
Prozhiko G.
PDF
(Rus)
卷 7, 编号 4 (2015)
The 60s. Half a Century Later. Nostalgia
Prozhiko G.
PDF
(Rus)
卷 9, 编号 3 (2017)
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s
Sputnitskaya N.
PDF
(Rus)
卷 12, 编号 3 (2020)
Cinema Magic: Mask and Myth
Kirillova N.
PDF
(Rus)
卷 1, 编号 1 (2009)
Alteration of perception of the screen image - actual trend analysis
Kosenkova N.
PDF
(Rus)
卷 3, 编号 1 (2011)
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.
PDF
(Rus)
卷 5, 编号 4 (2013)
Alexander Sokurov’s “Faust”: Projection of Political Disasters in the History of the XX Century on Goethe's Tragedy
Khrenov N.
PDF
(Rus)
卷 7, 编号 2 (2015)
Screen Communications As a Form of Socialization and Individualization
Urazova S.
PDF
(Rus)
卷 8, 编号 1 (2016)
Media Concentration as the Structuring Process of Screen Communications
Urazova S.
PDF
(Rus)
卷 10, 编号 3 (2018)
Multivariance of Reality in the Digital Paradigm
Urazova S.
PDF
(Rus) PDF
(简体中)
卷 2, 编号 2 (2010)
Screen reality in the context media milieu modernization
Urazova S., Urazova S.
PDF
(Rus)
卷 3, 编号 2 (2011)
Artistic Ambitions of Screen Document at the Turn of the Century
Prozhiko G.
PDF
(Rus)
卷 5, 编号 3 (2013)
The Myth of the Authenticity of the Wartime Newsreels
Prozhiko G.
PDF
(Rus)
卷 6, 编号 4 (2014)
TV- Show: From the Audience Habits To Principles of Dramaturgy
Kemarskaya I.
PDF
(Rus)
卷 8, 编号 1 (2016)
The 60s. Half a Century Later. Nostalgia
Prozhiko G.
PDF
(Rus)
卷 10, 编号 1 (2018)
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play?
Novikov V.
PDF
(Rus)
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