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Sound as a Sign and Artistic Symbol in Film

Rusinova E.

(Rus)

卷 13, 编号 3(49) (2021)

Is Film Philosophy Possible and What Aspects of Cinema May Become its Subject?

KHrenov N., KHrenov A.

(Rus)

卷 7, 编号 1 (2015)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

卷 7, 编号 2 (2015)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries

Sergeeva T.

(Rus)

卷 13, 编号 3(49) (2021)

Dziga Vertov's Work as Evaluated by Kazimir Malevich: Dynamic Abstraction in the Film “Man with a Camera”

Goryachok K.

(Rus)

卷 13, 编号 3(49) (2021)

Mythologeme as a Means of Artistic Expression in Contemporary Russian Cinema

Marusenkov V.

(Rus)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.

(Rus)

The Way of Genre in Cinema Documentary

Prozhiko G.

(Rus)

(简体中)

卷 13, 编号 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Reconstruction of the Past in the Reality of Screen Imagery

Marusenkov V.

(Rus)

Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film?

Khokhlova D.

(Rus)

卷 12, 编号 3 (2020)

Evolution of Stunt Episodes in Fiction Films about the Great Patriotic War

Danilov D.

(Rus)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.

(Rus)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.

(Rus)

卷 10, 编号 2 (2018)

The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause

Rusinova E., Khabchuk E.

(Rus)

电视屏幕上的游乐设施: 交通线游戏的规则

Rusinova E.

(Eng)

(Rus)

卷 5, 编号 4 (2013)

Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

Kosinova M.

(Rus)

The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia

Bezenkova M.

(Rus)

卷 12, 编号 3 (2020)

The Intelligentsia: Taming Nihilism. From “Thaw” to “Perestroika”

Vinogradov V.

(Rus)

卷 11, 编号 2 (2019)

The sound world of the alienated film character

Rusinova E.

(Rus)

卷 6, 编号 3 (2014)

State Guardianship of Cinema: The Issue of Goal-Setting

Zhabsky M.

(Rus)

卷 7, 编号 2 (2015)

The Meat Grinder by K. Mintz and A. Razumovsky. Reconstruction and Analysis of the Oberiu's Film

Kiselev A.

(Rus)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.

(Rus)

卷 3, 编号 2 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

卷 9, 编号 4 (2017)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

卷 13, 编号 2(48) (2021)

Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema

Makarova M.

(Rus)

Cinematic media in digital culture

Bakulev G.

(Rus)

卷 10, 编号 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E., Habchuk E.

(Rus)

卷 12, 编号 3 (2020)

Techniques for Representing the Author in Alexander Sokurov’s films

Klimenko N.

(Rus)

卷 3, 编号 3 (2011)

Cinema in the Phase of Private Interest

Zakharov D.

(Rus)

卷 9, 编号 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.

(Rus)

The Image and Sound of War in the Films “The Ascent” and “Come and See”

Prozorovskaya I.

(Rus)

卷 5, 编号 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.

(Rus)

卷 6, 编号 4 (2014)

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.

(Rus)

卷 10, 编号 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.

(Rus)

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.

(Rus)

卷 12, 编号 4 (2020)

Sound Space of M.Garrone’s Films: from Fiction to Reality

Sorokina J.

(Rus)

卷 6, 编号 2 (2014)

Cinema Policy of Simple Solutions

Zhabsky M.

(Rus)

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.

(Rus)

卷 10, 编号 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.

(Rus)

世界影坛杰作对制片人创造性世界观的影响

Malyshev V.

(Eng)

(简体中)

(Rus)

卷 12, 编号 4 (2020)

Initiation by Fear as a Model of Soviet Film Tales of the 1960s

Zernova P.

(Rus)

The film star — the phenomenon of a parasocial relation

Zhabskiy M., Novoselova F., Tarasov К.

(Rus)

卷 3, 编号 1 (2011)

Artistic Ambitions of Screen Document at the Turn of the Century

Prozhiko G.

(Rus)

卷 4, 编号 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.

(Rus)

卷 6, 编号 3 (2014)

Theatre and Document: Opposition or Integration?

Prozhiko G.

(Rus)

卷 12, 编号 4 (2020)

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

卷 8, 编号 2 (2016)

Primary Cinema Sources of American Noir

Orozbaev K.

(Rus)

卷 9, 编号 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.

(Rus)

卷 12, 编号 1 (2020)

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.

(Rus)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.

(Rus)

卷 2, 编号 2 (2010)

Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production

Sarymsakov S., Sarymsakov S.

(Rus)

卷 2, 编号 4 (2010)

"The Karamazov Brothers" as intellectualgames

Il'chenko S., Ilchenko S.

(Rus)

卷 3, 编号 2 (2011)

Mythology and Conventions of American Pre-War Cinema

Fomina V.

(Rus)

卷 3, 编号 4 (2011)

Moral Aspects of Russian PreRevolutionary Cinema

Rostotskaya M.

(Rus)

卷 5, 编号 2 (2013)

Algeria: Birth of Cinema

Shakhov A.

(Rus)

卷 6, 编号 1 (2014)

Soviet cinema as a state budget’s contributor. Distribution in the 1930s

Kosinova M.

(Rus)

卷 8, 编号 1 (2016)

Emotional Influence on the Viewer in Contemporary American Cinema

Vital F.

(Rus)

卷 8, 编号 2 (2016)

Structural Analysis of Film Characters

Boyko M.

(Rus)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.

(Rus)

卷 9, 编号 4 (2017)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.

(Rus)

卷 9, 编号 4 (2017)

The Storming of the Winter Palace as a Mythmaking of National Screen Culture

Ilchenko S.

(Rus)

卷 11, 编号 4 (2019)

The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam

Milydon V.

(Rus)

卷 11, 编号 2 (2019)

VR Cinema. Virtual Spectacle as a Dream

Novikov V.

(Rus)

卷 2, 编号 2 (2010)

Russian Cinema for Children and Adolescents. Unsolved Problems

Sidorenko V., Sidornko V.

(Rus)

卷 2, 编号 4 (2010)

A Film Director in Search of the Genre

Maslennikov I., Maslennikov I.

(Rus)

卷 4, 编号 2-3 (2012)

What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing»

(Rus)

卷 5, 编号 1 (2013)

The Great Kamchatka Expedition

Golovnyov I.

(Rus)

卷 6, 编号 3 (2014)

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.

(Rus)

卷 7, 编号 2 (2015)

Screen Communications As a Form of Socialization and Individualization

Urazova S.

(Rus)

卷 7, 编号 4 (2015)

Naomi Kawase: the Eternal and the Transitory

Terakopyan M.

(Rus)

卷 7, 编号 1 (2015)

S.M. Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.

(Rus)

卷 7, 编号 4 (2015)

Toward the Sociological Rationalization of State Film Policy

Zhabskiy M.

(Rus)

卷 8, 编号 3 (2016)

Documentaries, 21st Century: Time to Sum Up

Poznin V.

(Rus)

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.

(Rus)

卷 9, 编号 3 (2017)

India and England in the Mirror of Screen

Zvegintseva I.

(Rus)

卷 10, 编号 2 (2018)

Financing Cinema Production as a High-Risk Activity

Molchanova N.

(Rus)

卷 12, 编号 1 (2020)

A screen version of the story of Salinger translated into Farsi

Grigoreva N.

(Rus)

Mass scenes as a way of manipulating the consciousness of the viewer

Arysheva A.

(Rus)

卷 2, 编号 2 (2010)

"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate

Il'chenko S., Ilchenko S.

(Rus)

卷 3, 编号 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

卷 3, 编号 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.

(Rus)

卷 4, 编号 1 (2012)

The Reflection of Ethno-Cultural Stereotypes in Film Art

Monakhova M.

(Rus)

卷 5, 编号 2 (2013)

Screen image. Aftereffect

Poznin V.

(Rus)

卷 6, 编号 2 (2014)

Both Screenwriter and Director

Zvegintseva I.

(Rus)

卷 6, 编号 4 (2014)

Video Art: “A White Cube” or “A Black Box”?

Staruseva-Persheeva A.

(Rus)

卷 7, 编号 3 (2015)

Iran in Contemporary Russian Cinema (Film’s Visual Formula)

Akhmad Mir Akhorli -.

(Rus)

卷 8, 编号 1 (2016)

The Birth of Identity in the Finnish Cinema

Ivannikova C.

(Rus)

卷 8, 编号 4 (2016)

“Provincial” Cinema on Global Orbits

Kirillova N.

(Rus)

Cinema and Globalization

Zhabskiy M.

(Rus)

卷 9, 编号 3 (2017)

Screen Imagery as Reflected through Mythologems

Marusenkov V.

(Rus)

卷 10, 编号 2 (2018)

Psychological Insight in Asgar Farhadi’s Early Films

Grigorieva N.

(Rus)