| Issue |
Title |
File |
| Vol 11, No 1 (2019) |
"VGIK days" in Tajikistan |
(Rus)
|
|
Vestnik VGIK E.
|
| Vol 11, No 2 (2019) |
VGIK Days in the Republic of Serbia |
(Rus)
|
|
Editorial E.
|
| Vol 12, No 3 (2020) |
VGIK festival: virtual recognition |
(Rus)
|
|
Editorial a.
|
| Vol 10, No 1 (2018) |
VGIK in the Dynamics of Creative Life |
(Rus)
|
|
- -.
|
| Vol 11, No 2 (2019) |
VGIK Library |
(Rus)
|
|
VGIK E.
|
| Vol 11, No 3 (2019) |
VGIK LIBRARY |
(Rus)
|
|
Editorial a.
|
| Vol 10, No 3 (2018) |
VGIK. Raznoobrazie graney mezhdunarodnogo sotrudnichestva |
(Rus)
|
|
Editorial office a.
|
| Vol 1, No 1 (2009) |
VGIK v rusle traditsiy i innovatsiy |
(Rus)
|
|
Malyshev V.
|
| Vol 3, No 3 (2011) |
VGIK: 3-ya MEZhDUNARODNAYa LETNYaYa KINOShKOLA |
(Rus)
|
|
- -.
|
| Vol 6, No 4 (2014) |
VGIK: The Scientific Life in the Anniversary Year |
(Rus)
|
|
- -.
|
| Vol 6, No 4 (2014) |
VGIK: The Scientific Life in the Anniversary Year |
(Rus)
|
|
- -.
|
| Vol 6, No 4 (2014) |
VGIK: Who are you, the future filmmaker? |
(Rus)
|
|
- -.
|
| Vol 7, No 3 (2015) |
Video Aesthetics in Cinema and Video Art |
(Rus)
|
|
Smolev D.D.
|
| Vol 7, No 3 (2015) |
Video Art: Significant Absence of Editing as an Artistic Tool |
(Rus)
|
|
Staruseva-Persheyeva A.D.
|
| Vol 6, No 4 (2014) |
Video Art: “A White Cube” or “A Black Box”? |
(Rus)
|
|
Staruseva-Persheeva A.D.
|
| Vol 7, No 3 (2015) |
VIII International scientific-practical conference “Animation as a Cultural Phenomenon. Preservation of cultural traditions in the context of globalization” |
(Rus)
|
|
- -.
|
| Vol 11, No 2 (2019) |
Viktor Turin's Turksib as an ecological message |
(Rus)
|
|
Berkova N.N.
|
| Vol 8, No 2 (2016) |
Violence in Films: Three Preconditions for the Mimetic Effect |
(Rus)
|
|
Tarasov K.A.
|
| Vol 13, No 2(48) (2021) |
Visual Communications of May 1968 in France in the XXI century: Slogans, Posters, Cinema |
(Rus)
|
|
Makarova M.
|
| Vol 12, No 2 (2020) |
Visual Discourses of Social Policy in TV Practice |
(Rus)
|
|
Berezhnaya M.
|
| Vol 10, No 4 (2018) |
Visual Picture of the World in the Reflection of Modern Media |
(Rus)
|
|
Utilova N.I.
|
| Vol 11, No 1 (2019) |
Visual picture of the world in the reflection of modern media |
(Rus)
|
|
Utilova N.I.
|
| Vol 6, No 1 (2014) |
Visualization of advertising media text on TV channels’ websites: creative technologies |
(Rus)
|
|
Lobodenko L.K.
|
| Vol 7, No 3 (2015) |
Visualization Techniques on Business TV |
(Rus)
|
|
Dolgova Y.I.
|
| Vol 10, No 3 (2018) |
Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? |
(Rus)
|
|
Pronin A.A.
|
| Vol 1, No 1 (2009) |
Vliyanie kul'tury Drevnego Kitaya na sovremennyy kinematograf |
(Rus)
|
|
Shaturnaya Y.I.
|
| Vol 12, No 2 (2020) |
Vlog: Literary Tradition and Political Strategies |
(Rus)
|
|
Druzhinin A.
|
| Vol 9, No 3 (2017) |
Voice in the Metadiegetic Space of the Motion Picture |
(Rus)
|
|
Rusinova E.A.
|
| Vol 3, No 2 (2011) |
VOZVRAShchENIE |
(Rus)
|
|
Riss V.
|
| Vol 11, No 2 (2019) |
VR Cinema. Virtual Spectacle as a Dream |
(Rus)
|
|
Novikov V.N.
|
| Vol 11, No 1 (2019) |
VR technologies in docudrama |
(Rus)
|
|
Stezhko N.G.
|
| Vol 13, No 1 (2021) |
VR-technologies in Animation |
(Rus)
|
|
Yarovaya N.Y.
|
| Vol 3, No 4 (2011) |
Vserossiyskiy festival' nauki |
(Rus)
|
|
- -.
|
| Vol 5, No 1 (2013) |
Vzdyblennaya real'nost' |
(Rus)
|
|
Marievskaya N.E.
|
| Vol 2, No 2 (2010) |
"War and Peace" and the 20th Century. The Russian Classic Novel's Screen Fate |
(Rus)
|
|
Il'chenko S.N., Ilchenko S.N.
|
| Vol 4, No 2-3 (2012) |
What Is an Ideal Script? Panel Discussion within the Framework of the Conference »Hero in Modern Writing» |
(Rus)
|
|
- -.
|
| Vol 2, No 1 (2010) |
When the Time Stops |
(Rus)
|
|
Chizhevskaya O.A., Chigevskaja O.
|
| Vol 4, No 2-3 (2012) |
Who Is the Subject, and Who Is the Actor of Culture? |
(Rus)
|
|
Neretin O.P.
|
| Vol 7, No 2 (2015) |
World War II in the Cinema of Green Continent |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 4, No 2-3 (2012) |
World War Two in the Cinema of the Late 1950s |
(Rus)
|
|
Zaitseva L.A.
|
| Vol 11, No 3 (2019) |
Worldview criteria for a profession in the bowels of VGIK |
(Rus)
|
|
Tsetlina V.Y.
|
| Vol 4, No 4 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| Vol 4, No 4 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| Vol 4, No 4 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| Vol 4, No 1 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| Vol 4, No 1 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| Vol 4, No 2-3 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| Vol 4, No 2-3 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| Vol 4, No 2-3 (2012) |
[ biblioteka VGIK ] |
(Rus)
|
|
- -.
|
| Vol 2, No 3 (2010) |
«Art. Proekt. Diplom 2010.», «Prostranstvo kino» |
(Rus)
|
|
- -.
|
| Vol 5, No 1 (2013) |
«Drowning by Numbers» by Peter Greenaway in light of surrealism |
(Rus)
|
|
Perelshtein R.M.
|
| Vol 4, No 1 (2012) |
«Kino SShA na rubezhe vekov» |
(Rus)
|
|
Vinogradov V.V.
|
| Vol 2, No 2 (2010) |
«Nasha pamyat' - nasha Pobeda». Vystavka studencheskikh rabot raznykh let,posvyashchennykh Velikoy Otechestvennoy voyne |
(Rus)
|
|
- -.
|
| Vol 8, No 4 (2016) |
«Pulsating Organizations» in Culture |
(Rus)
|
|
Gordin V.E., Elkanova E.M.
|
| Vol 7, No 1 (2015) |
«Student Taffy» - an innovative project |
(Rus)
|
|
- -.
|
| Vol 4, No 2-3 (2012) |
«Terra Incognita» Cinema |
(Rus)
|
|
Zvegintseva I.A.
|
| Vol 6, No 1 (2014) |
«The White Guard» on TV: fascinated by masscult mythology |
(Rus)
|
|
Ilchenko S.N.
|
| Vol 1, No 1 (2009) |
«Ty zastavlyaesh' zriteley smeyat'sya i pomogaesh' im luchshe ponimat' zhizn'. Mne eto nravitsya» |
(Rus)
|
|
Li V.
|
| Vol 7, No 1 (2015) |
«We» and «Others» - Their Actions and Our Reactions |
(Rus)
|
|
Fedotova L.N.
|
| Vol 11, No 3 (2019) |
Библиотека ВГИК |
(Rus)
|
|
.
|
| Vol 12, No 2 (2020) |
Библиотека ВГИК |
(Rus)
|
|
.
|
| Vol 13, No 2(48) (2021) |
Библиотека ВГИК |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 2(48) (2021) |
Библиотека ВГИК |
(Rus)
|
|
Editorial office a.
|
| Vol 13, No 2(48) (2021) |
Библиотека ВГИК |
(Rus)
|
|
Editorial office a.
|
| Vol 11, No 3 (2019) |
Рекомендации авторам |
(Rus)
|
|
.
|
| Vol 11, No 4 (2019) |
Рекомендации авторам |
(Rus)
|
|
.
|
| Vol 11, No 2 (2019) |
Рекомендации авторам |
(Rus)
|
|
.
|
| Vol 11, No 1 (2019) |
Рекомендации авторам |
(Rus)
|
|
.
|
| Vol 12, No 2 (2020) |
Рекомендации авторам |
(Rus)
|
|
.
|
| Vol 9, No 2 (2017) |
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries |
(Rus)
|
|
Mylnikov D.Y.
|
| Vol 7, No 1 (2015) |
“Deus ex Machina” as a Method of Constructing a Happy End in Film Art |
(Rus)
|
|
Shevtsov V.A.
|
| Vol 6, No 1 (2014) |
“Moscow text” in Russian cinema in the 1920s-1940s |
(Rus)
|
|
Boyarshinova N.A.
|
| Vol 3, No 4 (2011) |
“My Friend Ivan Lapshin” as a Screen Adaptation |
(Rus)
|
|
Sibirtseva Y.I.
|
| Vol 10, No 2 (2018) |
“New Drama” in the Context of the Historical Film |
(Rus)
|
|
Kuzmina L.V.
|
| Vol 5, No 3 (2013) |
“Phasing” and Artistic Repetition in Eisenstein’s Theory and Practice |
(Rus)
|
|
Burov A.M.
|
| Vol 8, No 4 (2016) |
“Provincial” Cinema on Global Orbits |
(Rus)
|
|
Kirillova N.B.
|
| Vol 9, No 1 (2017) |
“Pulsating Organizations’’ in Culture (for the beginning see Issue № 4 (30), 2016) |
(Rus)
|
|
Gordin V.E., Elkanova E.M.
|
| Vol 13, No 1 (2021) |
“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films |
(Rus)
|
|
Shevchenko-Rosliakova A.
|
| Vol 10, No 4 (2018) |
“VGIK DAYS”: FOREIGN ROUTES |
(Rus)
|
|
Editorial -.
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