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Sound as a Sign and Artistic Symbol in Film

Rusinova E.

(Rus)

The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century

Smagina S.

(Rus)

The Way of Genre in Cinema Documentary

Prozhiko G.

(Rus)

(简体中)

卷 7, 编号 1 (2015)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur?

Pronin A.

(Rus)

卷 12, 编号 2 (2020)

To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema

Malyshev V.

(Rus)

From Theory to Methodology of Cinema

Schtein S.

(Rus)

卷 4, 编号 2-3 (2012)

Historic and Cultural Background of the «Belye Stolby» Festival of Archive Films

Malyshev V.

(Rus)

卷 4, 编号 1 (2012)

Essential Peculiarities of Time Representation in the post-perestroika cinema

Bezenkova M.

(Rus)

The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal

Smagina S.

(Rus)

卷 13, 编号 2(48) (2021)

The Perception of a Contemporary in Non-fiction Films

Shtandke A.

(Rus)

卷 13, 编号 1 (2021)

“The Devil’s Cinema”: from Jean Epstein’s Theory to Robert Eggers’ Films

Shevchenko-Rosliakova A.

(Rus)

Screen Image and the System of expressive Means in American Documentary of the 1960s

Kazyutchits M.

(Rus)

Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch”

Vinogradov V.

(Rus)

卷 12, 编号 2 (2020)

A Cultural Modification of Ibsen's Play “A Doll's House” for Iranian Screen

Grigoreva N.

(Rus)

Methodological aspects of studying the history of Soviet cinema in the 1930s

Usuvaliev S.

(Rus)

卷 10, 编号 1 (2018)

Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years

Parfentyeva E.

(Rus)

The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity

Mikheeva Y.

(Rus)

卷 13, 编号 1 (2021)

The Price of Going out to the Movies — the History and the Contemporaneousness

Zhabskiy M., Tarasov K.

(Rus)

Professional and Non-Professional Actors as Cultural Agents in the films of Renita and Yuriy Grigoryev

Pishita Y.

(Rus)

卷 6, 编号 4 (2014)

Phenomenon of Political Biopic in the English-Language Cinema

Morozova I.

(Rus)

卷 9, 编号 4 (2017)

Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s

Kazyuchits M.

(Rus)

卷 12, 编号 4 (2020)

The Concept of Latent Dramaturgy in Contemporary Iranian Cinema

Chirkina M.

(Rus)

The canons of capturing reality in the documentary cinema of the 1960s

Bezenkova M.

(Rus)

卷 5, 编号 2 (2013)

Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier»

Bezenkova M.

(Rus)

Pirjo Honkasalo’s World of Thoughts and Symbols in Russia: Sample of Statistical Analysis

Ivannikova K.

(Rus)

卷 12, 编号 4 (2020)

The Expressive Function of Color in Modern Non-Fiction Films

Shtandke A.

(Rus)

卷 2, 编号 3 (2010)

Dramatic Peculiarities of Ecological film

Trusevich Y.

(Rus)

卷 5, 编号 2 (2013)

American cinema of the Great Depression. The «Social Restlessness Phase»

Zakharov D.

(Rus)

Stylistic Features Of Russian Arthouse

Poznin V.

(Rus)

卷 12, 编号 3 (2020)

Animated Documentary: Problems of Classifying the Hybrid Forms of Post-Digital Culture

Krivulya N.

(Rus)

卷 11, 编号 1 (2019)

Entrepreneur as a hero of Russian cinema in the first half of the 1990s: the adoption of a new stereotype

Karavaev D.

(Rus)

卷 8, 编号 4 (2016)

“Provincial” Cinema on Global Orbits

Kirillova N.

(Rus)

卷 9, 编号 3 (2017)

The Aspects of Body in American Film Noir (1941-1955)

Orozbaev K.

(Rus)

卷 12, 编号 3 (2020)

Modern Forms of Capturing Reality in the Format of Video Hosting

Shtandke A.

(Rus)

卷 3, 编号 3 (2011)

Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood

Pishita Y.

(Rus)

卷 5, 编号 4 (2013)

Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants

Fyodorova A.

(Rus)

卷 3, 编号 3 (2011)

Cinema in the Phase of Private Interest

Zakharov D.

(Rus)

The film star — the phenomenon of a parasocial relation

Zhabskiy M., Novoselova F., Tarasov К.

(Rus)

卷 11, 编号 1 (2019)

Cinematic media in digital culture

Bakulev G.

(Rus)

卷 2, 编号 2 (2010)

The Unknown Cinema of the War and Victory

Grashchenkova I., Grashchenkova I.

(Rus)

卷 2, 编号 4 (2010)

A Film Director in Search of the Genre

Maslennikov I., Maslennikov I.

(Rus)

The factors of competitive ability of national film industries

Zhabskiy M.

(Rus)

卷 4, 编号 2-3 (2012)

Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality»

Bezenkova M.

(Rus)

卷 5, 编号 1 (2013)

The Great Kamchatka Expedition

Golovnyov I.

(Rus)

卷 6, 编号 1 (2014)

The Silent Era in Australian Cinema

Zvegintseva I.

(Rus)

卷 6, 编号 3 (2014)

Points of Disequilibrium in Narrative Dynamics and Their Structure

Marievskaya N.

(Rus)

Eisenstein’s Aesthetics in Semiotic Perspective

Khrenov N.

(Rus)

Iran in Contemporary Russian Cinema (Film’s Visual Formula)

Akhmad Mir Akhorli -.

(Rus)

卷 8, 编号 3 (2016)

The Influence of the Painting Tradition on Derek Jarman’s Films

Denisova I.

(Rus)

卷 9, 编号 2 (2017)

“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries

Mylnikov D.

(Rus)

卷 10, 编号 1 (2018)

The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music

Rusinova E., Habchuk E.

(Rus)

卷 1, 编号 1 (2009)

About dubbing foreign ilms

ROUSSINOVA E.

(Rus)

卷 2, 编号 3 (2010)

On the methodology of the study of ontology in the concept of cinema Andre Bazin

Schtein S.

(Rus)

卷 3, 编号 2 (2011)

The Iranian Cinema of the 20th Century (1900-1980)

Mirakhorli A.

(Rus)

Alfred Schnittke and the End of Russian Classic Music

Mikheyeva Y.

(Rus)

卷 5, 编号 2 (2013)

Screen image. Aftereffect

Poznin V.

(Rus)

卷 6, 编号 1 (2014)

“Moscow text” in Russian cinema in the 1920s-1940s

Boyarshinova N.

(Rus)

Screen Communications As a Form of Socialization and Individualization

Urazova S.

(Rus)

卷 7, 编号 4 (2015)

Screening Zurbagan: On Use of Animation in Russian Feature Cinema

Sputnitskaya N.

(Rus)

Video Art: Significant Absence of Editing as an Artistic Tool

Staruseva-Persheyeva A.

(Rus)

卷 8, 编号 2 (2016)

Adultery in Russian Cinema: From the “Thaw” to the End of the Soviet Epoch

Fanina M.

(Rus)

卷 9, 编号 2 (2017)

Individualism as a Cultural Syndrome in Recent American Cinema

Tsyrkun N.

(Rus)

卷 9, 编号 2 (2017)

Gender Analysis of the Film “The Poet and the Fallen Soul”

Smagina S.

(Rus)

卷 12, 编号 1 (2020)

Modern Social Problems in the Works of Novice Documentary Filmmakers

Shtandke A.

(Rus)

Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint

Rusinova E.

(Rus)

卷 2, 编号 2 (2010)

A Long Story about a Big Set for a Short Episode

Tolkachev A., Tolkachov A.

(Rus)

卷 2, 编号 3 (2010)

Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)

Klopotovskaya Y.

(Rus)

卷 3, 编号 1 (2011)

Nature of Television as a Source ofDocumentary Genres Features

Shergova K.

(Rus)

卷 4, 编号 1 (2012)

On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting

Fomina V.

(Rus)

卷 5, 编号 3 (2013)

The Analysis of Artistic Time in the Theory of Film Dramaturgy

Marievskaya N.

(Rus)

卷 6, 编号 3 (2014)

Silence of the Author: Semantics of Muting in Cinema

Mikheyeva Y.

(Rus)

卷 7, 编号 1 (2015)

Reflection as an Audiovisual Form of Thinking in Alexander Sokurov's Work

Mikheyeva Y.

(Rus)

Conversation Direction in Russian Contemporary Documentaries

Trukhina A.

(Rus)

卷 8, 编号 2 (2016)

Structural Analysis of Film Characters

Boyko M.

(Rus)

Music as a Part of the Theatrical Game of the Movie

Mikheeva Y.

(Rus)

卷 10, 编号 1 (2018)

The Birth of Cinema in the Russian Empire and Film Censorship

Drubek N.

(Rus)

Contemporary Russian Cinema and Its World Contexts

Reisen O.

(Rus)

卷 12, 编号 1 (2020)

The struggle for the Far East in the interpretation of the Vasilyev brothers

Rostotskaya M.

(Rus)

卷 1, 编号 1 (2009)

Alteration of perception of the screen image - actual trend analysis

Kosenkova N.

(Rus)

卷 2, 编号 1 (2010)

Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema")

Turitsyn V., Turitsyn V.

(Rus)

卷 3, 编号 1 (2011)

Situations and Characters of American Pre-War Cinema

Fomina V.

(Rus)

The Poetic Cinema of the Post-Cultural Era

Yeliseyeva Y.

(Rus)

卷 6, 编号 2 (2014)

Both Screenwriter and Director

Zvegintseva I.

(Rus)

卷 7, 编号 1 (2015)

“Deus ex Machina” as a Method of Constructing a Happy End in Film Art

Shevtsov V.

(Rus)

Functional Duality of Cinema

Ushkarev A.

(Rus)

Style “Noir” in Classical and Contemporary Art History

Orozbaev K.

(Rus)

The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture

Rusinova E.

(Rus)

卷 9, 编号 3 (2017)

Voice in the Metadiegetic Space of the Motion Picture

Rusinova E.

(Rus)

卷 10, 编号 2 (2018)

“New Drama” in the Context of the Historical Film

Kuzmina L.

(Rus)

卷 11, 编号 4 (2019)

The Mystery of Lexical Coincidences in the Works of Yuri Tynianov and Osip Mandelstam

Milydon V.

(Rus)

卷 11, 编号 1 (2019)

Mass scenes as a way of manipulating the consciousness of the viewer

Arysheva A.

(Rus)

卷 2, 编号 1 (2010)

Screen in the new time

Krivosheev M., Krivocheev M.

(Rus)

卷 3, 编号 2 (2011)

Mythology and Conventions of American Pre-War Cinema

Fomina V.

(Rus)