| 期 |
标题 |
文件 |
| 卷 5, 编号 3 (2013) |
The Myth of the Authenticity of the Wartime Newsreels |
(Rus)
|
|
Prozhiko G.
|
| 卷 3, 编号 2 (2011) |
Mythology and Conventions of American Pre-War Cinema |
(Rus)
|
|
Fomina V.
|
| 卷 7, 编号 4 (2015) |
Media Evolution Emulation: Development Perspectives |
(Rus)
|
|
Bakulev G.
|
| 卷 2, 编号 4 (2010) |
The Pattern of Box-Office Receits |
(Rus)
|
|
Pigorev D., Pigorev D.
|
| 卷 3, 编号 1 (2011) |
Maupassant's "Boule de Suif" in Soviet Translation |
(Rus)
|
|
Rostotskaya M.
|
| 卷 5, 编号 4 (2013) |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
(Rus)
|
|
Mikheeva Y.
|
| 卷 5, 编号 3 (2013) |
Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound |
(Rus)
|
|
Mikheeva Y.
|
| 卷 3, 编号 3 (2011) |
Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev |
(Rus)
|
|
Kljueva L.
|
| 卷 3, 编号 2 (2011) |
Still Life in the Space of the Film |
(Rus)
|
|
Gvozdeva Y.
|
| 卷 1, 编号 1 (2009) |
Nauchno-prakticheskaya konferentsiya «Rossiyskiy kinobiznes: sovremennost' i perspektivy» k 90-letiyu VGIK i 100-letiyu professora B.N.Konopleva Rossiyskiy kinobiznes: sovremennost' i perspektivy |
(Rus)
|
|
Urazova S.
|
| 卷 8, 编号 1 (2016) |
EVENTS IN THE DETAILS | EVENTS VGIK |
(Rus)
|
|
- -.
|
| 卷 2, 编号 2 (2010) |
The Unknown Cinema of the War and Victory |
(Rus)
|
|
Grashchenkova I., Grashchenkova I.
|
| 卷 2, 编号 2 (2010) |
Some Aspects of Mythological Reality |
(Rus)
|
|
Chizhevskaya O., Chizhevskaya O.
|
| 卷 2, 编号 2 (2010) |
Some Aspects of Film Color Semantics and Cultural Tradition |
(Rus)
|
|
Klopotovskaya E., Klopotovskaya Y.
|
| 卷 2, 编号 3 (2010) |
Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4) |
(Rus)
|
|
Klopotovskaya Y.
|
| 卷 2, 编号 2 (2010) |
NemenskiyBoris Mikhaylovich |
(Rus)
|
|
- -.
|
| 卷 3, 编号 1 (2011) |
New "Lyrical Sentience" of Guillaume Apollinaire and "Lyrical Truth" of Louis Delluc |
(Rus)
|
|
Vinogradov V.
|
| 卷 3, 编号 4 (2011) |
Moral Aspects of Russian PreRevolutionary Cinema |
(Rus)
|
|
Rostotskaya M.
|
| 卷 4, 编号 1 (2012) |
Moral Aspects of Russian PreRevolutionary Cinema. Yakov Protazanov |
(Rus)
|
|
Rostotskaya M.
|
| 卷 3, 编号 2 (2011) |
Humanitarian Practices in Modern Audiovisual Technologies |
(Rus)
|
|
Urazova S.
|
| 卷 1, 编号 1 (2009) |
About dubbing foreign ilms |
(Rus)
|
|
ROUSSINOVA E.
|
| 卷 3, 编号 4 (2011) |
The Significance of Myth in the Work of Andrey Zvyagintsev |
(Rus)
|
|
Kljueva L.
|
| 卷 2, 编号 3 (2010) |
On the importance of strategy changes of the discourse by the example of two Alexey Herman's films |
(Rus)
|
|
Kljueva L.
|
| 卷 5, 编号 1 (2013) |
About eternity concepts in the film structure |
(Rus)
|
|
Marievskaya N.
|
| 卷 5, 编号 1 (2013) |
On modeling TV programs |
(Rus)
|
|
Vanchenko T.
|
| 卷 5, 编号 4 (2013) |
On the Approaches to the Formation of the Artistic Time Theory: M.M. Bakhtin, G. Deleuze |
(Rus)
|
|
Marievskaya N.
|
| 卷 5, 编号 4 (2013) |
On media conflict and new forms of screen product |
(Rus)
|
|
Urazova S.
|
| 卷 4, 编号 1 (2012) |
On the character transformation in the Russian Cinema |
(Rus)
|
|
Sharapova M.
|
| 卷 3, 编号 4 (2011) |
“My Friend Ivan Lapshin” as a Screen Adaptation |
(Rus)
|
|
Sibirtseva Y.
|
| 卷 4, 编号 1 (2012) |
On the Forth Dimension in Animation. Synthetic Peculiarities of Puppet Cartoon Screenwriting |
(Rus)
|
|
Fomina V.
|
| 卷 4, 编号 1 (2012) |
On Creating a Virtual Character (analysis of«Mouchette.org» site) |
(Rus)
|
|
Yugai I.
|
| 卷 4, 编号 2-3 (2012) |
The Actor’s Perception of the Partner’s Speech |
(Rus)
|
|
Avtushenko I.
|
| 卷 4, 编号 1 (2012) |
The Reflection of Ethno-Cultural Stereotypes in Film Art |
(Rus)
|
|
Monakhova M.
|
| 卷 5, 编号 4 (2013) |
Hoffmann’s Dual World in “Hoffmaniada” |
(Rus)
|
|
Trapeznikova Y.
|
| 卷 4, 编号 2-3 (2012) |
The Image of Home in Cinema |
(Rus)
|
|
Reizen O.
|
| 卷 11, 编号 2 (2019) |
The image of prince Myshkin in Russian cinema |
(Rus)
|
|
Ryabokon’ A.
|
| 卷 5, 编号 2 (2013) |
Mythological Time. The Image of the Past in Grigoriy Chukhray’s «Ballad of a Soldier» |
(Rus)
|
|
Bezenkova M.
|
| 卷 5, 编号 4 (2013) |
The Images of China on Russian Screen. A Glance from the Audience |
(Rus)
|
|
Andreyev A., Andreyev I.
|
| 卷 4, 编号 2-3 (2012) |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
|
Nikitina I.
|
| 卷 5, 编号 3 (2013) |
Opyt estetiko-sotsiologicheskogo analiza kinoiskusstva |
(Rus)
|
|
Ushkarev A.
|
| 卷 3, 编号 4 (2011) |
Basic Aspects of the Development of Systematic Repetition in Fine Art |
(Rus)
|
|
Burov A.
|
| 卷 5, 编号 1 (2013) |
Peculiarities of flash Animation |
(Rus)
|
|
Trapeznikova Y.
|
| 卷 3, 编号 2 (2011) |
The Peculiarities of Modern Television Speech |
(Rus)
|
|
Gegelova N.
|
| 卷 4, 编号 4 (2012) |
The Peculiarities of Financial Management of Cinema Houses |
(Rus)
|
|
Ogurchikov P., Pichugin E.
|
| 卷 5, 编号 1 (2013) |
Does cinema remain the driving force of screen culture? |
(Rus)
|
|
Kirillova N.
|
| 卷 2, 编号 2 (2010) |
Russian Cinema for Children and Adolescents. Unsolved Problems |
(Rus)
|
|
Sidorenko V., Sidornko V.
|
| 卷 4, 编号 2-3 (2012) |
The Paradoxes of the Thaw Period |
(Rus)
|
|
Zaitseva L.
|
| 卷 3, 编号 4 (2011) |
Pervaya mezhdunarodnaya nauchnoprakticheskaya konferentsiya «Geroy v dramaturgii sovremennogo fil'ma» |
(Rus)
|
|
- -.
|
| 卷 3, 编号 2 (2011) |
The Search for Visual |
(Rus)
|
|
Yeliseyeva Y.
|
| 卷 3, 编号 4 (2011) |
The Search of New Distribution Patterns in Digital Media Environment |
(Rus)
|
|
Bakulev G.
|
| 卷 1, 编号 1 (2009) |
Postmodernism as Myths Generating Practice |
(Rus)
|
|
Mankovskaya N.
|
| 卷 3, 编号 4 (2011) |
The Poetic Cinema of the Post-Cultural Era |
(Rus)
|
|
Yeliseyeva Y.
|
| 卷 9, 编号 3 (2017) |
PRAVILA DLYa AVTOROV |
(Rus)
|
|
- -.
|
| 卷 3, 编号 2 (2011) |
PRAZDNIK KINO. 33 Moskovskiy mezhdunarodnyy kinofestival' 23.06 - 02.07.2011 |
(Rus)
|
|
- -.
|
| 卷 5, 编号 3 (2013) |
Prazdnik ekrannogo iskusstva |
(Rus)
|
|
- -.
|
| 卷 5, 编号 2 (2013) |
Golden Eagle-2013. Inpressions |
(Rus)
|
|
Yeliseyeva Y.
|
| 卷 3, 编号 1 (2011) |
Nature of Television as a Source ofDocumentary Genres Features |
(Rus)
|
|
Shergova K.
|
| 卷 3, 编号 2 (2011) |
The Parable in the Work of World Film Masters |
(Rus)
|
|
Tugushi S.
|
| 卷 5, 编号 3 (2013) |
The Problem Field of Modern Information Space |
(Rus)
|
|
Malyshev A.
|
| 卷 4, 编号 2-3 (2012) |
Problems of Animation Film Visual Anthropology |
(Rus)
|
|
Krivulya N.
|
| 卷 2, 编号 2 (2010) |
Forecasting the Project's Commercial Efficiency at the Early Stages of Film Production |
(Rus)
|
|
Sarymsakov S., Sarymsakov S.
|
| 卷 5, 编号 4 (2013) |
Travel with Walter Salles |
(Rus)
|
|
Vetrova T.
|
| 卷 11, 编号 2 (2019) |
Framing as a method of creating a film's metaphorical context |
(Rus)
|
|
Korobko R.
|
| 卷 2, 编号 3 (2010) |
Early Antique Imagery |
(Rus)
|
|
Burov A.
|
| 卷 3, 编号 1 (2011) |
Real Television as a Factor of Socio- Cultural Globalization |
(Rus)
|
|
Urazova S.
|
| 卷 5, 编号 3 (2013) |
Regional Aspects of the State Policy in Culture and Art |
(Rus)
|
|
Molchanov I., Molchanova N.
|
| 卷 10, 编号 1 (2018) |
RECOMMENDATIONS AUTHORS |
(Rus)
|
|
- -.
|
| 卷 9, 编号 4 (2017) |
RECOMMENDATIONS AUTHORS |
(Rus)
|
|
- -.
|
| 卷 8, 编号 4 (2016) |
RECOMMENDATIONS AUTHORS |
(Rus)
|
|
- -.
|
| 卷 8, 编号 3 (2016) |
RECOMMENDATIONS AUTHORS |
(Rus)
|
|
- -.
|
| 卷 8, 编号 2 (2016) |
REKOMENDATsII AVTORAM |
(Rus)
|
|
- -.
|
| 卷 7, 编号 2 (2015) |
RECOMMENDATIONS AUTHORS |
(Rus)
|
|
- -.
|
| 卷 3, 编号 4 (2011) |
REKOMENDATsII AVTORAM |
(Rus)
|
|
- -.
|
| 卷 2, 编号 1 (2010) |
REKOMENDATsII AVTORAM |
|
|
- -.
|
| 卷 2, 编号 3 (2010) |
REKOMENDATsII AVTORAM |
(Rus)
|
|
- -.
|
| 卷 1, 编号 1 (2009) |
REKOMENDATsII AVTORAM |
(Rus)
|
|
- -.
|
| 卷 11, 编号 3 (2019) |
Рекомендации авторам |
(Rus)
|
|
.
|
| 卷 11, 编号 4 (2019) |
Рекомендации авторам |
(Rus)
|
|
.
|
| 卷 11, 编号 2 (2019) |
Рекомендации авторам |
(Rus)
|
|
.
|
| 卷 11, 编号 1 (2019) |
Рекомендации авторам |
(Rus)
|
|
.
|
| 卷 12, 编号 2 (2020) |
Рекомендации авторам |
(Rus)
|
|
.
|
| 卷 2, 编号 2 (2010) |
Rekomendatsii avtoram.Usloviya publikatsii statey v nauchnomperiodicheskom zhurnale «Vestnik VGIK» |
(Rus)
|
|
- -.
|
| 卷 2, 编号 1 (2010) |
Remakes. The Artistic and Aesthetic Principles |
(Rus)
|
|
Primakova N., Primakova N.
|
| 卷 5, 编号 2 (2013) |
Representation and Reconstruction of the Time in Non-Fiction Films |
(Rus)
|
|
Razgon L.
|
| 卷 2, 编号 4 (2010) |
The Birth of a Personality from the Carnival Spirit |
(Rus)
|
|
Kolotaev V., Kolotayev V.
|
| 卷 5, 编号 2 (2013) |
The Role of the Information Space in the Culture of the Young Generation |
(Rus)
|
|
Malyshev A.
|
| 卷 4, 编号 2-3 (2012) |
The Role of Memory in the Perception of the Screen Image |
(Rus)
|
|
Poznin V.
|
| 卷 5, 编号 1 (2013) |
Rolf de Heer, one of the most unpredictable film directors |
(Rus)
|
|
Zvegintseva I.
|
| 卷 3, 编号 1 (2011) |
Rossiyskoe animatsionnoe kino |
(Rus)
|
|
Vladykina M.
|
| 卷 3, 编号 3 (2011) |
Russian Television: the Conflict of Matrices |
(Rus)
|
|
Dzyaloshinskiy I.
|
| 卷 3, 编号 2 (2011) |
Russian Television: the Conflict of Matrices |
(Rus)
|
|
Dzyaloshinskiy I.
|
| 卷 6, 编号 2 (2014) |
Hands say (exhibition in the Museum Yermolova) |
(Rus)
|
|
- -.
|
| 卷 3, 编号 4 (2011) |
Liberty as a Cultural Value |
(Rus)
|
|
Mezhuyev V.
|
| 卷 3, 编号 3 (2011) |
A Symbolic Visual Structures in A. Sokurov's cinema |
(Rus)
|
|
Tikhonova M.
|
| 卷 8, 编号 1 (2016) |
Synesthetic Problems in French Symbolism’ Aesthetics and their Current Relevance |
(Rus)
|
|
Mankovskaya N.
|
| 卷 3, 编号 3 (2011) |
Synthesis of Cultures and Mythological Patterns in the film Holidays of the Childhood |
(Rus)
|
|
Pishita Y.
|
| 卷 1, 编号 1 (2009) |
System of audiovisual content distribution with application of digital technologies |
(Rus)
|
|
Levanskaya E.
|
| 卷 3, 编号 1 (2011) |
Situations and Characters of American Pre-War Cinema |
(Rus)
|
|
Fomina V.
|
| 卷 5, 编号 4 (2013) |
Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants |
(Rus)
|
|
Fyodorova A.
|
| 卷 2, 编号 4 (2010) |
Modern Visual Culture: Psychological Space and Time in the Movies |
(Rus)
|
|
Kosenkova N., Kosenkova N.
|
| 601 - 700 的 779 信息 |
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