THEORY AND HISTORY OF CINEMA | AUDIOVISUAL ARTS

标题 文件
卷 13, 编号 3(49) (2021) Alexander Dovzhenko. Poetic Space of Immortality PDF
(Rus)
Vinogradov V.
卷 13, 编号 3(49) (2021) On the Essence and Relevance of the Work on Semantic Oppositions in Creative Writing PDF
(Rus)
Klyueva L.
卷 13, 编号 2(48) (2021) Labyrinth Structure: the Complexity of Plot Construction as a Problem in the Theory of Drama PDF
(Rus)
Kasmynin A.
卷 13, 编号 2(48) (2021) Paradoxes of Deconstruction in Postmodern Aesthetics and Art Cinema PDF
(Rus)
Klyueva L.
卷 13, 编号 1 (2021) The Evolution of the Concept of the Victory in Russian Documentary Cinema PDF
(Rus)
Prozhiko G.
卷 12, 编号 4 (2020) From a Screen Document to a Poetic Image. Making Sense PDF
(Rus)
Prozhiko G.
卷 12, 编号 3 (2020) Cinema Magic: Mask and Myth PDF
(Rus)
Kirillova N.
卷 12, 编号 3 (2020) S.Eisenstein. Aggression of Discourse: Theoretical Justification PDF
(Rus)
Klyueva L.
卷 12, 编号 2 (2020) The Image and Sound of War in the Films “The Ascent” and “Come and See” PDF
(Rus)
Prozorovskaya I.
卷 12, 编号 2 (2020) To Give Hope or To Succumb to Depression? Understanding of Life in Contemporary Russian Cinema PDF
(Rus)
Malyshev V.
卷 12, 编号 1 (2020) Stopover? Non-fiction movies in the first decade after the millennium PDF
(Rus)
Prozhiko G.
卷 12, 编号 1 (2020) The struggle for the Far East in the interpretation of the Vasilyev brothers PDF
(Rus)
Rostotskaya M.
卷 11, 编号 4 (2019) CILECT as the Project of a World Film School: Origins, Specifics, Development PDF
(Rus)
Malyshev V.
卷 11, 编号 4 (2019) Sergei Eisenstein’s Ideas in the Context of Contemporary Cinema. Stereo Film and Stereo Sound PDF
(Rus)
Rusinova E.
卷 11, 编号 3 (2019) Sergei Eisenstein's ideas in the context of modern cinema art. Audiovisual counterpoint PDF
(Rus)
Rusinova E.
卷 11, 编号 3 (2019) Methodological aspects of studying the history of Soviet cinema in the 1930s PDF
(Rus)
Usuvaliev S.
卷 11, 编号 2 (2019) The environment of the cinematic spectacle. The architecture of the early Russian movie theaters PDF
(Rus)
Anisimov A.
卷 11, 编号 2 (2019) Russian Documentary at the Turn of the 21st Century PDF
(Rus)
Prozhiko G.
卷 11, 编号 1 (2019) 电视屏幕上的游乐设施: 交通线游戏的规则 PDF
(Eng)
PDF
(Rus)
Rusinova E.
卷 11, 编号 1 (2019) Between ideology and literature: the discussion of screenplays in the USSR in the 1930s PDF
(Rus)
Goncharenko A.
卷 11, 编号 1 (2019) Cinematic media in digital culture PDF
(Rus)
Bakulev G.
卷 10, 编号 4 (2018) 世界影坛杰作对制片人创造性世界观的影响 PDF
(Eng)
PDF
(简体中)
PDF
(Rus)
Malyshev V.
卷 10, 编号 3 (2018) Sound as a Sign and Artistic Symbol in Film PDF
(Rus)
Rusinova E.
卷 10, 编号 3 (2018) The Way of Genre in Cinema Documentary PDF
(Rus)
PDF
(简体中)
Prozhiko G.
卷 10, 编号 3 (2018) Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? PDF
(Rus)
Pronin A.
卷 10, 编号 2 (2018) Film Art Against Avant-Garde? On the Onthology of Artistic Means PDF
(Rus)
Yakimovich A.
卷 10, 编号 2 (2018) The Product of Film Industry - a Cultural Good in Commodity Form PDF
(Rus)
Zhabsky M.
卷 10, 编号 1 (2018) The Birth of Cinema in the Russian Empire and Film Censorship PDF
(Rus)
Drubek N.
卷 9, 编号 4 (2017) The Birth of Cinema in the Russian Empire and Film Censorship PDF
(Rus)
Drubek N.
卷 9, 编号 3 (2017) Ethnographic Cinema: the Image of the Other PDF
(Rus)
Prozhiko G.
卷 9, 编号 3 (2017) Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s PDF
(Rus)
Sputnitskaya N.
卷 9, 编号 2 (2017) “Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries PDF
(Rus)
Mylnikov D.
卷 9, 编号 2 (2017) Censorship Machine in the Soviet Cinema of the 1920s PDF
(Rus)
Nasrtdinova A.
卷 9, 编号 2 (2017) The Demand for Russian Cinema PDF
(Rus)
Zhabskiy M.
卷 9, 编号 2 (2017) Gender Analysis of the Film “The Poet and the Fallen Soul” PDF
(Rus)
Smagina S.
卷 9, 编号 1 (2017) Cinema and Globalization PDF
(Rus)
Zhabskiy M.
卷 8, 编号 4 (2016) Newsreel: Is Its Revival Possible? PDF
(Rus)
Malkova L.
卷 8, 编号 4 (2016) The Key Art Strategies of “Soyuzmultfilm” in 1944-1946 Years PDF
(Rus)
Sputnitskaya N.
卷 8, 编号 4 (2016) Education Genres Animated Poster in the Second Half of the 20th Century PDF
(Rus)
Krivulya N.
卷 8, 编号 3 (2016) Soviet Puppet Cinema of the 1930s: from Avant-Garde to Mainstream PDF
(Rus)
Sputnitskaya N.
卷 8, 编号 3 (2016) Development of the Animated Poster in the First Half of the XX century PDF
(Rus)
Krivulya N.
卷 8, 编号 2 (2016) Animated Poster: Its Origins, Specificity and Peculiarity PDF
(Rus)
Krivulya N.
卷 8, 编号 2 (2016) Structural Analysis of Film Characters PDF
(Rus)
Boyko M.
卷 8, 编号 1 (2016) The 60s. Half a Century Later. Nostalgia PDF
(Rus)
Prozhiko G.
卷 7, 编号 4 (2015) Toward the Sociological Rationalization of State Film Policy PDF
(Rus)
Zhabskiy M.
卷 7, 编号 4 (2015) The 60s. Half a Century Later. Nostalgia PDF
(Rus)
Prozhiko G.
卷 7, 编号 3 (2015) State-Owned Photo-Cinematic Joint-Stock Company Sovkino (1924-1930): History and Purposes of Creation PDF
(Rus)
Zhdanova V.
卷 7, 编号 3 (2015) Functional Duality of Cinema PDF
(Rus)
Ushkarev A.
卷 7, 编号 2 (2015) Eisenstein’s Aesthetics in Semiotic Perspective PDF
(Rus)
Khrenov N.
卷 7, 编号 2 (2015) From Theory to Methodology of Cinema PDF
(Rus)
Schtein S.
卷 7, 编号 1 (2015) S.M. Eisenstein’s Aesthetics in Semiotic Perspective PDF
(Rus)
Khrenov N.
卷 7, 编号 1 (2015) From Theory to Methodology of Cinema PDF
(Rus)
Schtein S.
卷 7, 编号 1 (2015) The First Men on Venus: Space Travels in Russian Cinema of the 1930-1960s PDF
(Rus)
Sputnitskaya N.
卷 6, 编号 4 (2014) Film Studies As a Normative Academic Discipline PDF
(Rus)
Nikitina I., Ivin A.
卷 6, 编号 3 (2014) State Guardianship of Cinema: The Issue of Goal-Setting PDF
(Rus)
Zhabsky M.
卷 6, 编号 2 (2014) Cinema Policy of Simple Solutions PDF
(Rus)
Zhabsky M.
卷 6, 编号 1 (2014) Soviet cinema as a state budget’s contributor. Distribution in the 1930s PDF
(Rus)
Kosinova M.
卷 6, 编号 1 (2014) “Moscow text” in Russian cinema in the 1920s-1940s PDF
(Rus)
Boyarshinova N.
卷 5, 编号 4 (2013) Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's PDF
(Rus)
Kosinova M.
卷 5, 编号 4 (2013) Soviet Film Expeditions of the 1930's through the Eyes of Greater Tokyo Inhabitants PDF
(Rus)
Fyodorova A.
卷 5, 编号 3 (2013) Film Distribution and Exhibition in Pre-Revolutionary Russia (1896-1907) PDF
(Rus)
Kosinova M.
卷 5, 编号 3 (2013) The Myth of the Authenticity of the Wartime Newsreels PDF
(Rus)
Prozhiko G.
卷 5, 编号 2 (2013) Film as Text. Some Aspects of Text Analysis PDF
(Rus)
Kluyeva L.
卷 5, 编号 2 (2013) American cinema of the Great Depression. The «Social Restlessness Phase» PDF
(Rus)
Zakharov D.
卷 5, 编号 1 (2013) Does cinema remain the driving force of screen culture? PDF
(Rus)
Kirillova N.
卷 4, 编号 4 (2012) The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory PDF
(Rus)
Kluyeva L.
卷 4, 编号 2-3 (2012) Sociocultural Functions of Film Libraries and Archives PDF
(Rus)
Malyshev V.
卷 4, 编号 2-3 (2012) World War Two in the Cinema of the Late 1950s PDF
(Rus)
Zaitseva L.
卷 4, 编号 2-3 (2012) The Non-Selection Virus. A. Zvyagintsev’s «Elena» in Terms of Identity Theory PDF
(Rus)
Kluyeva L.
卷 4, 编号 2-3 (2012) Personal Critical Points in Soviet Cinema: from «Ilyich Gate» to «Flights in Dreams and in Reality» PDF
(Rus)
Bezenkova M.
卷 4, 编号 1 (2012) Moral Aspects of Russian PreRevolutionary Cinema. Yakov Protazanov PDF
(Rus)
Rostotskaya M.
卷 4, 编号 1 (2012) Mirror and its Semiotic Modifications in Culture PDF
(Rus)
Kljueva L.
卷 3, 编号 4 (2011) Moral Aspects of Russian PreRevolutionary Cinema PDF
(Rus)
Rostotskaya M.
卷 3, 编号 4 (2011) The Significance of Myth in the Work of Andrey Zvyagintsev PDF
(Rus)
Kljueva L.
卷 3, 编号 3 (2011) Observing the Observer, or the Poetics of Deconstruction. Based on New York, I Love You by A. Zvyagintsev PDF
(Rus)
Kljueva L.
卷 3, 编号 2 (2011) To the Semiotics of the Mirror and Reflectivity PDF
(Rus)
Kljueva L.
卷 3, 编号 1 (2011) A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema PDF
(Rus)
Kljueva L.
卷 2, 编号 4 (2010) A. Zvyagintsev's «The Banishment» and the Tradition of Transcendental Cinema PDF
(Rus)
Klyueva L., Kljueva L.
卷 2, 编号 3 (2010) Film Art in the System of Forming a Stage Identity Model PDF
(Rus)
Kolotayev V.
卷 2, 编号 2 (2010) The Unknown Cinema of the War and Victory PDF
(Rus)
Grashchenkova I., Grashchenkova I.
卷 2, 编号 2 (2010) Second World War Film Chronicle PDF
(Rus)
Prozhiko G., Prozhiko G.
卷 2, 编号 2 (2010) In Anticipation of Esthetic Revolution: Western Fiction and Documentary Film of 1940-1945 PDF
(Rus)
Utilov V., Utilov V.
卷 2, 编号 1 (2010) Historical time in a film structure(end, beginning in № 1) PDF
(Rus)
Marievskaya N., Marievskaya N.
卷 2, 编号 1 (2010) Aki Kaurismaki: Two Films in Close-up(to the history of "New Finnish Cinema") PDF
(Rus)
Turitsyn V., Turitsyn V.
卷 1, 编号 1 (2009) Historical time in a film structure PDF
(Rus)
Marievskaya N.
卷 1, 编号 1 (2009) Postmodernism as Myths Generating Practice PDF
(Rus)
Mankovskaya N.
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