| 期 |
标题 |
文件 |
| 卷 10, 编号 4 (2018) |
“VGIK DAYS”: FOREIGN ROUTES |
(Rus)
|
|
Editorial -.
|
| 卷 10, 编号 3 (2018) |
VGIK. Raznoobrazie graney mezhdunarodnogo sotrudnichestva |
(Rus)
|
|
Editorial office a.
|
| 卷 10, 编号 3 (2018) |
Vladimir Mayakovsky as a Film Actor: a “Star” or an Amateur? |
(Rus)
|
|
Pronin A.
|
| 卷 10, 编号 3 (2018) |
Sound as a Sign and Artistic Symbol in Film |
(Rus)
|
|
Rusinova E.
|
| 卷 10, 编号 3 (2018) |
The Way of Genre in Cinema Documentary |
(Rus)
(简体中)
|
|
Prozhiko G.
|
| 卷 10, 编号 3 (2018) |
The Influence of Far Eastern Culture on the Creative Work of S.M.Eisenstein |
(简体中)
(Rus)
|
|
Song J.
|
| 卷 10, 编号 3 (2018) |
Mythologeme of Asceticism in the National Cinema the 1930s |
(Rus)
|
|
Zubkina Y.
|
| 卷 10, 编号 3 (2018) |
BIBLIOTEKA VGIK |
(Rus)
|
|
Editorial -.
|
| 卷 10, 编号 3 (2018) |
Characteristics of Traditional Aesthetics in the Film Music of the Far East Countries |
(Rus)
|
|
Sergeeva T.
|
| 卷 10, 编号 3 (2018) |
Stunt Trickery as an Effective Spectacle Means of Artistic Expressiveness |
(Rus)
|
|
Danilov D.
|
| 卷 10, 编号 3 (2018) |
The Doppelgänger Motif in the “New Sincerity” Cinema |
(Rus)
|
|
Kuznetsova M.
|
| 卷 10, 编号 3 (2018) |
The Image of Femme Fatale in German Films of the 1920s as Evidence of the Process of Society Renewal |
(Rus)
|
|
Smagina S.
|
| 卷 10, 编号 3 (2018) |
Choreographic Art on the Cinema Screen: Film-Ballet or Ballet-Film? |
(Rus)
|
|
Khokhlova D.
|
| 卷 10, 编号 2 (2018) |
VGIK celebrates its 100th anniversary. Visit to the Republic of Kazakhstan |
(Rus)
|
|
- E.
|
| 卷 10, 编号 3 (2018) |
BIBLIOTEKA VGIK |
(Rus)
|
|
Edition -.
|
| 卷 10, 编号 2 (2018) |
Film Art Against Avant-Garde? On the Onthology of Artistic Means |
(Rus)
|
|
Yakimovich A.
|
| 卷 10, 编号 3 (2018) |
Small Screen and Great Ambitions: Australian Television Series in the Cultural Context of the Country |
(Rus)
|
|
Zvegintseva I.
|
| 卷 10, 编号 2 (2018) |
The Product of Film Industry - a Cultural Good in Commodity Form |
(Rus)
|
|
Zhabsky M.
|
| 卷 10, 编号 3 (2018) |
Film Viewing of the Russians on TV Channels: Sociological Analysis |
(Rus)
|
|
Sharikov A.
|
| 卷 10, 编号 2 (2018) |
Screen Metamorphoses of Ivan Pyryev |
(Rus)
|
|
Kirillova N.
|
| 卷 10, 编号 4 (2018) |
Contemporary Russian Cinema and Its World Contexts |
(Rus)
|
|
Reisen O.
|
| 卷 10, 编号 2 (2018) |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
(Rus)
|
|
Novikov V.
|
| 卷 10, 编号 4 (2018) |
The Image of the Provinces in the Russian Cinema of the 2000s As a Focus of Civil Identity |
(Rus)
|
|
Mikheeva Y.
|
| 卷 10, 编号 2 (2018) |
Mind-Body Dialectics in the Latest Science Fiction TV-Series |
(Rus)
|
|
Stroyeva O.
|
| 卷 10, 编号 4 (2018) |
Involuntary Behavior of Gogol’s Heroes |
(Rus)
|
|
Mildon V.
|
| 卷 10, 编号 2 (2018) |
BOOKSHELF |
(Rus)
|
|
- E.
|
| 卷 10, 编号 4 (2018) |
Transformation of the Archaic Myth and the Discourse of Power in Alexander Sokurov’s “Moloch” |
(Rus)
|
|
Vinogradov V.
|
| 卷 10, 编号 2 (2018) |
The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause |
(Rus)
|
|
Rusinova E., Khabchuk E.
|
| 卷 10, 编号 4 (2018) |
Composition as a Method of Communication in the Teaching of Fine Arts |
(Rus)
|
|
Sveshnikov A.
|
| 卷 10, 编号 2 (2018) |
Screen Self-Reflection: Classification of Species |
(Rus)
|
|
Solovyova M.
|
| 卷 10, 编号 4 (2018) |
Riddle as a Structural Element of the Quest Genre |
(Rus)
|
|
Yankovskiy A.
|
| 卷 10, 编号 2 (2018) |
Psychological Insight in Asgar Farhadi’s Early Films |
(Rus)
|
|
Grigorieva N.
|
| 卷 10, 编号 4 (2018) |
The Culture of the XVIIIth Century and the Return to the Human Being |
(Rus)
|
|
Pondopulo G.
|
| 卷 10, 编号 2 (2018) |
Financing Cinema Production as a High-Risk Activity |
(Rus)
|
|
Molchanova N.
|
| 卷 10, 编号 4 (2018) |
The Philosophy of Art, Aesthetics and Art History as Scientific Disciplines |
(Rus)
|
|
Nikitina I.
|
| 卷 10, 编号 2 (2018) |
Prospects for Professional Training of Producers in the Context of the Development of Film Business in Russia |
(Rus)
|
|
Sidorenko V.
|
| 卷 10, 编号 4 (2018) |
The Influence of Works by Frank Wedekind on the German Cinema of the Early ХХ Century |
(Rus)
|
|
Smagina S.
|
| 卷 10, 编号 2 (2018) |
“New Drama” in the Context of the Historical Film |
(Rus)
|
|
Kuzmina L.
|
| 卷 10, 编号 4 (2018) |
The Impact of Creative Content on the Modification of the Film Exhibition Structure in Russia |
(Rus)
|
|
Bezenkova M.
|
| 卷 10, 编号 2 (2018) |
RECOMMENDATIONS AUTHORS |
(Rus)
|
|
- E.
|
| 卷 10, 编号 4 (2018) |
Visual Picture of the World in the Reflection of Modern Media |
(Rus)
|
|
Utilova N.
|
| 卷 10, 编号 1 (2018) |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
|
Drubek N.
|
| 卷 10, 编号 1 (2018) |
On «Pretty Young Lady», Dos Passos and the Textology of «Art» |
(Rus)
|
|
Zabrodin V.
|
| 卷 10, 编号 1 (2018) |
Trends of the Song Genre Development in the Soviet/Russian Cinema in 1930-1960s years |
(Rus)
|
|
Parfentyeva E.
|
| 卷 10, 编号 1 (2018) |
Grief as a Cognitive Metaphore in “Manchester by the Sea” |
(Rus)
|
|
Tsyrkun N.
|
| 卷 10, 编号 1 (2018) |
Aesthetics of Interactivity: Between Game and Film. To Watch or to Play? |
(Rus)
|
|
Novikov V.
|
| 卷 10, 编号 1 (2018) |
Contribution of Artists Teaching at the Russian Federation S.A. Gerasimov Institute of Cinematography into Formation and Development of the Fine Arts in Mongolia in 20th century |
(Rus)
|
|
Melekhova X.
|
| 卷 10, 编号 3 (2018) |
Multivariance of Reality in the Digital Paradigm |
(Rus)
(简体中)
|
|
Urazova S.
|
| 卷 10, 编号 3 (2018) |
REKOMENDATsII AVTORAM |
(Rus)
|
|
Editorial office a.
|
| 卷 10, 编号 1 (2018) |
Maurice Maeterlinck’s Philosophy of Art |
(Rus)
|
|
Mankovskaya N.
|
| 卷 10, 编号 1 (2018) |
The Influence of Cultural Traditions on Sound Design Techniques in Japanese Cinema. Sound Effects and Music |
(Rus)
|
|
Rusinova E., Habchuk E.
|
| 卷 10, 编号 1 (2018) |
The Transformation of the Jesse James’ Myth in Contemporary American Cinema |
(Rus)
|
|
Zakharov D.
|
| 卷 10, 编号 1 (2018) |
The Origins of the First Sound Animation: Songs Series by the Fleischer Brothers |
(Rus)
|
|
Krivulya N.
|
| 卷 10, 编号 1 (2018) |
BIBLIOTEKA VGIK |
(Rus)
|
|
- E.
|
| 卷 10, 编号 1 (2018) |
The Science of the History of Media: Approaches and Concepts |
(Rus)
|
|
Bakulev G.
|
| 卷 9, 编号 4 (2017) |
Educational project Triumph on Bothe Sides of the Ocean To the 75th Anniversary of the Oscar’s awarding for the Soviet film |
(Rus)
|
|
Editorial -.
|
| 卷 9, 编号 4 (2017) |
The Birth of Cinema in the Russian Empire and Film Censorship |
(Rus)
|
|
Drubek N.
|
| 卷 9, 编号 4 (2017) |
The Storming of the Winter Palace as a Mythmaking of National Screen Culture |
(Rus)
|
|
Ilchenko S.
|
| 卷 9, 编号 4 (2017) |
Contemporary Hero in the Wartime Chronotope |
(Rus)
|
|
Muradov A., Shergova K.
|
| 卷 9, 编号 4 (2017) |
Film Reconstruction of the Past as a Method of Understanding Reality |
(Rus)
|
|
Marusenkov V.
|
| 卷 9, 编号 4 (2017) |
Metaphor in Cinema: Specifics of its Creation and Perception |
(Rus)
|
|
Poznin V.
|
| 卷 9, 编号 4 (2017) |
Criteria of Composition of Documentaries about Nature |
(Rus)
|
|
Berkova N.
|
| 卷 9, 编号 4 (2017) |
Hearing and Speech Voice Expressiveness of the Actor |
(Rus)
|
|
Avtushenko I.
|
| 卷 9, 编号 4 (2017) |
Synthesis of Arts in Vasily Kandinsky's Creative Work |
(Rus)
|
|
Kharitonova N.
|
| 卷 10, 编号 1 (2018) |
The Media Image as a Motivator for the Humanization of Society |
(Rus)
|
|
Vazhenina O.
|
| 卷 10, 编号 1 (2018) |
Sergey Eisenstein. A Look into Eternity |
(Rus)
|
|
Palshkova M.
|
| 卷 9, 编号 3 (2017) |
Ethnographic Cinema: the Image of the Other |
(Rus)
|
|
Prozhiko G.
|
| 卷 9, 编号 3 (2017) |
Ideological Environment and Aesthetics in Fantastic Films of Russia and USA in 1950s |
(Rus)
|
|
Sputnitskaya N.
|
| 卷 9, 编号 3 (2017) |
To the Problem of the Numinous. The Sacrum Level of A. Tarkovsky’ Films |
(Rus)
|
|
Klyueva L.
|
| 卷 9, 编号 3 (2017) |
Voice in the Metadiegetic Space of the Motion Picture |
(Rus)
|
|
Rusinova E.
|
| 卷 9, 编号 3 (2017) |
Screen Imagery as Reflected through Mythologems |
(Rus)
|
|
Marusenkov V.
|
| 卷 9, 编号 3 (2017) |
Keynote Narration and Theory of Distance: Analysis of the Seasons |
(Rus)
|
|
Fedotkin S.
|
| 卷 9, 编号 3 (2017) |
Contextual Argumentation in the Humanities |
(Rus)
|
|
Ivin A., Nikitina I.
|
| 卷 9, 编号 3 (2017) |
Mediatext Language Practices as a Factor in Representation of Reality |
(Rus)
|
|
Kirillova N.
|
| 卷 9, 编号 3 (2017) |
India and England in the Mirror of Screen |
(Rus)
|
|
Zvegintseva I.
|
| 卷 9, 编号 4 (2017) |
Counterculture and Its Impact upon American Rock Music Documentaries in 1960-1970s |
(Rus)
|
|
Kazyuchits M.
|
| 卷 9, 编号 4 (2017) |
Development of Culture: Methodological Basis of State Regulation |
(Rus)
|
|
Molchanov I.
|
| 卷 9, 编号 4 (2017) |
Information Requirements of Society and Expressivity of Audiovisual Media |
(Rus)
|
|
Malkova L.
|
| 卷 9, 编号 4 (2017) |
BIBLIOTEKA VGIK |
(Rus)
|
|
Editorial -.
|
| 卷 9, 编号 2 (2017) |
The Demand for Russian Cinema |
(Rus)
|
|
Zhabskiy M.
|
| 卷 9, 编号 4 (2017) |
The Un-Gone Past in the Context of Research |
(Rus)
|
|
Pal'shkova M.
|
| 卷 9, 编号 2 (2017) |
Gender Analysis of the Film “The Poet and the Fallen Soul” |
(Rus)
|
|
Smagina S.
|
| 卷 9, 编号 2 (2017) |
“Cine-Eye”: the Concept of Conventionality in Dziga Vertov’s Documentaries |
(Rus)
|
|
Mylnikov D.
|
| 卷 9, 编号 2 (2017) |
Censorship Machine in the Soviet Cinema of the 1920s |
(Rus)
|
|
Nasrtdinova A.
|
| 卷 9, 编号 2 (2017) |
The Image of the Invisible Observer in Andrei Tarkovksy’s “Mirror” |
(Rus)
|
|
Fedotkin S.
|
| 卷 9, 编号 2 (2017) |
The Problem of Adaptation of Utopias in Russian Cinema |
(Rus)
|
|
Shesteric O.
|
| 卷 9, 编号 2 (2017) |
Music in the Metadigetic Space of the Motion Picture |
(Rus)
|
|
Rusinova E.
|
| 卷 9, 编号 2 (2017) |
Compensatory Happy Ending as a Typological Group of a Film Finale |
(Rus)
|
|
Shevtsov V.
|
| 卷 9, 编号 2 (2017) |
Desktop Films. To Read or to Watch? |
(Rus)
|
|
Novikov V.
|
| 卷 9, 编号 3 (2017) |
The Aspects of Body in American Film Noir (1941-1955) |
(Rus)
|
|
Orozbaev K.
|
| 卷 9, 编号 3 (2017) |
Russia's Contribution to Digital TV Broadcasting |
(Rus)
|
|
Urazova S.
|
| 卷 9, 编号 1 (2017) |
Cinema and Globalization |
(Rus)
|
|
Zhabskiy M.
|
| 卷 9, 编号 1 (2017) |
The Techniques of Visual and Audial Distinction between Diegesis and Metadiegesis in a Motion Picture |
(Rus)
|
|
Rusinova E.
|
| 卷 9, 编号 1 (2017) |
The Mystery of Identification Occurence in Relation of the Spectator with Performance and the Main Character in Cinema |
(Rus)
|
|
Arysheva A.
|
| 卷 9, 编号 1 (2017) |
Kinoteatr.doc in Search of the «Real» Movies |
(Rus)
|
|
Kuzmina L.
|
| 卷 9, 编号 1 (2017) |
Dynamics of Corporality and Static Models of Space in Thriller Dramaturgy |
(Rus)
|
|
Kozlova S.
|
| 卷 9, 编号 1 (2017) |
Music as a Part of the Theatrical Game of the Movie |
(Rus)
|
|
Mikheeva Y.
|
| 卷 9, 编号 1 (2017) |
The Principle of Mirror Reflection and the Ways of Manifesting the Transcendent in Tarkovsky’s The Mirror |
(Rus)
|
|
Klyueva L.
|
| 卷 9, 编号 2 (2017) |
Individualism as a Cultural Syndrome in Recent American Cinema |
(Rus)
|
|
Tsyrkun N.
|
| 卷 9, 编号 2 (2017) |
Cinema of Arabic East: the Problem of Radical Islam |
(Rus)
|
|
Shakhov A.
|
| 1 - 100 的 779 信息 |
1 2 3 4 5 6 7 8 > >> |
